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Garrett Chaffin-Quiray and Ed Rosa regard small joys in Christopher Nolan’s debut.
This is part of a series that overlaps with, and extends, Brian Raftery’s 2020 book “Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen”. Primary screenings include: “Following” (Christopher Nolan, 1998), “Varsity Blues” (Brian Robbins, 1999), “The Blair Witch Project” (Daniel Myrick and Eduardo Sánchez, 1999), “The Matrix” (The Wachowskis, 1999), “Star Wars: Episode I - The Phantom Menace” (George Lucas, 1999), “South Park - Bigger, Longer and Uncut” (Trey Parker, 1999), “Free Enterprise” (Robert Meyer Burnett, 1999), “Eyes Wide Shut” (Stanely Kubrick, 1999), “Twin Falls Idaho” (Michael Polish, 1999), “American Beauty” (Sam Mendes, 1999), “Three Kings” (David O. Russell, 1999), “Boys Don't Cry” (Kimberly Peirce, 1999), “Topsy-Turvy” (Mike Leigh, 1999), “Magnolia” (Paul Thomas Anderson, 1999), and “Wadd: The Life & Times of John C. Holmes” (Cass Paley, 1998).
An ADDENDA with documentarian Chris Metzler includes: “Arlington Road” (Mark Pellington, 1999), “The Limey” (Steven Soderbergh, 1999), and “American Movie” (Chris Smith, 1999).
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Remembering the fin de siècle energy that birthed our 21st century, we’ve curated this 18-part series to overlap with, and extend, Brian Raftery’s 2020 book “Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen”.
Screenings include: “Following” (Christopher Nolan, 1998), “Varsity Blues” (Brian Robbins, 1999), “The Blair Witch Project” (Daniel Myrick and Eduardo Sánchez, 1999), “The Matrix” (The Wachowskis, 1999), “Star Wars: Episode I - The Phantom Menace” (George Lucas, 1999), “South Park - Bigger, Longer and Uncut” (Trey Parker, 1999), “Free Enterprise” (Robert Meyer Burnett, 1999), “Eyes Wide Shut” (Stanely Kubrick, 1999), “Twin Falls Idaho” (Michael Polish, 1999), “American Beauty” (Sam Mendes, 1999), “Three Kings” (David O. Russell, 1999), “Boys Don't Cry” (Kimberly Peirce, 1999), “Topsy-Turvy” (Mike Leigh, 1999), “Magnolia” (Paul Thomas Anderson, 1999), and “Wadd: The Life & Times of John C. Holmes” (Cass Paley, 1998). This is part of a series that overlaps with, and extends, Brian Raftery’s 2020 book “Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen”.
An ADDENDA with documentarian Chris Metzler includes: “Arlington Road” (Mark Pellington, 1999), “The Limey” (Steven Soderbergh, 1999), and “American Movie” (Chris Smith, 1999).
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Garrett Chaffin-Quiray and Ed Rosa engage with herpetology, aeronautics, and the brilliance of Samuel Leroy Jackson.
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Garrett Chaffin-Quiray and Ed Rosa wonder if bears prefer eating old or young white dudes. Bon appétit, Bart!
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Garrett Chaffin-Quiray and Ed Rosa look for scars on performers who pretended to be wildlife enthusiasts, but who were nearly wildlife entrees.
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Garrett Chaffin-Quiray and Ed Rosa discuss ocean-going travel disasters.
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Garrett Chaffin-Quiray and Ed Rosa discuss human-insect hybridity to continue the series “Revenge of Nature”.
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Garrett Chaffin-Quiray and Ed Rosa discuss the predator-prey relationship to continue the series “Revenge of Nature”.
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Garrett Chaffin-Quiray and Ed Rosa discuss the presentation of zoonotic disease to begin the series “Revenge of Nature”.
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In this multi-part conversation series, we’ve curated a handful of movies, from among hundreds of options, to explore how moviemakers transform the natural world into the antagonistic face of on-screen villainy.
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From the publisher's feed
At Blockbusters and Birdwalks, you’ll listen to reviews and conversations about all kinds of movies, from Academy Award winners to exploitation masterpieces with a mix of commercial hits and…