1. Timeline - Moment in Marseille 
2. Future Times 045W EP 
3. John Tejada & Arian - That's what happened 
4. Adryiano - U used 2 know me 
5. S.onn - Wyoka 
6. Balance Underground Alliance / Know - Graffiti (in America) 
7. Tilman & Will Buck - What are you gonna Do? 
8. Shaka - Resist 
9. UGONGETIT007 EP 
10. Sylvester - Dance / Louie Vega Retouch 
11. Anton Miller - Amazed 
12. Anton Miller - All the time

1. Timeline - Moment in Marseille 2. Future Times 045W EP 3. John Tejada & Arian - That's what happened 4. Adryiano - U used 2 know me 5. S.onn - Wyoka 6. Balance Underground Alliance / Know - Graffiti (in America) 7. Tilman & Will Buck - What are you gonna Do? 8. Shaka - Resist 9. UGONGETIT007 EP 10. Sylvester - Dance / Louie Vega Retouch 11. Anton Miller - Amazed 12. Anton Miller - All the time

1. Timeline - Moment in Marseille 
2. Future Times 045W EP 
3. John Tejada &amp; Arian - That's what happened 
4. Adryiano - U used 2 know me 
5. S.onn - Wyoka 
6. Balance Underground Alliance / Know - Graffiti (in America) 
7. Tilman &amp; Will Buck - What are you gonna Do? 
8. Shaka - Resist 
9. UGONGETIT007 EP 
10. Sylvester - Dance / Louie Vega Retouch 
11. Anton Miller - Amazed 
12. Anton Miller - All the time

gaya kloud in the mix - April 2020

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.
Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.
And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:
minmon.de/category/base/dates
And - I really appreciate feedback on my mixes!
Thanks!
Thanks!

Music

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours. Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art. And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check: minmon.de/category/base/dates And - I really appreciate feedback on my mixes! Thanks! Thanks!

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gaya kloud in the mix - April 2020

gaya kloud in the mix - April 2020