This quick update covers the newly announced release date for the next The Mummy sequel, landing way out on May 19, 2028. The episode also highlights the big headline that Brendan Fraser and Rachel Weisz are expected to return, plus the creative direction sounding like it may skew more horror than the classic adventure tone. There’s also some early speculation on what the story could look like this time around, including the idea of a next-generation angle and curiosity about who the new villains will be.

• 00:00 Release date revealed: May 19, 2028

• 00:07 Returning cast mentioned: Brendan Fraser and Rachel Weisz

• 00:12 Director team context and the “Ready or Not” vibe

• 00:17 Horror direction, suspense, and family tension focus

• 00:26 Speculation: a new generation of “mummy hunters”

• 00:32 What’s still unknown: casting, villains, and story specifics

• 00:41 Scorpion King hope and sequel continuity talk

• 00:46 Wrap-up

• The new The Mummy sequel is dated for May 19, 2028, which is a long wait.

• The conversation points to Brendan Fraser and Rachel Weisz returning.

• The creative team’s recent work suggests a potential shift toward stronger horror vibes.

• Story speculation hints at a next-generation approach rather than a straight repeat of the old formula.

• Biggest unanswered questions right now: additional casting and who the villains will be.

• “We got a release date for The Mummy, a new sequel, but it’s so far away.”

• “It sounds like we’re going more horror.”

• “I want to know who the bad guys are going to be.”

• “Please give me the Scorpion King back.”

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Send in your questions or topics you want covered on a future episode, especially anything you want tracked as more casting and story details drop for The Mummy sequel.

The Mummy, Brendan Fraser, Rachel Weisz, Movie News, Horror Movies, Sequels, Release Dates, Universal Pictures, Geek Culture, Film Updates, Entertainment News, Geek Freaks Headlines

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The first casting news for the live-action Helldivers movie is here, with Jason Momoa set to lead. The conversation leans into what makes the game click: action, dark humor, and squad energy, not a self-serious war epic. There’s also a fun wishlist for who should join the team, plus a quick hype check on why this one belongs on a theater screen.

• 00:00 Helldivers movie casting news, why the comedy tone matters

• 00:13 Dream “squad” casting ideas and a Jumanji: Welcome to the Jungle style ensemble vibe

• 00:29 Release date and why the big screen is the right call

• Jason Momoa is the first major casting piece for the Helldivers movie.

• The tone fans want is the game’s sweet spot: big action plus dark humor.

• The squad-based setup opens the door for an ensemble cast with strong comedic chemistry.

• The episode throws out “dream team” names like Kevin Hart, Dwayne Johnson, John Cena, and Dave Bautista.

• The release target mentioned is November 10, 2027, and the hope is a theatrical experience with full-scale spectacle.

• “They’re leaning into the comedy of it, which is what I was hoping for.”

• “It’s all about that balance between action and dark humor.”

• “Thank God, you want to see those explosions on the big screen.”

• “Who do you guys want to see squad up with Jason Momoa?”

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Who’s your ideal squad to team up with Jason Momoa in Helldivers? Send your picks via DM and we’ll shout out the best lineups in a future episode.

Helldivers, Jason Momoa, video game movie, game adaptation, movie casting, PlayStation, sci-fi action, dark comedy, upcoming movies, theaters, geek news, gaming news, Super Earth

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In this quick Geek Freaks Headlines update, Frank breaks down Sony confirming two new Spider-Verse spinoff films in active development: Spider-Punk and Spider-Gwen (as reported by The Hollywood Reporter). He also runs through the rest of the near-future Spider slate, including Spider-Noir, Spider-Man: Brand New Day starring Tom Holland, Your Friendly Neighborhood Spider-Man Season 2 on Disney+, and Spider-Man: Beyond the Spider-Verse. He closes with a realistic note about delays and how often Spider-Verse timelines shift.

• 00:00 Sony confirms Spider-Punk and Spider-Gwen spinoff films are in active development

• 00:15 Rapid rundown of what’s next across Spider projects (series, sequels, animation)

• 00:35 Quick reality check on delays, then sign-off

• Sony is publicly reaffirming the Spider-Verse pipeline, with two spinoffs specifically called out.

• The episode frames this as a “still happening” update, especially for Spider-Gwen after past uncertainty.

• The rest of the lineup is positioned as a packed stretch of Spider content across both TV and film.

• Expect schedule movement, especially on the next Spider-Verse film, based on past delays.

• “More Spider-Verse on the way.”

• “There’s no date on these yet.”

• “That bad boy gets delayed all the time.”

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Got a topic you want covered on the next Headlines drop? Send in your questions, rumors to track, or a franchise you want us to keep tabs on.

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Spider-Man, Spider-Verse, Sony, Spider-Punk, Spider-Gwen, Spider-Noir, Tom Holland, Brand New Day, Your Friendly Neighborhood Spider-Man, Beyond the Spider-Verse, Marvel, Superhero Movies, TV News, Entertainment News, Geek News

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Legendary’s live-action Gundam movie is starting to take shape with new casting news, including Jason Clarke joining Sydney Sweeney and Noah Centineo. In this quick update, we talk about why the cast combo feels a little unexpected, why a Netflix release could be a huge missed opportunity for a franchise built for theaters, and why Jim Mickle (Sweet Tooth) being tapped to write and direct is the most encouraging part of the whole situation. We also connect the dots to Netflix’s bigger strategy of building franchise corners across film and TV, especially with more Japanese properties getting major U.S. pushes.

• 00:00 Gundam movie casting update: Jason Clarke joins Sweeney and Centineo

• 00:08 Netflix distribution talk and why Gundam should be theatrical

• 00:16 Jim Mickle set to write and direct, Sweet Tooth as the hopeful sign

• 00:28 Netflix franchise strategy and the wider Japanese content push

• 00:43 Personal Gundam context and call for fan feedback

• 00:56 Wrap up

• The casting is interesting, but it also feels like an odd match on paper.

• A Netflix release would be disappointing for a property that screams big-screen spectacle.

• Jim Mickle writing and directing is the biggest reason to stay optimistic.

• Netflix seems to be collecting franchise pillars across genres, and Gundam fits the “massive event IP” slot.

• If you’re a longtime Gundam fan, your perspective is the missing piece here, because newcomers and casual fans are still catching up.

• “The casting was a little bit weird.”

• “Gundam needs to be on a big screen.”

• “Sweet Tooth was a really fun adaptation… that for me is probably the most hopeful part.”

• “This is clearly part of Netflix’s wider strategy lately.”

• “If you are a Gundam fan… does this movie sound good to you?”

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Send us your thoughts and topic requests, especially if you’re a longtime Gundam fan and want to weigh in on the casting and the Netflix angle.

Gundam, Mobile Suit Gundam, Legendary Pictures, Netflix, Jim Mickle, Sweet Tooth, Sydney Sweeney, Noah Centineo, Jason Clarke, Anime Adaptations, Live Action Movies, Mecha, Kaiju, Sci Fi Movies, Geek Culture News, Entertainment News, Film Casting News, Streaming Movies

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In this quick Geek Freaks Headlines update, we talk about the casting of Atreus for the upcoming live-action God of War series and why his age matters for the character’s story. Frank also highlights Callum Vinson’s recent run of roles (including horror) and shares a bit of personal preference on which version of Atreus he hopes the show builds toward. You’ll also hear why the broader casting has him feeling confident, and he throws it to you for your take before the next Game Fix.

• 00:00 Atreus casting news for the God of War series

• 00:08 Why Callum Vinson is a familiar face (recent roles and what’s next)

• 00:19 The age question: does this Atreus fit the best story arc?

• 00:32 Big-picture confidence in the cast (including Kratos)

• 00:38 Listener prompt: your thoughts on the Atreus casting

• Atreus has officially been cast, and it’s already sparking debate about what era of the games the adaptation is aiming for.

• Frank’s biggest concern is whether a younger Atreus can fully sell the coming-of-age push and pull that defines the character’s best moments.

• Callum Vinson’s momentum is worth noting, especially with his work in genre projects.

• Even with questions about Atreus’ age, the overall casting has Frank feeling optimistic about the direction of the series.

• “My favorite version of Atreus is from the second game when he’s a little bit older.”

• “That coming of age push pull with your dad…”

• “In the end of the day, I have to look at the casting of the whole and they have been killing it…”

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What do you think about Callum Vinson playing Atreus? Are you hoping the adaptation starts with a younger Atreus, or do you want the story to skew a bit older sooner?

Sources: Variety, Deadline, The Hollywood Reporter , The Verge , Deadline (Crystal Lake casting) , Transcript
Apple Podcast Tags: God of War, Prime Video, Callum Vinson, Atreus, Kratos, Ryan Hurst, PlayStation Productions, Video Game Adaptations, Friday the 13th, Crystal Lake, Geek Freaks Headline

The Geek Freaks Headlines host breaks down the latest update on the Eragon TV adaptation: Disney+ has officially tapped two showrunners, Todd Harthan and Todd Helbing. You’ll get quick background on both, why their track records matter, and what the next phase of development likely looks like as the series moves toward casting and production.

• 00:00 The Eragon series update: two showrunners have been chosen

• 00:06 Who Todd Harthan is, plus his past work on High Potential and The Resident

• 00:16 Who Todd Helbing is, including Superman & Lois and The Flash

• 00:31 Why this hire matters, and what it suggests about Disney’s seriousness with the adaptation

• 00:46 What to watch for next: casting, development progress, and early expectations

• 00:51 Closing thoughts

• Eragon is still early in development, but naming showrunners is a meaningful step forward.

• Todd Harthan brings network TV experience and a steady hand from series like The Resident.

• Todd Helbing has genre TV experience, especially with long-running effects-heavy shows like The Flash.

• The pairing hints at a practical, sustainability-focused approach: making the budget work, keeping the story moving, and planning for multiple seasons.

• The next big milestone is casting, which will give fans the clearest signal yet on tone and direction.

• The host frames this as part of a bigger need for Disney+ to widen its lineup beyond Marvel Studios and Star Wars releases.

• There’s a clear hope that the series can deliver an adaptation people embrace after the mixed reputation of Eragon.

• “What’s it all about? Longevity.”

• “Using the special effects budget wisely…”

• “Now we actually have showrunners.”

• “Next is going to be casting and all that.”

• “Try to do better than the 2006 movie…”

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Transcript , https://geekfreakspodcast.com/

Eragon, Disney Plus, Disney+, Fantasy TV, Book Adaptation, YA Fantasy, Alagaesia, Todd Harthan, Todd Helbing, High Potential, The Resident, Superman & Lois, The Flash, Geek News, TV Development, Casting Updates

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On this episode of Geek Freaks Headlines, we break down Sega’s next video game-to-movie swing: a new House of the Dead film. We cover why Sega is calling it a priority after the success of the Sonic movies, the early details around Isabela Merced starring and executive producing, and what it could mean that Paul W.S. Anderson is directing. The big hook is the “real-time” approach, and we talk through why that could actually fit the frantic, arcade-style energy of the original 1997 game, plus what it might signal for a new wave of zombie movies.

• 00:00 – Sega’s new House of the Dead movie push and why it’s a “priority”

• 00:08 – Isabela Merced attached as lead and executive producer

• 00:14 – Paul W.S. Anderson directing and what that suggests for tone

• 00:14 – The “real-time” pitch and why it could work for this franchise

• 00:27 – The game’s arcade legacy, the chaos factor, and the pressure-cooker vibe

• 00:42 – The old House of the Dead movie flopped, plus the bigger zombie-movie moment

• 00:51 – Wrap-up and weekend sendoff

• Sega is treating House of the Dead as a major film priority, likely fueled by how well game adaptations have been performing lately.

• Isabela Merced being both the lead and an executive producer is a meaningful signal that she’s closely involved in shaping the project.

• Paul W.S. Anderson is a very specific kind of fit for this material, which can be exciting or worrying depending on your tolerance for his style.

• The “events in real time” concept is the most interesting creative angle so far, especially for a story built around constant pressure and momentum.

• The original game’s identity is more “panic and pace” than deep lore, so a two-hour, continuous survival scenario could be the smartest way to translate it.

• Between this and fresh Resident Evil momentum, we might be heading into another era where zombie stories get a big studio push again.

• “The pitch is that this movie is going to be immersive. They’re going to show the events in real time.”

• “If you are watching a movie that is, say, two hours and it’s actually a two hour slice of a zombie invasion, maybe that anxiety will play a part in it.”

• “It didn’t make a House of the Dead movie back in the day. It was a flop.”

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Sources:

Video game movies, Sega, The House of the Dead, House of the Dead movie, Isabela Merced, Paul W.S. Anderson, Sonic the Hedgehog, Resident Evil, zombie movies, arcade games, horror movies, video game adaptations, film news

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HBO is developing a Baldur’s Gate TV series with Craig Mazin (The Last of Us) attached, and the big twist is that it’s being described as a follow-up to Baldur’s Gate 3, not a straight adaptation. I break down why that’s both exciting and risky, especially with Larian not involved, and how the show might handle the game’s multiple endings without instantly dividing the fanbase. We also talk about what to watch for next, like casting, the returning character question, and whether HBO leans into practical locations or goes heavy on CGI.

00:00 HBO developing Baldur’s Gate TV series with Craig Mazin attached
00:13 Larian not being involved and why that worries fans
00:13 The show is a continuation after Baldur’s Gate 3, using the wider D&D rule set
00:26 The canon problem: multiple endings and how the show might handle it
00:37 Optimism check: HBO + Hasbro money, plus The Last of Us as a recent success story
00:51 What to watch for next: casting, returning names, CGI vs on-location filming

• HBO is developing a Baldur’s Gate series with Craig Mazin attached in a major creative role.

• The show is framed as a follow-up set after Baldur’s Gate 3, not a retelling.

• Larian not being involved is the biggest immediate red flag for a lot of fans.

• The biggest storytelling challenge is picking (or avoiding) a canon ending in a game built around choice.

• The next real “proof it’s happening” moment will be casting and visual approach (CGI-heavy vs real-world locations).

• “If you play the game, you know there are multiple endings, so what is Craig going to pick as the canon ending… it’s a little risky.”

• “We’re getting a D&D series with HBO and Hasbro money back in this thing… so while I’m cautious about this, I’m trying to stay optimistic.”

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Got thoughts on what ending should be “canon” for a Baldur’s Gate show, or which companion absolutely has to return? Send your questions and we’ll read our favorites on a future episode.

Baldur’s Gate, Baldur’s Gate 3, HBO, Craig Mazin, The Last of Us, Dungeons & Dragons, Forgotten Realms, Larian Studios, Hasbro, Video Game TV Adaptations, Fantasy TV, Geek Culture News

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Apple’s latest project showcase put a surprising headline front and center: a live-action Matchbox movie. Frank breaks down the basics, including Cena playing a CIA agent who pulls his childhood friends into a globe-hopping mission, then explains why Hargrave’s action style has him more interested than he expected. He also compares the vibe to the bigger, wilder Fast and Furious era while hoping this one stays gritty and tactile, more in line with Hargrave’s work on Extraction and the kind of hard-hitting action Frank loves in Atomic Blonde. The big date to circle: it lands on Apple TV+ on October 9.

• 00:00 Apple TV event highlights and the Matchbox announcement

• 00:13 Plot setup, globe-trotting mission, and the Fast Five era comparison

• 00:29 Why Hargrave’s style makes this one worth watching

• 00:42 Action reference points and what Apple seems to be aiming for

• 01:01 Release timing notes and listener reactions

• Apple’s Matchbox movie is positioned as a global action-adventure with a “friends get pulled back in” hook.

• Cena plays a CIA agent recruiting his childhood crew for a mission that escalates fast.

• Frank’s interest rises mainly because Hargrave tends to make action feel more grounded and physical.

• The vibe is compared to the bigger, later Fast and Furious style, but with hope for a grittier execution.

• The current target is an Apple TV+ release on October 9, with theatrical details still unclear in the discussion.

• “Yes, Matchbox. The toys that when your mom brought them home, you said they ran out of Hot Wheels.”

• “The premise is Cena’s character recruits his childhood friends for a global mission.”

• “He has a way of making these action movies a little bit more gritty, a little more tactile and real feeling.”

• “Let me know. Did you guys have the Matchbox movie on your radar?”

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In this episode of Geek Freaks Headlines, we break down the news that A24 has acquired The Texas Chainsaw Massacre and is planning both a TV series and a new movie. The series is described as an “original approach” rather than a remake of the 1974 film, with J.T. Molner and Glen Powell attached as producers. We also talk about why A24 feels like a fascinating fit for slasher properties, how their tension-building style could change the vibe of classic franchises, and what this might mean for the broader horror landscape, including A24’s Crystal Lake project tied to Friday the 13th. Finally, we toss out a personal wish: A24 taking a crack at the Halloween franchise.

• 00:00 A24 acquires The Texas Chainsaw Massacre and announces plans for a TV series and movie

• 00:15 The movie is early in development, and why a 1974 remake could still work

• 00:28 Why A24’s “care” and cinematic style could be a big upgrade for slashers

• 00:50 A24’s Crystal Lake connection and the hope for an A24-led Halloween revival

• 01:04 Listener prompt and wrap-up

• A24 is expanding The Texas Chainsaw Massacre with a TV series plus a separate film project.

• The TV series is positioned as an original take, not a straight remake of the 1974 story.

• The film side is still very early, which leaves the door open for several directions, including a fresh reboot.

• A24’s signature tension and presentation could be a strong match for classic slasher DNA.

• With Crystal Lake also on A24’s slate, it feels like they’re building a real lane in horror franchises.

• There’s real curiosity (and some excitement) around what A24 would “change or expand” in Chainsaw’s world.

• “The Texas Chainsaw Massacre has just been acquired by A24, and they’re making a TV series and movie out of this.”

• “The TV series is going to be an original approach. It’s not going to be a remake of the 1974 film.”

• “I wouldn’t hate them remaking that, especially with A24’s touch.”

• “I really want them to grab the Halloween franchise. That’s my favorite horror franchise.”

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Sources:

Horror, Texas Chainsaw Massacre, A24, Slasher Movies, Horror TV Series, Friday the 13th, Crystal Lake, Halloween, Movie Reboots, Horror News

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