Once upon a time, rap-rock act Phunk Junkeez had covered KISS’ “I Love It Loud.” It wasn't until I tracked down the video to troll my uncle with it on Facebook that I discovered that the song had been on the soundtrack to the 1995 Chris Farley / David Spade comedy, Tommy Boy. The video’s not only loaded with clips from the film, but Chris Farley is on stage thrashing around with the band. The movie’s full of pretty memorable musical moments — the car singalong, most notably — but I’d pretty much spaced on this particular jawn.

You can find the video for the song, as well as the original column behind this podcast at Cinepunx.

On this episode, we're talking with Larry Juris about his work on the '80s horror anthology, Deadtime Stories. In addition to his work on Deadtime Stories, Mr Juris's production company did work in dubbing for many anime series, including the majority of the episodes for Pokemon. We talked with Mr Juris about all that and more.

This song’s rough. Carpenter’s a great musician, an excellent director, and interesting cat, but he sings like Jim Morrison fronting an ’80s skinny tie bar band. Like Huey Lewis and the News, but without the edge. The Coupe De Villes were basically this band that Carpenter put together in the ’80s as a way to have some fun. The band also featured director Tommy Lee Wallace and actor Nick Castle, and their one and only LP, Waiting Out the Eighties, was never commercially released. It wasn’t even supposed to be much more than a lark, but somehow, they’ve become this weird obsession for record collecting movie fans.

Deathgasm is the amazing 2015 splatstick film from New Zealand, and if you haven’t seen it by this point, please pause the podcast and come back in an hour and a half. It’s metal as hell, funny, and so very, very bloody. There’s also some surprisingly-deep lessons to be learned about not judging appearances, as well as interpersonal relationships. Plus, bludgeoning with a dildo. The soundtrack is positively killer (pun intended), and features Axeslasher in addition to Midnight, Nunslaughter, and Bullet Belt. You can snag it on double vinyl LP from Death Waltz

Pool Party Massacre was just released on DVD and Blu-ray, and the low-budget slasher is a hilariously gory romp which sees a bevy of bikini-clad young ladies attacked with an entire garage’s worth of power tools and yard equipment. The Drew Marvick-directed flick was put together on a budget of something like $6000, and it makes the most of every penny. We’ve been sharing the joys of it since we first saw it last month, and if you loved Deathgasm, you will be super-thrilled with Pool Party Massacre.

Listen closely for details on how to win a copy of Pool party Massacre on DVD.

This is, quite honestly, one of my favorite songs of all time. Any chance I have to work it onto a compilation, mix tape, radio show, podcast, or otherwise, I will foist it upon those listening. Not only is it the theme to an excellently underrated movie, but it’s probably the best punk song to ever use “Entry of the Gladiators” as its backbone.

On this episode, we speak with Craig Wedren, former frontman of Shudder to Think, who’s composed music for nearly every project from MTV comedy troupe the State, including Reno 911! Miami, Balls of Fury, and the 2001 cult classic, Wet Hot American Summer. We talk the fascinating story of how Wedren got to where he is today, as well as recent projects such as NBC’s DC Comics sitcom, Powerless, and the new movie, How to Be A Latin Lover.

It’s only taken half a dozen videos and a couple of months, but here we are finally marrying punk rock and movies in this podcast. Granted, late ‘80s Ramones is probably about as punk as a Clash t-shirt you bought at Urban Outfitters, but we do what we can.

“Pet Sematary” was written for the movie adaptation of the Stephen King novel of the same name — which I didn’t even know until I started watching the video for this column. It’s weird to think that the Ramones — punk rock progenitors — made a proper music video. There are plenty of live clips and things out there, but this is just about the only Ramones music video that’s not made up of a bunch of previously-shot footage.

Mike Myers' 1997 comedy, Austin Powers: International Man of Mystery celebrates its 20th anniversary this week. Originally released on May 2, 1997, the movie was a box office success and pop culture sensation. Successfully skewering modern sensibilities and '60s culture simultaneously, Myers crafted a character who would go on to be in two fabulously successful sequels. Adding to the interest of the character was the fact that Powers was so swinging in the '60s that he sang for his own psychedelic rock band, Ming Tea. The band featured rather prominently in the first film, appearing in between-scene cutaways, as well as performing in a music video for "BBC" over the film's closing credits. While Ming Tea's interstitial music would appear in the film's 1999 sequel, The Spy Who Shagged Me, the band wouldn't appear in a film again until 2002's Goldmember, wherein they performed "Daddy Wasn't There." The band featured Mike Myers as Austin Powers on lead vocals, with the notable inclusion of the Bangles' Susanna Hoffs as Gillian Shagwell on rhythm guitar and backing vocals, and Matthew Sweet as Sid Belvedere on bass and backing vocals. They played a live show or two, but never recorded a proper album. We were lucky enough to speak with Sweet by phone about the whole Ming Tea history, and it was an absolute blast.

Coady & The Creepies is a new comic from Boom! Studios, about three sisters in a punk rock band, and their return to the punk scene after an accident leaves one scarred and another in a wheelchair.

The video for Bobby Brown’s “On Our Own” is a textbook case of how music videos from films sometimes use the slimmest of connections in order to sell a movie. Watching the video, it seems like the director shot two different ideas for the song — one for the song before it was attached to the film, and the other afterward — and then stitched them together as best he could.