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Fund Drive Special: Water Mirror Echo: Bruce Lee and the Making of Asian America by Jeff Chang
Jeff Chang joins Hard Knock Radio to break down his new book, Water Mirror Echo: Bruce Lee and the Making of Asian America. We start with a truth many of us in Black and Hip-Hop communities feel instinctively: Bruce isn’t just “an Asian hero,” he’s a global underdog icon—postered up next to Ali and Marley, sampled and name-checked in rap, and embraced across barrios and blocks. During the pandemic, Jeff watched Bruce’s image reappear on Chinatown walls as a signal of pride, resilience, and a call for solidarity against anti-Asian violence.
Chang clears up myths and centers history. Bruce Lee was born an American citizen in San Francisco’s Chinese Hospital in 1940—amid Chinese Exclusion-era racism and medical segregation. Birthright citizenship (14th Amendment) makes that possible; Chang notes how recent political attacks on birthright rules would have rendered Bruce deportable today. Another correction: Bruce didn’t train the Black Panthers—they just missed each other by a year—but his Oakland chapter was real: a Broadway school (now by “Bruce Lee Way”), students from Cal during the Free Speech era, and a deep Bay imprint.
We track Bruce’s formative years in colonial Hong Kong: a privileged kid who grew up angry at apartheid-style British rule, learning Wing Chun amid rooftop challenge fights (bammo culture) while simultaneously becoming Hong Kong’s cha-cha champion and a child actor. His teachers (including Ip Man) pushed not just technique but philosophy; Bruce devoured texts and began shaping a practice grounded in balance, realism, and self-defense for everyday people.
In Seattle, teaching turned him “American” in a new way. His first students—Jesse Glover, a Black kid brutalized by cops at 12, and Taki Kimura, a Japanese American crushed by wartime incarceration—made Bruce confront U.S. segregation and trauma up close. That classroom was cross-racial and political, long before slogans.
Hollywood is the crucible. As Kato on The Green Hornet, Bruce fought stereotypes—begging for lines, writing a script, and refusing to play the silent servant. Kids wanted the Kato doll; studios still typecast him. He went back to Hong Kong, flipped the action genre with bare-hand realism (not cable-heavy wire-fu), and made the hero human and vulnerable. Those films landed squarely with Third World organizers in SF and beyond; theaters erupted during Fist of Fury. From Jackie Chan and Jet Li to today’s MCU and John Wick-style set pieces, the standard Bruce set—speed, clarity, stakes—still rules.
Five key takeaways
Hard Knock Radio is a drive-time Hip-Hop talk show on KPFA (94.1fm @ 4-5 pm Monday-Friday), a community radio station without corporate underwriting, hosted by Davey D and Anita Johnson.
The post Fund Drive Special: Water Mirror Echo: Bruce Lee and the Making of Asian America by Jeff Chang appeared first on KPFA.
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Jeff Chang joins Hard Knock Radio to break down his new book, Water Mirror Echo: Bruce Lee and the Making of Asian America. We start with a truth many of us in Black and Hip-Hop communities feel instinctively: Bruce isn’t just “an Asian hero,” he’s a global underdog icon—postered up next to Ali and Marley, sampled and name-checked in rap, and embraced across barrios and blocks. During the pandemic, Jeff watched Bruce’s image reappear on Chinatown walls as a signal of pride, resilience, and a call for solidarity against anti-Asian violence.
Chang clears up myths and centers history. Bruce Lee was born an American citizen in San Francisco’s Chinese Hospital in 1940—amid Chinese Exclusion-era racism and medical segregation. Birthright citizenship (14th Amendment) makes that possible; Chang notes how recent political attacks on birthright rules would have rendered Bruce deportable today. Another correction: Bruce didn’t train the Black Panthers—they just missed each other by a year—but his Oakland chapter was real: a Broadway school (now by “Bruce Lee Way”), students from Cal during the Free Speech era, and a deep Bay imprint.
We track Bruce’s formative years in colonial Hong Kong: a privileged kid who grew up angry at apartheid-style British rule, learning Wing Chun amid rooftop challenge fights (bammo culture) while simultaneously becoming Hong Kong’s cha-cha champion and a child actor. His teachers (including Ip Man) pushed not just technique but philosophy; Bruce devoured texts and began shaping a practice grounded in balance, realism, and self-defense for everyday people.
In Seattle, teaching turned him “American” in a new way. His first students—Jesse Glover, a Black kid brutalized by cops at 12, and Taki Kimura, a Japanese American crushed by wartime incarceration—made Bruce confront U.S. segregation and trauma up close. That classroom was cross-racial and political, long before slogans.
Hollywood is the crucible. As Kato on The Green Hornet, Bruce fought stereotypes—begging for lines, writing a script, and refusing to play the silent servant. Kids wanted the Kato doll; studios still typecast him. He went back to Hong Kong, flipped the action genre with bare-hand realism (not cable-heavy wire-fu), and made the hero human and vulnerable. Those films landed squarely with Third World organizers in SF and beyond; theaters erupted during Fist of Fury. From Jackie Chan and Jet Li to today’s MCU and John Wick-style set pieces, the standard Bruce set—speed, clarity, stakes—still rules.
Five key takeaways
Hard Knock Radio is a drive-time Hip-Hop talk show on KPFA (94.1fm @ 4-5 pm Monday-Friday), a community radio station without corporate underwriting, hosted by Davey D and Anita Johnson.
The post Fund Drive Special: Water Mirror Echo: Bruce Lee and the Making of Asian America by Jeff Chang appeared first on KPFA.