This episode is a major upgrade from previous shows in regards to it being recorded almost entirely live instead of requiring production after-the-fact. This is because I hooked up a mixer so I could play stuff off my laptop, play my guitar, bass, or drums, and of course, I've got my trusty blue snowball usb mic. So I'm really only recording 2 tracks, the voiceover in one, and the instruments/computer/sound effects in the other.
  I've been setting up a Squier Hello Kitty guitar. It sounds great and the setup is pretty slick but it goes
 out of tune easily and it has limited tone capabilities because it only has a volume knob and one pickup.  B
ut if you like the classic single humbucker sound you'll like this.
  I've also been introduced to the most amazing thing I've ever heard which is an amateur commercial turned i
nto a brilliant jazz guitar piece:
Jones Big Ass truck rentals & storage - Harmonizator
https://www.youtube.com/watch?v=qoLS9We9hl4
  This week's featured track is a jam session from this past Thursday called recursion. Normally I try to mix and post our recordings but this week Eric beat me to the post. For this jam we experimented with a new idea
. Due to a computer mixing glitch during our previous jam session we got a track that had me playing saxophon
e and drums simultaneously.  We thought it sounded amazing so Jamie had the idea of bringing his looper pedal
 and sampling my sax playing and then sprinkling it into the jam while I played the drums.
  So, the jam consists of me playing a saxophone solo where Jamie sampled a portion of it and then Jamie (bass) and Eric (guitar) come in and I start playing the drums. We definitely had a good time with it and it ende
d up being an 18 minute jam. It was more like 3 or 4 jams in one but with the saxophone loop being the thread
 that binds them all together.
  Here's the track on soundcloud:
Fuzz Bucket - recursion https://soundcloud.com/maumau13/fzzbkt21215recursion
  This was also the first jam session featuring my brand new Squire bass which was my brother's birthday pres
ent to me.
You can download Fuzz Cast on iTunes here:
https://itunes.apple.com/us/podcast/fuzz-cast/id897769608?mt=2&uo=4
or on my blog:
http://shimmymusic.blogspot.com/
or directly from libsyn:
http://fuzzcast.libsyn.com/

more links:
soundcloud.com/shimster
danshimmyo.bandcamp.com
twitter.com/danshimmyo
www.facebook.com/FuzzBucketNYC

I'm slap-happy with the bass today because it's my new toy. My brother bought me a Squier Vintage Modfied Jazz Bass as a belated birthday present. I'm also more comfortable in the studio today because I've got a boom arm stand for the microphone which allows me to position it especially while playing bass. The bass tones today are complements of a device called a Vox Amplug for Bass. I'm pretty happy with the tones that I get, plus I don't have to deal with latency issues that I get from using the amp emulators available in Garage Band.
  Nonsensical Ramblings is a Fuzz Bucket jam session from 9/24/2014 where Jamie played Novax, Eric dialed knobs on the synth and played drums, and I played Trumpet and Saxophone. It's a good fun drony moody thing. It came highly recommended by my brother, Roy, who was visiting over the weekend to deliver the new bass.
  Nonsensical Ramblings is on soundcloud here: https://soundcloud.com/shimster/fzzbkt-9-24-14-a

You can download Fuzz Cast on iTunes here:
https://itunes.apple.com/us/podcast/fuzz-cast/id897769608?mt=2&uo=4
or on my blog:
http://shimmymusic.blogspot.com/
or directly from libsyn:
http://fuzzcast.libsyn.com/
and also on Stitcher app:
http://www.stitcher.com/podcast/dan-shimmyo/fuzz-cast?refid=stpr

more links:
http://soundcloud.com/shimster
http://danshimmyo.bandcamp.com
http://twitter.com/danshimmyo
http://www.facebook.com/FuzzBucketNYC

  After a long hiatus, maybe 6 weeks, I'm in my new home rehearsal room / recording studio. It's the most cozy room in the whole place so I might have to update the rest of the place. It took a lot of work and planning but my music space is done and I can't wait to start producing music in that space. In this episode I played some trumpet to demonstrate how I'm able to hit a much larger range of notes, particularly the high notes. My tone is still too breathy but what really sucks is that the mics were too hot and the trumpet was too loud so the sound quality blows. Sorry about that. Next time I'll back off from the mic.
  I spoke a little about going to an Extreme concert and how awesome of a guitarist Nuno Bettencourt is.  And I bitched about work again.
  This week's musical track is called Hamhocks and Beans. It features me on drums and saxophone and Eric Maurer on the Novax CH8 (guitar/bass) and a mini moog keyboard.  It's an epic 17 minute jam so make sure you're comfortable.
  I hope to have more home-studio recordings to share with the podcast.
  Hamhocks and Beans is available on soundcloud here: https://soundcloud.com/shimster/fuzzduo-1-9-15-e
You can download Fuzz Cast on iTunes here:
https://itunes.apple.com/us/podcast/fuzz-cast/id897769608?mt=2&uo=4
or on my blog:
http://shimmymusic.blogspot.com/
or directly from libsyn:
http://fuzzcast.libsyn.com/

more links:
soundcloud.com/shimster
danshimmyo.bandcamp.com
twitter.com/danshimmyo
www.facebook.com/FuzzBucketNYC

Well, I'm back at work but I've got a nice jam session from last week before Thanksgiving. We got out early on Wednesday so Eric invited me over for a jam session. It's one of the most creative jams we've ever had. Well, from my point of view it's some of the most creative saxophone playing I've done. I love coming up with cool rhythmic riffs. There's also some cool psychadelic stuff where Eric rerouted my saxophone audio through his effects rig.
  Also, in this episode of Fuzz Cast I talk about home repairs, soundproofind, a cool band I saw called Mamarazzi, and my initial disappointment with the EWI USB. I'll keep working on the EWI and see if I can incorporate it into my workflow.
  The jam is called Diddle-eyed Joe and the Infinitude. A little Quentin Tarantino reference in there, but I thought the name was rhythmically appropriate. Hope you like the jams.
  The track is also available on soundcloud here:
https://soundcloud.com/shimster/diddle-eyed-joe-the-infinitude
You can download Fuzz Cast on iTunes here:
https://itunes.apple.com/us/podcast/fuzz-cast/id897769608?mt=2&uo=4
or on my blog:
http://shimmymusic.blogspot.com/
or directly from libsyn:
http://fuzzcast.libsyn.com/

more links:
soundcloud.com/shimster
danshimmyo.bandcamp.com
twitter.com/danshimmyo
www.facebook.com/FuzzBucketNYC

This week I'm happy that I can share Undelivered Package which is a scifi short that I did some sound editing on. It's super short but pretty amazing. Check it out on Vimeo here:
https://vimeo.com/111371933
I'm also recommending Birdman except it made me feel stupid. I started using iTunes Match which gives me access to my entire music library. Glad I got that working because now I can listen to all the Miles Davis and Bela Fleck I can handle. I'm also glad I found a few Bela tracks that featured Branford Marsalis who is pretty much my favorite saxophone player, especially on Soprano Sax.
The featured track this week is called FFA. It sounded to me like a Free For All because Eric, Jamie, and I were kind of all playing in our own worlds. Anyway, I really dig this jam. You can listen to it on Soundcloud here:
https://soundcloud.com/shimster/fzzbkt-9-24-14-i-ffa

You can download Fuzz Cast on iTunes here:
https://itunes.apple.com/us/podcast/fuzz-cast/id897769608?mt=2&uo=4
or on my blog:
http://shimmymusic.blogspot.com/
or directly from libsyn:
http://fuzzcast.libsyn.com/

more links:
soundcloud.com/shimster
danshimmyo.bandcamp.com
twitter.com/danshimmyo
www.facebook.com/FuzzBucketNYC

In this episode of Fuzz Cast I hooked up my bass and a Korg nanoPad. The idea was I was going to try to come up with something musical on the fly, maybe next time. But I did demonstrate that some musical drum parts can be banged out on the tiny korg pads.
I'm also pretty happy to be practicing saxophone at lunch these past couple days. I've been transcribing a song by the Branford Marsalis Quartet called My Ideal. Well, I only started learning the intro which is epic all on its own.
This week's track is called Doot Deet Doot and it's on soundcloud here:
https://soundcloud.com/shimster/fzzbkt-9-24-14-b-dootdeetdoot
 
You can get Fuzz Cast on iTunes here:
https://itunes.apple.com/us/podcast/fuzz-cast/id897769608?mt=2&uo=4
or on my blog:
http://shimmymusic.blogspot.com/
or directly from libsyn:
http://fuzzcast.libsyn.com/

more links:
soundcloud.com/shimster
danshimmyo.bandcamp.com
twitter.com/danshimmyo
www.facebook.com/FuzzBucketNYC

In this episode of Fuzz Cast I start out playing Powerslave by Iron Maiden. The original plan was to use the spooky opening as a halloween themed intro and then use the rest as background music but the music was so overpowering with it's awesomeness I couldn't stop myself from appreciating it out loud.  I go on to talk about my first Iron Maiden concert. I kinda sorta recommend John Wick even though it was "too much awesome!".  I talk about fixing my roof.
I play a new fuzzbucket track called Chacha Hamas which features me on the trumpet and tenor saxophone. I'm pretty dang proud of the trumpet playing and I also play a super long note on the tenor sax.
Chacha Hamas is also available here: https://soundcloud.com/shimster/fzzbkt-9-24-14-h-chachahamas
more links:
soundcloud.com/shimster
danshimmyo.bandcamp.com
twitter.com/danshimmyo
www.facebook.com/FuzzBucketNYC

I talk about integrating dialog with music using ducking and EQ for use in audio for film. I describe in a little too much depth my experience playing with a Structure 3d scanner.  I go off on a tangent about the Brian DePalma film Blow Out which inspired me when I was a child to become an audio engineer, which is just one of my many hobbies. I recommend a movie called In a World. I also give a quick review and demonstration of a trumpet mute that has an audio output so you can hear what you're playing. And finally I talk about a recent Fuzz Bucket jam called Trip Foot Part 2 available on soundcloud here: https://soundcloud.com/shimster/fzzbkt-9-19-14-tripfootpart2
links:
soundcloud.com/shimster
danshimmyo.bandcamp.com
twitter.com/danshimmyo
www.facebook.com/FuzzBucketNYC

In this episode I dig up an ancient tape of a recording experiment from around 1991 or 1992. In this experiment I covered Green Tinted Sixties Mind by Mr. Big. Back in 1991-1992 it was my favorite song. I couldn't get enough of it so I learned to play every single part and recreated it while I was learning to make music on a multitrack recorder.  Based on the sounds I'm hearing I think I was using a Carvin DC200, some old generic bass, a Boss DR660 drum machine, and I'm assuming I was using a Tascam 488 since that's the only 8-track I owned and I don't think I could have achieved this much clarity on a 4-track.
  Please excuse my stuffy nose and the police sirens in the background.
links:
soundcloud.com/shimster
danshimmyo.bandcamp.com
twitter.com/danshimmyo
www.facebook.com/FuzzBucketNYC

This is a short but very special episode of Fuzz Cast. I was rummaging around in the closet and found an old cassette tape of the so-called master recordings from the summer of 1991-ish. What you will hear is the first composition I ever wrote. I programmed it in an Ensoniq keyboard and overdubbed some guitar solos over the top of it. I also managed to go off on a tangent about using the VAX terminals at school to learn music recording and buy used gear on an early version of the Internet. There's also a small clip of some embarrassing cover of a Mr. Big song and my latest installment of Trumpet Time.
links:
soundcloud.com/shimster
danshimmyo.bandcamp.com
twitter.com/danshimmyo
www.facebook.com/FuzzBucketNYC