On Friday the 13th, we satisfy Pastronauts with "Frustration," the uptight 1966 number by Vancouver's Painted Ship. It's a quiet, beatnik-y talk-sing, yet it has the classic garage theme of rejection of society and rejection by girls! In 1982, Plan 9 took the song on an extended, almost 12-minute jam, and we might actually talk about a song for less than its length for once! Some Boston guys called Dark Cellars dragged the tune through the shooting gallery in '84, then French weirdos Temple Gates did a goth-y rendition which is actually very nice - say those last three words like William Hay!!

On Friday the 13th, we satisfy Pastronauts with "Frustration," the uptight 1966 number by Vancouver's Painted Ship. It's a quiet, beatnik-y talk-sing, yet it has the classic garage theme of rejection of society and rejection by girls! In 1982, Plan 9 took the song on an extended, almost 12-minute jam, and we might actually talk about a song for less than its length for once! Some Boston guys called Dark Cellars dragged the tune through the shooting gallery in '84, then French weirdos Temple Gates did a goth-y rendition which is actually very nice - say those last three words like William Hay!!

Frustration

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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Frustration

Frustration

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