Geek Nerdery

This week we take a fresh look at Rob Zombie films. Be sure to listen to find out what Scott thinks of House of 1000 Corpses and The Devil’s Rejects, both of which he’s seeing for the first time. Plus, you don’t want to miss Doug trying to convince the world that The Devil’s Rejects was an ode to Empire Strikes Back. Yea…that happened.

After the break we discuss a couple of new releases, and Scott talks about some 80s gold with Slaughter High and Class of 1999. Is Scott actually an 80s slasher killer? Listen to find out.

As always, we welcome feedback at [email protected] and on our Facebook page or leave us a voicemail at 206-600-9711. Be sure to subscribe and leave us a review in iTunes, Stitcher, and YouTube.

Join us this week as we welcome a very special guest host, Bryan Wolford from Drunken Zombie. Doug is on vacation, and Bryan has agreed to fill in and discuss the 1984 classic Dreamscape as well as the 1990 less classic Flatliners.

After the break we discuss some feedback, Scott reviews another random box art pick, and we share our thoughts on The Witch.

As always, we welcome feedback at [email protected] and on our Facebook page or leave us a voicemail at 206-600-9711. Be sure to subscribe and leave us a review in iTunes, Stitcher, and YouTube.

This week we take a look at a couple of films in which the director plays themselves in their own movie. Doug fanboys out to Bruce Campbell in our review of My Name is Bruce and Scott admits he’d rather chase monsters around with a video camera than work as we discuss Digging Up the Marrow.

After the break, we go over some fan mail, hear a special review of The Witch, and discuss a really bad movie.

As always, we welcome feedback at [email protected] and on our Facebook page or leave us a voicemail at 206-600-9711. Be sure to subscribe and leave us a review in iTunes, Stitcher, and YouTube.

This week we take a break from the traditional themes and let Scott knock off a couple of films that have been on his ever growing to-do list. We spend the first segment watching our opinion of The Signal deteriorate right before our eyes, and wrap up by learning that Doug’s heart is ice cold as we discuss Spring.

After some fan mail, we discuss a couple of new trailers and talk about a few random watches we each had this week.

As always, we welcome feedback at [email protected] and on our Facebook page or leave us a voicemail at 206-600-9711. Be sure to subscribe and leave us a review in iTunes, Stitcher, and YouTube.

This week we take a trip back in time and take a look at some very specific prequels. Both of our films this week involve the trope of identical grandparents. We’ll let you listen to the episode to learn what that means. Doug explores the concept of racist earth worms with Tremors 4: The Legend Begins and Scott chooses the newest Resident Evil film, AVP: Alien vs. Predator.

After the break, we read off some fan mail, discuss a few trailers, and listen to Doug rant about censorship.

As always, we welcome feedback at [email protected] and on our Facebook page or leave us a voicemail at 206-600-9711. Be sure to subscribe and leave us a review in iTunes, Stitcher, and YouTube.

Get ready for our darkest episode yet, as we discuss a couple of suicide themed horror films. Scott redeems his recent streak of bad picks with Vindication (2006) and Doug discovers a hidden love for J-Pop music idols with his pick of Suicide Club (2001).

After the break we defend ourselves to some listeners who took issue with a couple of our opinions and beg for those of you who haven’t turned on us to help support the show.

As always, we welcome feedback at [email protected] and on our Facebook page or leave us a voicemail at 206-600-9711. Be sure to subscribe and leave us a review in iTunes, Stitcher, and YouTube.

This week on the show, we watched a couple of movies. We think they were about satanism. A lot of stuff happened in them at least, although we’re not sure what any of it meant.

After rambling and making absolutely no sense for about an hour or so, we talk about some recent releases and trailers. This half of the show makes a little more sense, but not much. At least we’ll always have Goatman.

As always, we welcome feedback at [email protected] and on our Facebook page or leave us a voicemail at 206-600-9711. Be sure to subscribe and leave us a review in iTunes, Stitcher, and YouTube.

This week on the show, we discuss a good clown movie, a bad movie that’s not about clowns, Doug makes some embarrassing confessions, and Scott gets put even deeper into time out for his recent run of bad film picks.

After the break, we get into some fan feedback, discuss our contest, and tell you the secret of how you can both support the show and be awesome at the same time.

As always, we welcome feedback at [email protected] and on our Facebook page or leave us a voicemail at 206-600-9711. Be sure to subscribe and leave us a review in iTunes, Stitcher, and YouTube.

Grab a blanket and some hot chocolate. This week we are discussing a couple winter horror films. Despite some major technical issues during recording, we managed to actually record few thoughts on Frozen (2010) and We Are Still Here (2015).

We had a lot of fan mail this week, as well as some updates on our ongoing contest. Be sure to listen for the update.

As always, we welcome feedback at [email protected] and on our Facebook page or leave us a voicemail at 206-600-9711. Be sure to subscribe and leave us a review in iTunes, Stitcher, and YouTube.

This week we’ve decided to look back at 2015 and take in a couple of films that managed to get past us this year with (coincidentally) a couple of Belgian films; Alleluia and Cub [spoilers for Cub end at 1:34:12].

We were light on feedback this week, so after the break, we had some time to discuss a new way to listen to TLH each week, announce a new contest, and get into some spoiler talk for Star Wars: The Force Awakens.

As always, we welcome feedback at [email protected] and on our Facebook page or leave us a voicemail at 206-600-9711. Be sure to subscribe and leave us a review in iTunes, Stitcher, and YouTube.