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As America approaches its semiquincentennial on July 4, 2026, composer and pianist Stephen Limbaugh decided the occasion deserved more than a theme song. In this episode, I reflect on his America 250 Symphony, a full four-movement, 28-minute orchestral work documented in real time over two years on X. Working in the lineage of Dvořák, Copland, and Gershwin, and collaborating with Hollywood orchestrator Conrad Pope, Limbaugh is attempting something serious. Whether or not it becomes a landmark work, the instinct behind it is worth paying attention to.
The Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features five minutes of music commentary, examples, and recommendations from Jarrod Richey.
Here’s the link to support the work: https://www.givesendgo.com/A250symphony
By Jarrod Richey5
22 ratings
As America approaches its semiquincentennial on July 4, 2026, composer and pianist Stephen Limbaugh decided the occasion deserved more than a theme song. In this episode, I reflect on his America 250 Symphony, a full four-movement, 28-minute orchestral work documented in real time over two years on X. Working in the lineage of Dvořák, Copland, and Gershwin, and collaborating with Hollywood orchestrator Conrad Pope, Limbaugh is attempting something serious. Whether or not it becomes a landmark work, the instinct behind it is worth paying attention to.
The Friday FIVE is a weekly five-minute podcast series from Musically Speaking that features five minutes of music commentary, examples, and recommendations from Jarrod Richey.
Here’s the link to support the work: https://www.givesendgo.com/A250symphony

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