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Season 4 of Afrocentric opens with an editor’s note that sets the tone for what’s ahead — a return to the roots, rhythms, and raw spaces that shaped Black expression. Freestyle 1: On The Chitterlin Circuit isn’t just a title; it’s a call to gather in the “hole in the wall,” those sacred, gritty places where truth and art were born out of survival.
This season looks back to the Chitterlin Circuit — the juke joints, bars, theaters, and backroom stages that carried the sound and soul of Black America during segregation — and turns that spirit into a modern metaphor. We’re creating our own circuit now: a safe space to question everything, challenge narratives, and center the world through the lens of Ancient Kemet and living Afrocentricity.
It’s about redefining what it means to be Afrocentric today — not just in name, but in thought, spirit, and perception. Expect deep questions, fearless perspectives, and bold conversations that stretch beyond comfort zones
By Morgan GraySeason 4 of Afrocentric opens with an editor’s note that sets the tone for what’s ahead — a return to the roots, rhythms, and raw spaces that shaped Black expression. Freestyle 1: On The Chitterlin Circuit isn’t just a title; it’s a call to gather in the “hole in the wall,” those sacred, gritty places where truth and art were born out of survival.
This season looks back to the Chitterlin Circuit — the juke joints, bars, theaters, and backroom stages that carried the sound and soul of Black America during segregation — and turns that spirit into a modern metaphor. We’re creating our own circuit now: a safe space to question everything, challenge narratives, and center the world through the lens of Ancient Kemet and living Afrocentricity.
It’s about redefining what it means to be Afrocentric today — not just in name, but in thought, spirit, and perception. Expect deep questions, fearless perspectives, and bold conversations that stretch beyond comfort zones