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Bobby Steele and Diana Steele join Frumess for an interview to talk about their new LP record soon to release The Undead Act Your Rage... Again!ORDER HERE - ⁠https://theundead.com/?product=act-your-rage-again⁠

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Bobby Steele is a pioneering guitarist and songwriter whose contributions to horror punk have left an undeniable mark on the genre. Best known for his time in The Misfits (1978-1980) and later as the founder of The Undead, Steele’s career has been defined by his raw, aggressive playing style, horror-infused songwriting, and dedication to DIY punk ethics. Over four decades, Steele has remained a cult figure in punk rock, influencing countless bands with his dark, fast, and hard-hitting sound.🎸 Bobby Steele & The Misfits (1978-1980) – Defining Horror PunkIn 1978, Bobby Steele joined The Misfits, bringing his sharp, biting guitar style to the band just as they were developing their signature horror aesthetic. This era saw The Misfits transition from a raw garage punk sound into the early foundations of horror punk, with Steele’s fast, power-chord-driven approach helping to solidify the band’s aggressive edge.During his time with The Misfits, Steele played on some of the band’s most iconic early recordings, including:"Horror Business" (1979)"Night of the Living Dead" (1979)"Halloween" (1980)"Where Eagles Dare" (1980)Sessions for the unreleased 12 Hits from HellSteele’s guitar work was essential in giving these tracks their raw, menacing sound, blending classic rock ‘n’ roll influences with faster, darker punk energy.However, tensions within the band led to Steele being fired in 1980, reportedly due to conflicts with Glenn Danzig and Jerry Only. His replacement, Doyle Wolfgang von Frankenstein, was brought in to re-record many of Steele’s parts, which later led to controversy over credits on 12 Hits from Hell, an album that was ultimately shelved.🔥 The Undead (1980-Present) – Bobby Steele’s Own Horror Punk LegacyFollowing his departure from The Misfits, Steele formed The Undead in 1980, bringing a more melodic but still aggressive approach to horror punk. Unlike The Misfits’ B-movie camp aesthetic, The Undead mixed horror themes with a darker, grittier street punk energy.The Undead’s debut EP, 9 Toes Later (1982), became an instant underground classic, featuring fan-favorite tracks like:"When the Evening Comes""A Life of Our Own""I Want You Dead"Steele’s ability to blend catchy hooks with sinister, horror-tinged punk helped The Undead stand out in the early ‘80s New York punk scene, alongside bands like The Cramps, The Ramones, and The Damned.Over the years, The Undead has released numerous albums, including:Act Your Rage (1989)Dawn of the Undead (1991)Still Undead After All These Years (2007)The Morgue… The Merrier (2011)Act Your Rage… Again (2024)Despite countless lineup changes, Steele has remained the driving force behind The Undead, keeping the band active and continuing to tour.

What's up with this Glenn Danzig Black Sun controversy? Here is my subjective perspective.
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Glenn Danzig is one of the most iconic and influential figures in punk, metal, and horror-themed music history. From his early days as the founder of the Misfits to his genre-blending work in Samhain and ultimately his solo career with the band Danzig, his dark vision and distinctive baritone voice have left an indelible mark on underground and mainstream music alike.Glenn Anzalone, better known by his stage name Glenn Danzig, was born on June 23, 1955, in Lodi, New Jersey. In 1977, he founded The Misfits, a band that merged punk energy with horror movie themes, effectively giving birth to the genre now known as horror punk. With his Elvis-meets-Jim-Morrison vocal style and the Misfits’ shocking lyrics and visual aesthetic, Danzig created a subcultural movement. Songs like “Last Caress,” “Die, Die My Darling,” and “Where Eagles Dare” became underground classics. The skull logo and Crimson Ghost imagery are instantly recognizable symbols in punk culture to this day.After leaving the Misfits in 1983 due to creative differences and internal tension, Danzig formed Samhain, a darker, more gothic band that blurred the lines between punk, deathrock, and heavy metal. Samhain explored more occult and mythological themes, foreshadowing the direction Danzig would take as an artist. Albums like Initium (1984) and November-Coming-Fire (1986) remain cult classics for their innovation and eerie tone.In 1987, Samhain evolved into Danzig, Glenn’s eponymous band that truly launched him into mainstream metal success. Working with producer Rick Rubin, Danzig released his breakthrough album Danzig in 1988, which included the hit “Mother”—a rebellious anthem that helped push the band into MTV rotation and earned radio success years after its initial release. The Danzig band leaned fully into heavy metal and blues influences while maintaining the dark lyrical themes Glenn had long been known for.Beyond music, Glenn Danzig has also been active in other creative outlets. He founded Verotik, an adult-oriented comic book publishing company, and directed the cult horror film Verotika in 2019, followed by Death Rider in the House of Vampires in 2021. His passion for horror and the occult has remained consistent across all mediums.Though Glenn Danzig has been known for his abrasive persona and strong opinions, his legacy is undeniable. He helped shape three major underground music movements—punk, deathrock/goth, and doom-laden heavy metal—while cultivating one of the most fiercely loyal fanbases in rock history.

What is the most "Punk Rock" anthem of all time? What does that even mean? Check out Drew's video here: https://www.tiktok.com/@drewxdeficit/video/7482515325527837982

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Punk rock isn’t just a genre—it’s a movement, a sound, and a revolution that changed the face of music forever. Emerging in the 1970s, punk was a raw, fast, and rebellious response to the excess of mainstream rock. With its DIY ethos, anti-establishment lyrics, and stripped-down sound, punk became the voice of misfits, outcasts, and revolutionaries.The Birth of Punk RockThe origins of punk rock can be traced back to garage rock bands of the ‘60s, like The Stooges, MC5, and The Sonics, who laid the foundation for the genre's aggressive sound. However, the punk explosion happened in the mid-1970s with bands like:The Ramones (USA) – Their 1976 self-titled album, featuring "Blitzkrieg Bop" and "Judy Is a Punk," introduced the world to fast, loud, and simple punk rock.Sex Pistols (UK) – Songs like "Anarchy in the U.K." and "God Save the Queen" defined the UK punk movement with a raw and provocative edge.The Clash (UK) – Mixing punk with reggae and rock influences, their songs like "London Calling" and "White Riot" brought a more politically charged message to punk.The Damned (UK) – Released New Rose in 1976, often considered the first UK punk single.Iconic Punk Rock Songs That Defined a GenerationPunk rock is packed with legendary anthems that still resonate today. Here are some of the most influential tracks:✅ "Blitzkrieg Bop" – The Ramones (1976) 🎸 The ultimate punk anthem with its catchy “Hey! Ho! Let’s go!” chant.✅ "Anarchy in the U.K." – Sex Pistols (1976) 🔥 A bold, defiant declaration against the system.✅ "London Calling" – The Clash (1979) 🌍 A revolutionary punk classic blending politics and urgency.✅ "California Über Alles" – Dead Kennedys (1979) ⚡ Satirical, sharp, and politically charged.✅ "Search and Destroy" – The Stooges (1973) 🚀 Proto-punk at its finest, with Iggy Pop’s raw energy.✅ "Rise Above" – Black Flag (1981) 💥 A hardcore punk anthem about resisting oppression.✅ "Where Eagles Dare" – Misfits (1979) 🦇 Horror punk meets raw aggression.✅ "Holiday in Cambodia" – Dead Kennedys (1980) 🏴 A brutal critique of Western privilege.✅ "Sonic Reducer" – Dead Boys (1977) ⚡ Pure teenage angst and rebellion.✅ "Complete Control" – The Clash (1977) 🎤 A classic middle finger to the music industry.The Evolution of Punk RockBy the early 1980s, punk had evolved into different subgenres:Hardcore punk – Bands like Black Flag, Minor Threat, and Bad Brains pushed punk to more aggressive levels.Post-punk – Groups like Joy Division, Siouxsie and the Banshees, and Gang of Four experimented with darker sounds.Pop punk – Bands like Green Day and The Offspring brought punk energy into the mainstream in the ‘90s.

There was a phony article going around that Jello Biafra was going to reunite with East Bay Ray and Klaus Flouride to once again be The Dead Kennedys. It's not true, but why do the DKS have such beef? Let's examine some of the feud with this Jello Biafra interview about the legal case involving a lawsuit between band members.

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The Dead Kennedys were one of the most influential punk bands of all time, blending politically charged lyrics with aggressive, fast-paced music that defined the hardcore punk scene of the late 1970s and 1980s. Formed in San Francisco in 1978, the band consisted of Jello Biafra (vocals), East Bay Ray (guitar), Klaus Flouride (bass), and Ted (Bruce Slesinger) on drums, later replaced by D.H. Peligro. Their music was a direct attack on corruption, hypocrisy, and the establishment, making them both loved and controversial.The Dead Kennedys released iconic albums such as Fresh Fruit for Rotting Vegetables (1980), Plastic Surgery Disasters (1982), and Frankenchrist (1985). Songs like "Holiday in Cambodia," "California Über Alles," and "Kill the Poor" became anthems of rebellion. However, their radical messages often led to backlash, including the infamous obscenity trial over the Frankenchrist album, due to the inclusion of artist H.R. Giger’s controversial poster "Penis Landscape."Despite their success, internal conflicts began to emerge, particularly between Jello Biafra and the rest of the band. In 1986, Dead Kennedys disbanded, but their legacy endured. However, the band’s legal battles began in the late 1990s when East Bay Ray, Klaus Flouride, and D.H. Peligro sued Jello Biafra, accusing him of withholding royalties from their Alternative Tentacles label. The lawsuit ended in 2000 with Biafra losing the case, and the remaining members won rights to the Dead Kennedys’ name and music.Since then, Dead Kennedys have continued without Jello Biafra, touring with various singers, including Ron "Skip" Greer. Meanwhile, Biafra has remained a strong political voice, performing with his band Jello Biafra and the Guantanamo School of Medicine and speaking out on activism, censorship, and government corruption.The Jello Biafra vs. Dead Kennedys legal battle remains a sore point in punk history, raising questions about artistic integrity, band ownership, and the commercialization of punk rock. While some fans view the Dead Kennedys' continued performances as a cash grab, others appreciate hearing the classic songs live. What do you think? Was the lawsuit justified, or did it tarnish the band’s legacy?

Marm Mandelbaum, the Queen of Fences, turned street rats into professional criminals. Organized crime in New York is often portrayed as a boy’s game, but one of the first and most influential crime bosses in the history of the city was a Prussian immigrant known as “Mother” or “Marm” Mandelbaum.

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Drew Stone is an American film director, producer, film editor, author and musician. His works include music videos, commercials, documentary films and television.Check out NYHC channel - https://www.youtube.com/@stonefilmsnychttps://www.stonefilmsnyc.com/

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In 1981 while attending Emerson College, Stone became heavily involved in the local Boston hardcore music scene and became the lead singer of The Mighty C.O.'s. Upon returning to New York City in 1983 he formed The High & The Mighty and a year later joined hardcore band Antidote. In 2013 he formed The Drew Stone Hit Squad which plays punk, hardcore, traditional and americana in an acoustic format. In 2022 Antidote NYHC with Stone as the frontman was rebranded Incendiary Device (I.D.). His contributions to the hardcore punk scene were documented in the books American Hardcore: A Tribal History and NYHC New York Hardcore 1980–1990.After working for years as a crew member on film sets in a variety of roles in 1992 Stone formed New York City-based film Production Company, Stone Films NYC and produced numerous music videos (Onyx, Type O Negative, Biohazard, Kings X, Insane Clown Posse) by himself and produced / directed with his brother Evan B. Stone as "The Stone Brothers" (Vanilla Ice, Channel Zero, Stuck Mojo). He has directed videos for Agnostic Front, Sick of It All, Fury of Five and Madball. He is a four-time X-Tremmy award winner with his Urban Street-Bike Warriors series of extreme sports films and director of the MTV True Life episode "I Live To Ride," which exposed the extreme sport of motorcycle stunt riding to millions worldwide.[citation needed] In 2006 he created the Urban Street-Bike Warriors: Black Sheep Squadron Tour.Stone went on to direct, produce, write and edit Who the Fuck Is That Guy? The Fabulous Journey of Michael Alago which profiles the turbulent life of A & R man Michael Alago. The film includes interviews with James Hetfield, Lars Ulrich and Kirk Hammett of Metallica, Cyndi Lauper, Rob Zombie, Phil Anselmo and John Lydon.In 2020 Stone followed his passion for music and adventure and traveled to Israel to direct The Jews and The Blues. The film features the musicians Gal Nisman, Lazer Lloyd, Gili Yalo, Yaron Ben Ami and Yemen Blues.

The Misfits according to their 1979 Press Kit Biography.

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In 1979, The Misfits solidified their place in punk rock history, with the band continuing to build on their distinctive fusion of horror themes, fast tempos, and rebellious energy. Led by Glenn Danzig, the Misfits were at the forefront of the American punk scene, known for their provocative image and dark, high-energy music.The year was marked by significant events, including the release of their influential "Night of the Living Dead" EP, which became a staple of their early catalog and further established the band's unique blend of horror and punk rock. They also continued to perform across the East Coast and beyond, gaining a reputation for their chaotic live shows and wild antics.One of the most notable incidents of the year was the band's infamous arrest in London, where Danzig and bassist Jerry Only were detained after a violent altercation during a show. This event further solidified their punk rock persona of anarchy and defiance.Throughout 1979, The Misfits’ connections to the New York punk scene, particularly through venues like the Mudd Club, became crucial to their cultural influence. The band's growing influence was reflected in their relationship with key figures in the punk community, including Patricia Ragan of Punk Magazine and Howie Pyro of The Blessed.

David Johansen has died, the last standing of the New York Dolls. It is a profound milestone in New York punk rock history. It is the end of an era.

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The New York Dolls were one of the most influential and rebellious bands of the early 1970s, laying the foundation for both punk rock and glam rock. Their mix of raw rock ‘n’ roll, gender-bending fashion, and reckless energy made them cult legends, influencing countless bands from The Ramones, Sex Pistols, and Guns N’ Roses to The Smiths and Hanoi Rocks. Though they never achieved mainstream commercial success, their impact on rock history remains undeniable.The Dolls took classic rock and roll influences like The Rolling Stones, The Stooges, The Shangri-Las, and Chuck Berry, but played louder, faster, and with an attitude that was decades ahead of its time. Their look—high heels, teased hair, lipstick, and tight leather pants—blurred the lines between gender, fashion, and rebellion, inspiring future glam and punk artists alike.In 1973, they released their debut album, New York Dolls, produced by Todd Rundgren. It featured:"Personality Crisis""Trash""Jet Boy""Looking for a Kiss"🔥 Too Much Too Soon (1974) – The Dolls Burn Brighter but Fall FasterTheir second album, Too Much Too Soon (1974), was produced by Shadow Morton, known for his work with The Shangri-Las. It featured:"Babylon""Stranded in the Jungle""Chatterbox"🔥 The Breakup & Aftermath (1975-1977) – The Birth of Punk RockIn 1975, Malcolm McLaren (later the manager of The Sex Pistols) briefly tried to reinvent the Dolls, dressing them in communist red outfits and promoting them with an extreme political edge. The experiment failed spectacularly, and the Dolls collapsed soon after.Johnny Thunders and Jerry Nolan left to form The Heartbreakers, while David Johansen pursued a solo career. Sylvain Sylvain also went solo, and Arthur Kane struggled with alcohol addiction, eventually leaving music behind.While the band faded into obscurity, their influence exploded. The punk movement of 1976-77 adopted the Dolls’ blueprint—raw, aggressive music, DIY attitude, and in-your-face style. Bands like The Sex Pistols, The Ramones, and The Damned all owed a huge debt to the Dolls.This led to a full-fledged comeback, with a new lineup featuring:David Johansen (vocals)Sylvain Sylvain (guitar)Steve Conte (guitar)Sami Yaffa (bass)Brian Delaney (drums)The reunion resulted in three new albums:One Day It Will Please Us to Remember Even This (2006)'Cause I Sez So (2009)Dancing Backward in High Heels (2011)🔥 The Undeniable Influence of the New York DollsThough their original run was short, the New York Dolls changed the course of rock history. Their sleazy, loud, high-energy rock ‘n’ roll directly inspired:Punk rock (The Ramones, Sex Pistols, The Clash, Dead Boys, The Damned)Glam rock (KISS, Hanoi Rocks, Guns N’ Roses, Poison, Mötley Crüe)Alternative rock (The Smiths, Manic Street Preachers, The Replacements)

Bobby Steele and Diana Steele join Frumess for an interview to talk about their new LP record soon to release The Undead Act Your Rage... Again!ORDER HERE - https://theundead.com/?product=act-your-rage-again

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Bobby Steele is a pioneering guitarist and songwriter whose contributions to horror punk have left an undeniable mark on the genre. Best known for his time in The Misfits (1978-1980) and later as the founder of The Undead, Steele’s career has been defined by his raw, aggressive playing style, horror-infused songwriting, and dedication to DIY punk ethics. Over four decades, Steele has remained a cult figure in punk rock, influencing countless bands with his dark, fast, and hard-hitting sound.🎸 Bobby Steele & The Misfits (1978-1980) – Defining Horror PunkIn 1978, Bobby Steele joined The Misfits, bringing his sharp, biting guitar style to the band just as they were developing their signature horror aesthetic. This era saw The Misfits transition from a raw garage punk sound into the early foundations of horror punk, with Steele’s fast, power-chord-driven approach helping to solidify the band’s aggressive edge.During his time with The Misfits, Steele played on some of the band’s most iconic early recordings, including:"Horror Business" (1979)"Night of the Living Dead" (1979)"Halloween" (1980)"Where Eagles Dare" (1980)Sessions for the unreleased 12 Hits from HellSteele’s guitar work was essential in giving these tracks their raw, menacing sound, blending classic rock ‘n’ roll influences with faster, darker punk energy.However, tensions within the band led to Steele being fired in 1980, reportedly due to conflicts with Glenn Danzig and Jerry Only. His replacement, Doyle Wolfgang von Frankenstein, was brought in to re-record many of Steele’s parts, which later led to controversy over credits on 12 Hits from Hell, an album that was ultimately shelved.🔥 The Undead (1980-Present) – Bobby Steele’s Own Horror Punk LegacyFollowing his departure from The Misfits, Steele formed The Undead in 1980, bringing a more melodic but still aggressive approach to horror punk. Unlike The Misfits’ B-movie camp aesthetic, The Undead mixed horror themes with a darker, grittier street punk energy.The Undead’s debut EP, 9 Toes Later (1982), became an instant underground classic, featuring fan-favorite tracks like:"When the Evening Comes""A Life of Our Own""I Want You Dead"Steele’s ability to blend catchy hooks with sinister, horror-tinged punk helped The Undead stand out in the early ‘80s New York punk scene, alongside bands like The Cramps, The Ramones, and The Damned.Over the years, The Undead has released numerous albums, including:Act Your Rage (1989)Dawn of the Undead (1991)Still Undead After All These Years (2007)The Morgue… The Merrier (2011)Act Your Rage… Again (2024)Despite countless lineup changes, Steele has remained the driving force behind The Undead, keeping the band active and continuing to tour.

Todd Rundgren is responsible for producing some incredibly important records including Meatloaf and Jim Steinman's Bat out of Hell and the New York Dolls selt titled LP. He has also rubbed elbows with Beatles John Lennon and Paul McCartney.

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Todd Rundgren is one of the most innovative, influential, and genre-defying artists in rock history. A singer, songwriter, multi-instrumentalist, and producer, Rundgren has spent over five decades pushing musical boundaries, blending pop, rock, prog, electronic, and experimental sounds while leaving an indelible mark on both mainstream and underground music.🎸 Early Years and Breakthrough (1960s-1970s)Rundgren first gained attention in the late 1960s as a member of Nazz, a Philadelphia-based psychedelic rock band known for the song "Open My Eyes." By 1970, he had launched a solo career, quickly proving himself as a one-man band and studio wizard. His second album, Something/Anything? (1972), became his breakthrough, featuring the hits "Hello It's Me" and "I Saw the Light." This double album showcased his ability to craft catchy pop melodies, lush harmonies, and intricate arrangements, solidifying his reputation as a pop-rock genius.🎶 Expanding His Sound (Mid-1970s-1980s)Never one to repeat himself, Rundgren shifted into progressive rock with albums like A Wizard, A True Star (1973) and Todd (1974), embracing synthesizers, psychedelic sounds, and complex structures. He also formed Utopia, a band that combined prog rock, fusion, and pop, releasing albums like Ra (1977) and Adventures in Utopia (1980).During this time, he also became a sought-after record producer, working on classic albums for Meat Loaf (Bat Out of Hell), Grand Funk Railroad, The Band, Patti Smith, Hall & Oates, and XTC. His production style was groundbreaking, often layering instruments and vocals in ways that pushed the limits of studio technology.🔊 1980s-1990s – Tech Innovation and New SoundsRundgren continued genre-hopping in the 80s, experimenting with new wave, electronic music, and music videos. His album A Cappella (1985) was recorded using only his voice as an instrument, and Nearly Human (1989) embraced live, full-band recording.By the 1990s, he was pioneering interactive music and digital distribution, being one of the first major artists to release an album online. He also remained active with Utopia reunions, solo albums, and collaborations with artists like Ringo Starr and The New Cars.🔥 Rundgren’s Legacy and InfluenceTodd Rundgren’s fearless approach to music has influenced artists across genres, from Prince and Trent Reznor to Daft Punk and Tame Impala. His catalog spans pop, prog, electronic, blues, and experimental rock, proving that he is truly a wizard, a true star.