Freeze Frame

Freeze Frame

By KKFI 90.1 FM Kansas City Community RadioLeisure
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Freeze Frame episodes

  • FREEZE FRAME: “Hostiles” (R), “Maze Runner: The Death Cure” (PG-13)
    The clichés and stereotypes that populate most Westerns are upended in “Hostiles,” a brutal, challenging and beautifully filmed drama. Christian Bale leads a terrific cast in the story of a war weary Army captain who, in the late 1800s, reluctantly escorts a group of Cheyenne prisoners on a torturous journey from New Mexico to Wyoming. Wes Studie plays a dying Cheyenne war chief and Rosamund Pike is a woman whose family was brutally murdered by renegades.   Writer/director Scott Cooper makes some potent statements about the cycle of violence that permeated US history. But many of the scenes in this ultraviolent and drawn out saga continue to linger, hammering home their points long after they’ve been made. While the sentiments presented in “Hostiles” may be way overdue, the drama of “Hostiles” is way overlong.   And speaking of overlong, the third and supposedly final chapter in the “Maze Runner” saga has finally arrived. “Maze Runner: The Death Cure” completes the dystopian sci-fi story about a bleak future affected by solar flares, disease, zombies and wicked pseudo-governmental agencies. Dylan O’Brian is back as a young man leading a ragtag group of teens fighting for their lives while trying to figure out…
    2 min
  • FREEZE FRAME: “12 Strong” (R), “Phantom Thread” (R), “Call Me by Your Name” (R), “Small Town Crime” (R)
    Chris Hemsworth moves from superhero to war hero in“12 Strong,” a tale inspired by the true story of the Green Beret soldiers who were the first sent into action in Afghanistan after 9/11. Historians may quibble about the accuracy of the proceedings and some may find this standard action flick a bit jingoistic, but it’s a suitable tribute to those brave men who willingly put themselves in harm’s way. “Phantom Thread” is reportedly Daniel Day-Lewis’ final film appearance and, as always, he delivers an imposing performance. He plays a British fashion designer in the 1950s who uses and misuses his young muse, played by Luxembourger actress, Vicky Krieps (creeps). Paul Thomas Anderson’s film is sumptuously and meticulously made, but has some grating plot elements lessen its impact. Timothée Chalamet and Armie Hammer star in “Call Me by Your Name,” a gay coming of age story set in Italy in the early 1980s. Chalamet plays a conflicted teen who falls for a grad student visiting his family’s 17th century Italian villa. There are a couple of excellent scenes that help make up for some of the duller ones. Overall, it’s well acted and beautifully filmed…but perhaps a bit too subtle for its…
    2 min
  • FREEZE FRAME: “The Post” (PG-13), “The Commuter” (PG-13)
    One of the year’s most acclaimed movies has finally gotten its Kansas City release. It's hard to imagine a timelier movie about freedom of the press than “The Post.” Tom Hanks and Meryl Streep star in Steven Spielberg's riveting drama about the Washington Post's behind the scenes struggles leading up to the publication of the Pentagon Papers in 1971. Streep once again shows why she’s our greatest actress playing The Post’s troubled publisher, Katherine Graham. Tom Hanks adds another notch on his belt as the paper’s grizzled editor, Ben Bradlee. One of the most difficult things for a filmmaker to accomplish is to build tension and suspense in a story where most of the audience already knows the outcome. Spielberg and company pull it off in “The Post,” and that’s no small feat. It’s nice to see guys in their 60s who are still able to kick some backside. Liam Neeson’s latest action thriller is “The Commuter,” the tale of an insurance agent/former policeman who is blackmailed into hunting for a murder witness on a commuter train. Neeson teams up for the fourth time with action director Jaume Collet-Sera and while there are plenty of eye-rolling coincidences and ridiculous plot…
    2 min
  • FREEZE FRAME: “Molly’s Game,” “All the Money in the World”
    Oscar-winning screenwriter Aaron Sorkin is best known for his machine gun dialogue for movies like “The Social Network” and “A Few Good Men.” It should be no surprise that he also takes a rat-a-tat approach for his first effort as director, “Molly’s Game.” The method fits the subject matter perfectly. Jessica Chastain stars in the true story of Molly Bloom, a former Olympic-class skier who ran a multi-million dollar poker games. When the FBI busts her for unwittingly allowing Russian mobsters in the game, lawyer Charlie Jaffey, played by Idris Elba, comes to her defense.   Chastain and Elba are more than up to the challenge of Sorkin’s quick-witted repartee and it’s an arresting true story. There are moments, however, when you want Sorkin to take a break from the lightning chatter because all of the characters start to sound the same. Still, “Molly’s Game” will fill the bill for people who want something to think about when they go to a movie.   The fact that director Ridley Scott got his movie “All the Money in the World” into theaters by the end of the year is a more impressive an accomplishment than the movie itself. At the last…
    2 min

About Freeze Frame

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Freeze Frame is a weekly show reviewing the latest movies from Hollywood's best films to independent and arthouse movies.