In this multi-part series, we’ve focused on just one movie to explore a key idea in film studies. But this one choice means we’ve left out multitudes. Here is the larger set of also-rans we wrestled with before finally choosing “Portrait of a Lady on Fire”.

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Referenced media in GATEWAY CINEMA, Episode 14A:

• “Predator” (John McTiernan, 1987)
• “Close Encounters of the Third Kind” (Steven Spielberg, 1977)
• “Natural Born Killers” (Oliver Stone, 1994)
• “No Country For Old Men” (Ethan and Joel Coen, 2007)
• “Touts les matins de monde (All the Mornings of the World” (Alain Courneu, 1991)
• “The Exorcist” (William Friedkin, 1973)
• “WALL*E” (Andrew Stanton, 2008)
• “Up” (Pete Docter, 2009) 

Audio quotation in GATEWAY CINEMA, Episode 14A:

• “Vintage Movie Projector | Sound Effect | Feel The Past Film Industry” by n Beats, https://www.youtube.com/watch?v=JhUICp5XeJ4
• “Film Clapperboard Green Screen Effect With Sound” by Jacob Anderson, https://www.youtube.com/watch?v=P1sEiCa-yic
• “Slide projector changing with clicks” by (Soundsnap), https://www.soundsnap.com/tags/slide_projector?page=2
• “Bombtrack” (1993) by Rage Against the Machine, https://www.youtube.com/watch?v=MUaL1FnotRQ&list=RDMUaL1FnotRQ&start_radio=1