Futility: A Novel on Russian Themes

Futility: A Novel on Russian Themes

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Futility: A Novel on Russian Themes episodes

  • Imperialism and World Politics, Part 3 of 4-Parker Thomas Moon
    From the preface written by Edith Wharton: Then I fell upon Futility. Some one said: “It's another new novel about Russia” –and every one of my eager feelers curled up in a tight knot of refusal. But . . . I read on, amused, moved, absorbed, till the tale and the journey ended together. This, it seems to me, is the most striking quality of Mr. Gerhardi's book: that he has (even in this, his first venture) enough of the true novelist's “objectivity” to focus the two so utterly alien races to whom he belongs almost equally, by birth and bringing-up – the English and the Russian – to sympathize with both, and to depict them for us as they see each other, with the play of their mutual reactions illuminating and animating them all. - Summary from the preface by Edith Wharton

    This episode includes AI-generated content.
    6 hr 38 min
  • Tales of the Five Towns-Arnold Bennett
    From the preface written by Edith Wharton: Then I fell upon Futility. Some one said: “It's another new novel about Russia” –and every one of my eager feelers curled up in a tight knot of refusal. But . . . I read on, amused, moved, absorbed, till the tale and the journey ended together. This, it seems to me, is the most striking quality of Mr. Gerhardi's book: that he has (even in this, his first venture) enough of the true novelist's “objectivity” to focus the two so utterly alien races to whom he belongs almost equally, by birth and bringing-up – the English and the Russian – to sympathize with both, and to depict them for us as they see each other, with the play of their mutual reactions illuminating and animating them all. - Summary from the preface by Edith Wharton

    This episode includes AI-generated content.
    5 hr 40 min
  • Jeremy At Crale; His Friends, His Ambitions And His One Great Enemy-Hugh Walpole
    From the preface written by Edith Wharton: Then I fell upon Futility. Some one said: “It's another new novel about Russia” –and every one of my eager feelers curled up in a tight knot of refusal. But . . . I read on, amused, moved, absorbed, till the tale and the journey ended together. This, it seems to me, is the most striking quality of Mr. Gerhardi's book: that he has (even in this, his first venture) enough of the true novelist's “objectivity” to focus the two so utterly alien races to whom he belongs almost equally, by birth and bringing-up – the English and the Russian – to sympathize with both, and to depict them for us as they see each other, with the play of their mutual reactions illuminating and animating them all. - Summary from the preface by Edith Wharton

    This episode includes AI-generated content.
    8 hr 31 min
  • Peggy Raymond's School Days (or Old Girls And New)-Harriet Lummis Smith
    From the preface written by Edith Wharton: Then I fell upon Futility. Some one said: “It's another new novel about Russia” –and every one of my eager feelers curled up in a tight knot of refusal. But . . . I read on, amused, moved, absorbed, till the tale and the journey ended together. This, it seems to me, is the most striking quality of Mr. Gerhardi's book: that he has (even in this, his first venture) enough of the true novelist's “objectivity” to focus the two so utterly alien races to whom he belongs almost equally, by birth and bringing-up – the English and the Russian – to sympathize with both, and to depict them for us as they see each other, with the play of their mutual reactions illuminating and animating them all. - Summary from the preface by Edith Wharton

    This episode includes AI-generated content.
    5 hr 15 min
  • Black Pawl-Ben Ames Williams
    From the preface written by Edith Wharton: Then I fell upon Futility. Some one said: “It's another new novel about Russia” –and every one of my eager feelers curled up in a tight knot of refusal. But . . . I read on, amused, moved, absorbed, till the tale and the journey ended together. This, it seems to me, is the most striking quality of Mr. Gerhardi's book: that he has (even in this, his first venture) enough of the true novelist's “objectivity” to focus the two so utterly alien races to whom he belongs almost equally, by birth and bringing-up – the English and the Russian – to sympathize with both, and to depict them for us as they see each other, with the play of their mutual reactions illuminating and animating them all. - Summary from the preface by Edith Wharton

    This episode includes AI-generated content.
    3 hr 33 min
  • Genji Monogatari (The Tale of Genji)-Murasaki Shikibu
    From the preface written by Edith Wharton: Then I fell upon Futility. Some one said: “It's another new novel about Russia” –and every one of my eager feelers curled up in a tight knot of refusal. But . . . I read on, amused, moved, absorbed, till the tale and the journey ended together. This, it seems to me, is the most striking quality of Mr. Gerhardi's book: that he has (even in this, his first venture) enough of the true novelist's “objectivity” to focus the two so utterly alien races to whom he belongs almost equally, by birth and bringing-up – the English and the Russian – to sympathize with both, and to depict them for us as they see each other, with the play of their mutual reactions illuminating and animating them all. - Summary from the preface by Edith Wharton

    This episode includes AI-generated content.
    8 hr 53 min
  • Human Boy-Eden Phillpotts
    From the preface written by Edith Wharton: Then I fell upon Futility. Some one said: “It's another new novel about Russia” –and every one of my eager feelers curled up in a tight knot of refusal. But . . . I read on, amused, moved, absorbed, till the tale and the journey ended together. This, it seems to me, is the most striking quality of Mr. Gerhardi's book: that he has (even in this, his first venture) enough of the true novelist's “objectivity” to focus the two so utterly alien races to whom he belongs almost equally, by birth and bringing-up – the English and the Russian – to sympathize with both, and to depict them for us as they see each other, with the play of their mutual reactions illuminating and animating them all. - Summary from the preface by Edith Wharton

    This episode includes AI-generated content.
    4 hr 21 min
  • Running Water-A. E. W. Mason
    From the preface written by Edith Wharton: Then I fell upon Futility. Some one said: “It's another new novel about Russia” –and every one of my eager feelers curled up in a tight knot of refusal. But . . . I read on, amused, moved, absorbed, till the tale and the journey ended together. This, it seems to me, is the most striking quality of Mr. Gerhardi's book: that he has (even in this, his first venture) enough of the true novelist's “objectivity” to focus the two so utterly alien races to whom he belongs almost equally, by birth and bringing-up – the English and the Russian – to sympathize with both, and to depict them for us as they see each other, with the play of their mutual reactions illuminating and animating them all. - Summary from the preface by Edith Wharton

    This episode includes AI-generated content.
    8 hr 38 min
  • Shifting Sands-Sara Ware Bassett
    From the preface written by Edith Wharton: Then I fell upon Futility. Some one said: “It's another new novel about Russia” –and every one of my eager feelers curled up in a tight knot of refusal. But . . . I read on, amused, moved, absorbed, till the tale and the journey ended together. This, it seems to me, is the most striking quality of Mr. Gerhardi's book: that he has (even in this, his first venture) enough of the true novelist's “objectivity” to focus the two so utterly alien races to whom he belongs almost equally, by birth and bringing-up – the English and the Russian – to sympathize with both, and to depict them for us as they see each other, with the play of their mutual reactions illuminating and animating them all. - Summary from the preface by Edith Wharton

    This episode includes AI-generated content.
    7 hr 3 min
  • Crimson Gardenia And Other Tales Of Adventure-Rex Beach
    From the preface written by Edith Wharton: Then I fell upon Futility. Some one said: “It's another new novel about Russia” –and every one of my eager feelers curled up in a tight knot of refusal. But . . . I read on, amused, moved, absorbed, till the tale and the journey ended together. This, it seems to me, is the most striking quality of Mr. Gerhardi's book: that he has (even in this, his first venture) enough of the true novelist's “objectivity” to focus the two so utterly alien races to whom he belongs almost equally, by birth and bringing-up – the English and the Russian – to sympathize with both, and to depict them for us as they see each other, with the play of their mutual reactions illuminating and animating them all. - Summary from the preface by Edith Wharton

    This episode includes AI-generated content.
    8 hr 35 min

About Futility: A Novel on Russian Themes

From the publisher's feed

Explore the intricate tapestry of Russian life and the complexities of human experience in "Futility: A Novel on Russian Themes." This podcast delves into the rich interplay between English and…