Paul Prestopino was a musician, inventor, and technician with a long and varied career. From 1970 until its closure in 1989, Paul was a technician at the Record Plant in NYC, a venerated studio that helped produce an endless stream of hit records and launched dozens of careers for the engineers and producers that worked there. While working at the studio, Paul, known to everyone as “Presto,” was charged with the maintenance and care of the recording equipment, but he also played on dozens of albums for bands like Aerosmith, The Hooters, Alice Cooper, Slade, and Edgar Winter. He was also an integral member of the bands of Peter, Paul, and Mary, John Denver, and The Chad Mitchell Trio. Paul was part of the lifeblood of the Record Plant, and his passing in 2023 was felt deeply by those who worked with him at the studio. Our very own John Agnello organized this special memorial episode for Paul, where we interview Record Plant alumni and Paul’s brother, Greg Prestopino, to pay homage to a man who touched so many lives through his work and music. 

Our guest is Doug Wimbish, one of the most renowned bass players of all time, known for his work with a wide range of artists, including Living Colour, Tackhead, Sugarhill Gang, Mick Jagger, Annie Lennox, and many more. He is also the founder of WimBash, a series of community-based charity events supporting music education. In this episode, John and Stewart talk with Doug about his extraordinary journey through the music industry. They discuss topics such as his start at All Platinum Records, the birth of Sugar Hill Records, recording "Rapper's Delight", his life-changing encounter with Jaco Pastorius, and his experiences touring with music icons. Doug also shares his thoughts on mentoring young musicians, the evolution of bass playing, and the importance of giving back to the music community. 

To celebrate Bob Dylan’s birthday, we’ve compiled a special Gear Club episode that offers a behind the scenes look into Dylan’s Life and music. Bob has been described as a shape-shifter, a song and dance man, and the Shakespeare of our time. Over his 60 plus year career, he’s written more than 500 songs that have been covered by over 2,000 artists. He’s played nearly 4,000 concerts. He’s won 10 Grammys, an Oscar, and a Nobel prize in literature. But who is this guy? What’s he like to work with? Listen in as Chris Shaw, David Mansfield, Toby Scott, and Steve Addabbo share their recollections of the man on stage and in the studio.

Producer and Engineer William Wittman was one of our early guests in 2017 with a two parter, Episodes #15 and #16, where he discussed making seminal records with Cindy Lauper, Joan Osborne, and The Outfield, his time coming up through NYC recording studios, and his work/prank relationship with our very own John Agnello. In this episode, I catch up with Bill about making records with his band Too Much Joy, drum mic techniques, the things we like about in the box mixing, and working at the famed Van Gelder studio in Englewood, NJ.

In this episode, John and Stewart sit down with producer, engineer, musician, song writer, studio owner, and the Godfather of Jangle Pop, the one and only, Mitch Easter. Mitch has always been and continues to be a staple of the Indie Rock scene in North Carolina and beyond. First operating out of Drive in Studio located in his parents' garage, and in 1994 moving to his current studio, the Fidelitorium. Mitch has worked with a laundry list of seminal artists, including R.E.M., Helium, Pavement, Wilco, Ben Folds Five, Pylon, and Polvo.

He’s also an active musician and writer, releasing music for almost a decade with his band "Let’s Active" and currently as a solo artist. In this episode Mitch discusses building, operating, and outfitting his recording studios, the joys and perils of tracking to analog tape, producing the first R.E.M. records, and why it’s not always a good idea to fix everything in a recording.

In 2018 the H9000 Harmonizer®, Eventide’s flagship multi effects processor, won a TEC award for best signal processing hardware. We had the team behind the H9000’s design and development on the podcast in Episodes #66.1, #66.2 and #66.3 to talk about the process of designing, building, and testing the latest in Eventide’s revered Harmonizer line. Now we’re back to talk about what’s new at Eventide and the 2023 TEC award for best signal processing software awarded to their revolutionary equalizer plugin, SplitEQ. Russell Wedelich is the VP of development and director of signal processing at Eventide and had a heavy hand in writing the DSP code that went into the H9000. He’s also the lead DSP engineer responsible for the SplitEQ plugin and its patented technology. Russ and I got to chat about what went into developing SplitEQ, the new Eventide H90 Harmonizer pedal, and the culture that makes Eventide so consistently innovative.

For more from Russell and the rest of the H9000 team check out Gear Club Episodes #66.1, #66.2 and #66.3.

In this episode, we’re delighted to talk with industry legend, Thom Panunzio. Getting his start as an assistant at NYC’s Record Plant, Thom went on to work in every facet of the music business. He’s produced, mixed, and engineered albums for Tom Petty, Bob Dylan, Joan Jett, Ozzy Osbourne, Bruce Springsteen, Patti Smith, Alice Cooper, and Aerosmith just to name a few. He helped design The Hit Factory in NYC, A&M Studios in LA, and the Thom Thom Club in Santa Monica, and was the Executive VP for Universal Music and head of A&R at Geffen Records for many years. Thom talks with John and Stewart about his time on staff at the Record Plant, his favorite mixing desks, his reluctant entrance into the world of A&R,  and how the industry and technology has changed over the course of his almost 50 year career. 

Mastering engineer extraordinaire Greg Calbi is a dear friend and was our guest on Gear Club Episode #2 way back in January of 2017. Over the last 50 years Greg has mastered a seemingly endless list of albums across every genera of music, and it’s almost a certainty he’s had a hand in the making of one of your favorite records. In this episode Greg and I got to chat about Sterling Sound moving from Manhattan to its new facility in Edgewater NJ, his workflow from converters to compressors to clients, and the unique changes, challenges, and expectations of modern mastering.

In this episode, we sit down for a conversation with renowned rock photographer Bob Gruen. Bob has been documenting the artists, concerts, and clubs that have come to define rock music, and is responsible for some of the most iconic images of the idiom. Listen in as Bob talks with hosts John and Stewart about his artistic philosophy, his move from film to digital, and being a part of music history.

This month, we’re thrilled to have David Mansfield on the show, a composer, multi-instrumentalist, producer, and arranger with a long and storied career. We have each worked with David for a long time, and know firsthand the talent and depth he brings to all the music he touches. Growing up in New Jersey and beginning his career in local bands, he started playing with Bob Neuwirth at The Bitter End and, at 18, joined Bob Dylan's Rolling Thunder Revue. From there, he went on to tour and record with Dylan over many albums, and in his 50-year career has worked with an endless variety of artists, including Sting, Van Morrison, Johnny Cash, Emmylou Harris, Bobby McFerrin, David Byrne, The Wainwrights, The Roches, really the list goes on and on. He’s also composed an equally extensive list of music for film and television, including The movies “Heaven’s Gate” and “The Apostle” and, most recently the Showtime Limited Series “George & Tammy”.

In this episode, David discusses his early career and influences, touring with Dylan, his scoring and composition work, and demonstrates the Psaltery, one of the more unique of his many instruments.