Freeze Frame

Freeze Frame

By KKFI 90.1 FM Kansas City Community RadioLeisure
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Freeze Frame episodes

  • FREEZE FRAME: “Going in Style,” “The Void”
    There are three Oscar winners in the buddy comedy, “Going in Style” and their presence gives this broad, shopworn farce a very big boost. A loose remake of the 1979 George Burns movie of the same name, “Going in Style” stars Morgan Freeman, Michael Caine and Alan Arkin as three retirees who, faced with financial difficulties, decide to rob a bank. Director Zach Braff takes a very lighthearted approach to the material and, as a result, it’s less credible than the thoughtful original. But, thankfully, the three stars bring innate likeability and class to their roles. “Going in Style” may lack style, but it’s a crowd-pleaser.   It’s clear that the grisly horror flick “The Void” was inspired by the work of H. P. Lovecraft and John Carpenter. But this derivative gore-fest was clearly written as an excuse for its filmmakers to showcase their skills in over-the-top makeup effects. In a small, isolated town, members of a murderous cult surround a hospital where an evil entity has taken over the bodies of innocent folks, transforming them into hideous beasts. This deadly serious ode to 80s horror movies could have used a dose of humor, but it delivers the shudders for…
    2 min
  • FREEZE FRAME: “Ghost in the Shell,” “Land of Mine”
    The first live-action adaptation of the phenomenally popular Japanese manga comic and anime series “Ghost in the Shell” finally reaches the big screen. Scarlett Johansson plays a woman who is given cyber-enhancement after a near fatal accident. She’s then recruited as a crime fighter, but like Jason Bourne, seeks to recover her true identity.
    This fantasy is a step up for filmmaker Rupert Sanders, best known for the over the top TV commercials. His last effort was the big budget opus, “Snow White and the Huntsman.” He captures the comic's strange, dark tone of paranoia, but "Ghost in the Shell" is uniquely Japanese, so they should have cast it that way.
    “Land of Mine” is an Oscar-nominated Danish drama about one of the shameful moments in Denmark’s history. Right after WWII, a group of German POWs, mostly boys, was forced into what was essentially a suicide mission. Their task was to remove hundreds of active mines on the Danish coastline that were left there by German troops. Although it is a wrenching and disturbing film to watch, it underscores how hatred and bitterness can cloud our thinking. It also shows that it’s possible to grow out of it.
    Also opening this week, “Personal Shopper” is an art house horror thriller starring Kristen Stewart as the shopper for a European celebrity. “T2: Trainspotting” is the long-awaited sequel to Danny Boyle’s acclaimed drama about Scottish heroine addicts. “The Zookeeper’s Wife” stars Jessica Chastain in the true story of a Polish woman who worked with the Resistance during WWII. “Boss Baby” is an animated spoof voiced by Alec Baldwin. “The Devil’s Candy” is a haunted house flick starring Ethan Embry.
    The 20th annual Kansas City Film Festival takes place April 5th-9th at the Cinemark Palace on the Plaza. Info is available at kcfilmfest.org.
    2 min
  • FREEZE FRAME: “Ghost in the Shell,” “Land of Mine”
    The first live-action adaptation of the phenomenally popular Japanese manga comic and anime series “Ghost in the Shell” finally reaches the big screen. Scarlett Johansson plays a woman who is given cyber-enhancement after a near fatal accident. She’s then recruited as a crime fighter, but like Jason Bourne, seeks to recover her true identity. This fantasy is a step up for filmmaker Rupert Sanders, best known for the over the top TV commercials. His last effort was the big budget opus, “Snow White and the Huntsman.” He captures the comic's strange, dark tone of paranoia, but "Ghost in the Shell" is uniquely Japanese, so they should have cast it that way. “Land of Mine” is an Oscar-nominated Danish drama about one of the shameful moments in Denmark’s history. Right after WWII, a group of German POWs, mostly boys, was forced into what was essentially a suicide mission. Their task was to remove hundreds of active mines on the Danish coastline that were left there by German troops. Although it is a wrenching and disturbing film to watch, it underscores how hatred and bitterness can cloud our thinking. It also shows that it’s possible to grow out of it. Also opening…
    2 min
  • FREEZE FRAME: “Life,” “The Last Word,” “Wilson”
    Is there life in “Life?” This sci-fi thriller features Jake Gyllenhaal and Ryan Reynolds as astronauts who confront a deadly new species on their voyage to Mars. The film owes a bit too much of its inspiration to the classic “Alien,” but thanks to a good cast and competent execution, “Life” nearly overcomes most of its genre clichés.
     
    Hollywood legend Shirley MacLaine is perfectly cast as a nasty old lady in the comic drama, “The Last Word.” Since no one has anything nice to say about her, an unlikable octogenarian hires a writer, played by Amanda Seyfried, to pen a flattering obituary. The actors are fine, but the effort seems labored. “The Last Word” misses the opportunity to mine an interesting, original premise.
     
    Woody Harrelson plays the misanthropic title character in “Wilson,” a bleak, R-rated adaptation of Daniel Clowes’ graphic novel. The film attempts a very uneasy mix of mean-spiritedness and cloying sentimentality. While the cast is terrific, the characters in this dark comedy are so clueless and unlikable that their actions elicit more groans than laughs.
     
    Also opening this week, “Slamma Jamma” is a faith-based drama about a wrongfully imprisoned ex-con who attempts a comeback through a slam-dunk competition. Chris Staples stars. “Song to Song” is a Terrance Malick drama about struggling songwriters. Rooney Mara, Ryan Gosling, Michael Fassbender and Natalie Portman star. “The Lure” is a Polish film about two mermaid sisters in a love triangle. “Personal Shopper” is a horror flick with Kristen Stewart as the titular servant to a celebrity. “Power Rangers” is a live action revival of the 1990s kids TV show. “CHiPS” is a raunchy, R-rated reboot of the 70s TV series.
     
     
    The 20th annual Kansas City Film Festival takes place April 5th-9th at the Cinemark Palace on the Plaza. Info is available at kcfilmfest.org.
    3 min
  • FREEZE FRAME: “Life,” “The Last Word,” “Wilson”
    Is there life in “Life?” This sci-fi thriller features Jake Gyllenhaal and Ryan Reynolds as astronauts who confront a deadly new species on their voyage to Mars. The film owes a bit too much of its inspiration to the classic “Alien,” but thanks to a good cast and competent execution, “Life” nearly overcomes most of its genre clichés.   Hollywood legend Shirley MacLaine is perfectly cast as a nasty old lady in the comic drama, “The Last Word.” Since no one has anything nice to say about her, an unlikable octogenarian hires a writer, played by Amanda Seyfried, to pen a flattering obituary. The actors are fine, but the effort seems labored. “The Last Word” misses the opportunity to mine an interesting, original premise.   Woody Harrelson plays the misanthropic title character in “Wilson,” a bleak, R-rated adaptation of Daniel Clowes’ graphic novel. The film attempts a very uneasy mix of mean-spiritedness and cloying sentimentality. While the cast is terrific, the characters in this dark comedy are so clueless and unlikable that their actions elicit more groans than laughs.   Also opening this week, “Slamma Jamma” is a faith-based drama about a wrongfully imprisoned ex-con who attempts a comeback through…
    2 min
  • FREEZE FRAME: “Beauty and the Beast” (PG), “Sense of an Ending” (PG-13)
    It’s a tale as old as time, but when Disney goes back to the well it’s usually worth the trip. The 1991 animated classic “Beauty and the Beast” gets a rousing ‘live-action’ reboot, although I use the term “Live-action” loosely when there’s this much computer animation involved. Emma Watson steps out of the world of Harry Potter and into the role of Belle, the provincial French beauty who warms the heart of a cursed beast, played by “Downton Abby’s” Dan Stevens.   The production values are first rate, the terrific music by Alan Menken and Howard Ashman is mostly well delivered, but the addition of some unnecessary new tunes by Menken and Tim Rice slows things down, ballooning the running time from the original’s 85 minutes to two hours and nine minutes.   Yet, there’s plenty of movie magic and heart-tugging sentiment in this $160 million 3-D extravaganza. While it doesn’t live up to the standard of the Oscar-winning original, this new “Beast” has a “Beauty” all its own and hits an emotional bull’s-eye.   Can a youthful mistake be amended in one’s old age? What if the memory of it is unreliable? These are the central questions behind the…
    2 min

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Freeze Frame is a weekly show reviewing the latest movies from Hollywood's best films to independent and arthouse movies.