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Garrett Chaffin-Quiray and Ed Rosa talk through divergent feelings about a master’s lasterpiece.
This is part of a series that overlaps with, and extends, Brian Raftery’s 2020 book “Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen”. Primary screenings include: “Following” (Christopher Nolan, 1998), “Varsity Blues” (Brian Robbins, 1999), “The Blair Witch Project” (Daniel Myrick and Eduardo Sánchez, 1999), “The Matrix” (The Wachowskis, 1999), “Star Wars: Episode I - The Phantom Menace” (George Lucas, 1999), “South Park - Bigger, Longer and Uncut” (Trey Parker, 1999), “Free Enterprise” (Robert Meyer Burnett, 1999), “Eyes Wide Shut” (Stanely Kubrick, 1999), “Twin Falls Idaho” (Michael Polish, 1999), “American Beauty” (Sam Mendes, 1999), “Three Kings” (David O. Russell, 1999), “Boys Don't Cry” (Kimberly Peirce, 1999), “Topsy-Turvy” (Mike Leigh, 1999), “Magnolia” (Paul Thomas Anderson, 1999), and “Wadd: The Life & Times of John C. Holmes” (Cass Paley, 1998).
An ADDENDA with documentarian Chris Metzler includes: “Arlington Road” (Mark Pellington, 1999), “The Limey” (Steven Soderbergh, 1999), and “American Movie” (Chris Smith, 1999).
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Garrett Chaffin-Quiray and Chris Metzler think fondly about late 1990s movie experimentation that formed the basis for streaming procedurals.
This is part of a series that overlaps with, and extends, Brian Raftery’s 2020 book “Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen”. Screenings include: “Following” (Christopher Nolan, 1998), “Varsity Blues” (Brian Robbins, 1999), “The Blair Witch Project” (Daniel Myrick and Eduardo Sánchez, 1999), “The Matrix” (The Wachowskis, 1999), “Star Wars: Episode I - The Phantom Menace” (George Lucas, 1999), “South Park - Bigger, Longer and Uncut” (Trey Parker, 1999), “Free Enterprise” (Robert Meyer Burnett, 1999), “Eyes Wide Shut” (Stanely Kubrick, 1999), “Twin Falls Idaho” (Michael Polish, 1999), “American Beauty” (Sam Mendes, 1999), “Three Kings” (David O. Russell, 1999), “Boys Don't Cry” (Kimberly Peirce, 1999), “Topsy-Turvy” (Mike Leigh, 1999), “Magnolia” (Paul Thomas Anderson, 1999), and “Wadd: The Life & Times of John C. Holmes” (Cass Paley, 1998).
An ADDENDA with documentarian Chris Metzler includes: “Arlington Road” (Mark Pellington, 1999), “The Limey” (Steven Soderbergh, 1999), and “American Movie” (Chris Smith, 1999).
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Garrett Chaffin-Quiray and Ed Rosa sing hosannas to a preferred religious devotion than the Big 3 of Judaism, Christianity, or Islam.
This is part of a series that overlaps with, and extends, Brian Raftery’s 2020 book “Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen”. Primary screenings include: “Following” (Christopher Nolan, 1998), “Varsity Blues” (Brian Robbins, 1999), “The Blair Witch Project” (Daniel Myrick and Eduardo Sánchez, 1999), “The Matrix” (The Wachowskis, 1999), “Star Wars: Episode I - The Phantom Menace” (George Lucas, 1999), “South Park - Bigger, Longer and Uncut” (Trey Parker, 1999), “Free Enterprise” (Robert Meyer Burnett, 1999), “Eyes Wide Shut” (Stanely Kubrick, 1999), “Twin Falls Idaho” (Michael Polish, 1999), “American Beauty” (Sam Mendes, 1999), “Three Kings” (David O. Russell, 1999), “Boys Don't Cry” (Kimberly Peirce, 1999), “Topsy-Turvy” (Mike Leigh, 1999), “Magnolia” (Paul Thomas Anderson, 1999), and “Wadd: The Life & Times of John C. Holmes” (Cass Paley, 1998).
An ADDENDA with documentarian Chris Metzler includes: “Arlington Road” (Mark Pellington, 1999), “The Limey” (Steven Soderbergh, 1999), and “American Movie” (Chris Smith, 1999).
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Garrett Chaffin-Quiray and Ed Rosa embrace four letter curse words to review how one vulgar movie musical changed entertainment history.
This is part of a series that overlaps with, and extends, Brian Raftery’s 2020 book “Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen”. Primary screenings include: “Following” (Christopher Nolan, 1998), “Varsity Blues” (Brian Robbins, 1999), “The Blair Witch Project” (Daniel Myrick and Eduardo Sánchez, 1999), “The Matrix” (The Wachowskis, 1999), “Star Wars: Episode I - The Phantom Menace” (George Lucas, 1999), “South Park - Bigger, Longer and Uncut” (Trey Parker, 1999), “Free Enterprise” (Robert Meyer Burnett, 1999), “Eyes Wide Shut” (Stanely Kubrick, 1999), “Twin Falls Idaho” (Michael Polish, 1999), “American Beauty” (Sam Mendes, 1999), “Three Kings” (David O. Russell, 1999), “Boys Don't Cry” (Kimberly Peirce, 1999), “Topsy-Turvy” (Mike Leigh, 1999), “Magnolia” (Paul Thomas Anderson, 1999), and “Wadd: The Life & Times of John C. Holmes” (Cass Paley, 1998).
An ADDENDA with documentarian Chris Metzler includes: “Arlington Road” (Mark Pellington, 1999), “The Limey” (Steven Soderbergh, 1999), and “American Movie” (Chris Smith, 1999).
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Garrett Chaffin-Quiray and Ed Rosa negotiate a key boyhood memory that spawned too many sequels and spin-offs.
This is part of a series that overlaps with, and extends, Brian Raftery’s 2020 book “Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen”. Primary screenings include: “Following” (Christopher Nolan, 1998), “Varsity Blues” (Brian Robbins, 1999), “The Blair Witch Project” (Daniel Myrick and Eduardo Sánchez, 1999), “The Matrix” (The Wachowskis, 1999), “Star Wars: Episode I - The Phantom Menace” (George Lucas, 1999), “South Park - Bigger, Longer and Uncut” (Trey Parker, 1999), “Free Enterprise” (Robert Meyer Burnett, 1999), “Eyes Wide Shut” (Stanely Kubrick, 1999), “Twin Falls Idaho” (Michael Polish, 1999), “American Beauty” (Sam Mendes, 1999), “Three Kings” (David O. Russell, 1999), “Boys Don't Cry” (Kimberly Peirce, 1999), “Topsy-Turvy” (Mike Leigh, 1999), “Magnolia” (Paul Thomas Anderson, 1999), and “Wadd: The Life & Times of John C. Holmes” (Cass Paley, 1998).
An ADDENDA with documentarian Chris Metzler includes: “Arlington Road” (Mark Pellington, 1999), “The Limey” (Steven Soderbergh, 1999), and “American Movie” (Chris Smith, 1999).
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Garrett Chaffin-Quiray and Ed Rosa worry whether their bots enjoy shoot ’em up entertainment.
This is part of a series that overlaps with, and extends, Brian Raftery’s 2020 book “Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen”. Primary screenings include: “Following” (Christopher Nolan, 1998), “Varsity Blues” (Brian Robbins, 1999), “The Blair Witch Project” (Daniel Myrick and Eduardo Sánchez, 1999), “The Matrix” (The Wachowskis, 1999), “Star Wars: Episode I - The Phantom Menace” (George Lucas, 1999), “South Park - Bigger, Longer and Uncut” (Trey Parker, 1999), “Free Enterprise” (Robert Meyer Burnett, 1999), “Eyes Wide Shut” (Stanely Kubrick, 1999), “Twin Falls Idaho” (Michael Polish, 1999), “American Beauty” (Sam Mendes, 1999), “Three Kings” (David O. Russell, 1999), “Boys Don't Cry” (Kimberly Peirce, 1999), “Topsy-Turvy” (Mike Leigh, 1999), “Magnolia” (Paul Thomas Anderson, 1999), and “Wadd: The Life & Times of John C. Holmes” (Cass Paley, 1998).
An ADDENDA with documentarian Chris Metzler includes: “Arlington Road” (Mark Pellington, 1999), “The Limey” (Steven Soderbergh, 1999), and “American Movie” (Chris Smith, 1999).
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Garrett Chaffin-Quiray and Ed Rosa disagree about the rewards of found footage horror craft while noting a landmark in viral marketing.
This is part of a series that overlaps with, and extends, Brian Raftery’s 2020 book “Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen”. Primary screenings include: “Following” (Christopher Nolan, 1998), “Varsity Blues” (Brian Robbins, 1999), “The Blair Witch Project” (Daniel Myrick and Eduardo Sánchez, 1999), “The Matrix” (The Wachowskis, 1999), “Star Wars: Episode I - The Phantom Menace” (George Lucas, 1999), “South Park - Bigger, Longer and Uncut” (Trey Parker, 1999), “Free Enterprise” (Robert Meyer Burnett, 1999), “Eyes Wide Shut” (Stanely Kubrick, 1999), “Twin Falls Idaho” (Michael Polish, 1999), “American Beauty” (Sam Mendes, 1999), “Three Kings” (David O. Russell, 1999), “Boys Don't Cry” (Kimberly Peirce, 1999), “Topsy-Turvy” (Mike Leigh, 1999), “Magnolia” (Paul Thomas Anderson, 1999), and “Wadd: The Life & Times of John C. Holmes” (Cass Paley, 1998).
An ADDENDA with documentarian Chris Metzler includes: “Arlington Road” (Mark Pellington, 1999), “The Limey” (Steven Soderbergh, 1999), and “American Movie” (Chris Smith, 1999).
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Garrett Chaffin-Quiray and Ed Rosa worry about a surprisingly grim, historically successful bargain that demands a young person trade their body, future, and identity for a small town’s idea of glory.
This is part of a series that overlaps with, and extends, Brian Raftery’s 2020 book “Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen”. Primary screenings include: “Following” (Christopher Nolan, 1998), “Varsity Blues” (Brian Robbins, 1999), “The Blair Witch Project” (Daniel Myrick and Eduardo Sánchez, 1999), “The Matrix” (The Wachowskis, 1999), “Star Wars: Episode I - The Phantom Menace” (George Lucas, 1999), “South Park - Bigger, Longer and Uncut” (Trey Parker, 1999), “Free Enterprise” (Robert Meyer Burnett, 1999), “Eyes Wide Shut” (Stanely Kubrick, 1999), “Twin Falls Idaho” (Michael Polish, 1999), “American Beauty” (Sam Mendes, 1999), “Three Kings” (David O. Russell, 1999), “Boys Don't Cry” (Kimberly Peirce, 1999), “Topsy-Turvy” (Mike Leigh, 1999), “Magnolia” (Paul Thomas Anderson, 1999), and “Wadd: The Life & Times of John C. Holmes” (Cass Paley, 1998).
An ADDENDA with documentarian Chris Metzler includes: “Arlington Road” (Mark Pellington, 1999), “The Limey” (Steven Soderbergh, 1999), and “American Movie” (Chris Smith, 1999).
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Garrett Chaffin-Quiray and Ed Rosa regard small joys in Christopher Nolan’s debut.
This is part of a series that overlaps with, and extends, Brian Raftery’s 2020 book “Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen”. Primary screenings include: “Following” (Christopher Nolan, 1998), “Varsity Blues” (Brian Robbins, 1999), “The Blair Witch Project” (Daniel Myrick and Eduardo Sánchez, 1999), “The Matrix” (The Wachowskis, 1999), “Star Wars: Episode I - The Phantom Menace” (George Lucas, 1999), “South Park - Bigger, Longer and Uncut” (Trey Parker, 1999), “Free Enterprise” (Robert Meyer Burnett, 1999), “Eyes Wide Shut” (Stanely Kubrick, 1999), “Twin Falls Idaho” (Michael Polish, 1999), “American Beauty” (Sam Mendes, 1999), “Three Kings” (David O. Russell, 1999), “Boys Don't Cry” (Kimberly Peirce, 1999), “Topsy-Turvy” (Mike Leigh, 1999), “Magnolia” (Paul Thomas Anderson, 1999), and “Wadd: The Life & Times of John C. Holmes” (Cass Paley, 1998).
An ADDENDA with documentarian Chris Metzler includes: “Arlington Road” (Mark Pellington, 1999), “The Limey” (Steven Soderbergh, 1999), and “American Movie” (Chris Smith, 1999).
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Remembering the fin de siècle energy that birthed our 21st century, we’ve curated this 18-part series to overlap with, and extend, Brian Raftery’s 2020 book “Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen”.
Screenings include: “Following” (Christopher Nolan, 1998), “Varsity Blues” (Brian Robbins, 1999), “The Blair Witch Project” (Daniel Myrick and Eduardo Sánchez, 1999), “The Matrix” (The Wachowskis, 1999), “Star Wars: Episode I - The Phantom Menace” (George Lucas, 1999), “South Park - Bigger, Longer and Uncut” (Trey Parker, 1999), “Free Enterprise” (Robert Meyer Burnett, 1999), “Eyes Wide Shut” (Stanely Kubrick, 1999), “Twin Falls Idaho” (Michael Polish, 1999), “American Beauty” (Sam Mendes, 1999), “Three Kings” (David O. Russell, 1999), “Boys Don't Cry” (Kimberly Peirce, 1999), “Topsy-Turvy” (Mike Leigh, 1999), “Magnolia” (Paul Thomas Anderson, 1999), and “Wadd: The Life & Times of John C. Holmes” (Cass Paley, 1998). This is part of a series that overlaps with, and extends, Brian Raftery’s 2020 book “Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen”.
An ADDENDA with documentarian Chris Metzler includes: “Arlington Road” (Mark Pellington, 1999), “The Limey” (Steven Soderbergh, 1999), and “American Movie” (Chris Smith, 1999).
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From the publisher's feed
At Blockbusters and Birdwalks, you’ll listen to reviews and conversations about all kinds of movies, from Academy Award winners to exploitation masterpieces with a mix of commercial hits and…