Friars and Film

Our Fellini foray is here finished. We try to tackle his two greatest films and find ourselves limited. Follow us to the early 1960s as we cover nearly 6 hours of film, tracking the decline of journalist Marcello Rubini and that of the director himself. Other themes include: Biblical fish, serial adultery, and self-absorbed artists. Intro music: "Magne Pater" by Dominican Schola Cantorum. Outro music: "Experimental Film" by They Might Be Giants.

Pope Francis' favorite film is Federico Fellini's 1954 story of a clown who with dignity and grace navigates her life on the road. We discuss mid century Italian life and the danger of living a life of perhaps too much comedy. We are joined by another guest, Joseph McHenry. Intro music: "Magne Pater" by Dominican Schola Cantorum. Outro music: "E' bella la strada" by Claudio Chieffo.

A discussion of John Ford's 1939 film, self-described as "a powerful story of 9 strange people." We discuss the western genre, the concept of home, and John Wayne's faith. Intro music: "Magne Pater" by Dominican Schola Cantorum. Outro music: "Rawhide" by Frankie Laine.

Maybe you saw Christopher Nolan's most recent film and had no idea what happened. We reveal all secrets here. Listen for more. We are joined by Fr. Gregory Pine. Intro music: "Magne Pater" by Dominican Schola Cantorum. Outro music: "Floating on Air" by Spa Music.

Luxury, revolution, matchmaking, and the strong ocean currents of Sicily. Join us for a discussion of Luchino Visconti's 1963 film, an adaptation of the earlier novel by Lampedusa. Intro music: "Magne Pater" by Dominican Schola Cantorum. Outro music: "Mamba Italiano" by Frank Sinatra and Dean Martin.

For everyone interested in more Swedish drama films, this is the one for you. Join us as we discuss our second Ingmar Bergman film and once again look death in the face. Intro music: "Magne Pater" by Dominican Schola Cantorum. Outro music: "Strawberry Fields Forever" by The Beatles.

A discussion of the1922 silent vampire film by F.W. Murnau. This edition should delight and inform the average movie viewer, while perhaps frustrating true Stoker scholars of this field. It is a field in which we are not experts. Intro music: "Magne Pater" by Dominican Schola Cantorum. Outro music: "Nosferatu" by Blue Oyster Cult.

Our third time covering Terrence Malick, here in his early 1978 film on migrant workers. You can see Richard Gere harvesting wheat in the Texas Panhandle, echoing the story of Abraham and Sara, all shot in natural light and very often at dusk. Intro music: "Magne Pater" by Dominican Schola Cantorum. Outro music: suite from the film by Ennio Morricone.

A discussion of Martin Scorsese's 2016 film on Jesuit missionaries to Japan. Based on an earlier novel by Shūsaku Endō, we discuss themes of colonialism, courage before death, whether Star Wars and Spiderman actors were a good choice as priests, and whether the film's theology is snuff with that of the Church. Intro music: "Magne Pater" by Dominican Schola Cantorum. Outro music: "You Know How I Do" by Taking Back Sunday.

Search for paradise with us in Terrence Malick's 1998 film on the Guadalcanal campaign. The director, as always, has various musings: war in nature and in men, the animal kingdom, the inner philosopher in each man, and our inevitable task of facing death. It is also Jim Caviezel's first film, flanked by a celebrity cast of just about any actor you can name, besides Tom Hanks who was busy with Saving Private Ryan. Intro music: "Magne Pater" by Dominican Schola Cantorum. Outro music: "Jisas Yu Holem Hand Blong Mi" by Melanesian Choir and Hans Zimmer.