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One Hundred Years of Solitude: Part Two
Tech Specs: ARRI ALEXA Mini LF, ARRIRAW; ARRI Alpha Anamorphics; final color by Sandra Kläss
Camilo was DP for episodes 203, 204, NS 207
www.camomonsalve.com
https://www.instagram.com/camo_ossa/
https://vimeo.com/camilomonsalvedp
https://www.imdb.com/name/nm4040727/?ref_=ttfc_fc_cr5
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photographer is Mauro Gonzales @MauroGonzalezA.
Thank you for listening: Please let me know what you learned or thought of the show today. Subscribe to the podcast.
A Different World
Tech Specs: ARRI Alexa 35; Ultra Primes. chocolate filters.
Maintaining a calm set as a cinematographer.
https://shawnpeters.com/
https://www.instagram.com/shawnpeezie
https://www.imdb.com/name/nm4557559/
Thank you for listening: Please let me know what you learned or thought of the show today. Subscribe to the podcast.
Never After Dark
Sony Venice 2; Sigma FF High Speed Primes; Fujinon Cabrio 19–90mm; Laowa 24mm Pro2be; Sony FX3 for specialty rigs
Patrick Ouziel collaborated with director Dave Boyle on the film’s eerie visual language, drawing from Don’t Look Now and The Changeling for a retro sensibility built through practical techniques including zooms, harder lighting and atmospheric haze.
Small mirrors were also used throughout the set to create reflective patterns and falloff across actors’ faces. ScreenAnarchy called it “one of the early frontrunners for the year’s most accomplished horror films.”
https://www.patrickouziel.com/
Instagram: patrickouziel
https://www.imdb.com/name/nm2621265/
Thank you for listening: Please let me know what you learned or thought of the show today. Subscribe to the podcast.
Best of the Best
Tech Specs: ARRI Alexa 35; RED Komodo; MiniDV, HDV and iPhone 16 Pro; 24fps OpenGate ARRIRAW framed for 2:1 extraction
Lena Khan’s Bollywood-fusion dance comedy follows two childhood best friends who join UCLA’s competitive dance team and set out for the U.S. Championship. Adam Carboni approached the film by creating “a grounded, contemporary base” that could expand into heightened theatricality without feeling like “eye-candy dropped into the movie.”
The production also incorporated a wide range of capture formats, from ARRI Alexa 35 and RED Komodo to MiniDV, HDV and an iPhone 16 Pro, offering a strong conversation around maintaining a cohesive visual language across intimate character scenes and large-scale dance sequences.
https://www.adamcarboni.com/
https://www.instagram.com/adamcarboni/
https://www.imdb.com/name/nm3949048/
Thank you for listening: Please let me know what you learned or thought of the show today. Subscribe to the podcast.
HIGH VALUE TARGET: THE HUNT FOR SADDAM
https://www.xavierdolleans.com/
https://www.instagram.com/xavier_dolleans/
Thank you for listening: Please let me know what you learned or thought of the show today. Subscribe to the podcast.
Director of Photography
https://www.instagram.com/neiloseman
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https://www.juliaswain.net/
https://www.instagram.com/juliaswain/
Voicemails for Isabelle. Nick Robinson as Wes in Voicemails for Isabelle. Cr. Courtesy of Netflix
Voicemails for Isabelle. Zoey Deutch as Jill in Voicemails for Isabelle. Cr. Courtesy of Netflix
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https://www.lesgaddis.com
https://www.instagram.com/lesgaddis
https://www.imdb.com/name/nm4781966/?ref_=nv_sr_srsg_0_tt_4_nm_4_in_0_q_les%20gaddis
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https://lakmeiyengar.com/
https://www.instagram.com/sliyengar
https://lakmeiyengar.com/dormilon
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https://mattsill.com/
https://www.instagram.com/mattsill
https://www.linkedin.com/in/mattsill/
https://mattsill.com/#/samsunginfluencers/
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