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In 1996, American composer George T. Walker, Jr. became the first African-American to win the Pulitzer Prize for music. That was for his Lilacs, a setting for solo soprano and orchestra of Walt Whitman’s poem, “When Lilacs Last in the Dooryard Bloomed,” an elegy for the assassinated Abraham Lincoln.
Walker died in the summer of 2018 at 96, leaving behind a substantial body of music ranging from solo works for piano and organ to chamber works and orchestral scores, including five works he titled Sinfonias.
His fifth and last sinfonia, Visions, was inspired by the 2015 hate crime shootings at Emanuel African Methodist Episcopal Church in Charleston, South Carolina, and exists in two versions: one version includes elusive, enigmatic spoken texts and a video that includes a photo of the port of Charleston at its conclusion; the other version is purely instrumental.
Sadly, although completed in 2016, despite Walker’s stature and fame, he found no American orchestra able to schedule it during his lifetime. A studio recording of Sinfonia No. 5 was made under the composer’s supervision in 2018, but its public premiere by the Seattle Symphony occurred posthumously on today’s date in 2019.
George Walker (1922-2018): Sinfonia No. 5 (Visions); Sinfonia Varsovia; Ian Hobson, conductor; Albany TROY-1707
By American Public Media4.7
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In 1996, American composer George T. Walker, Jr. became the first African-American to win the Pulitzer Prize for music. That was for his Lilacs, a setting for solo soprano and orchestra of Walt Whitman’s poem, “When Lilacs Last in the Dooryard Bloomed,” an elegy for the assassinated Abraham Lincoln.
Walker died in the summer of 2018 at 96, leaving behind a substantial body of music ranging from solo works for piano and organ to chamber works and orchestral scores, including five works he titled Sinfonias.
His fifth and last sinfonia, Visions, was inspired by the 2015 hate crime shootings at Emanuel African Methodist Episcopal Church in Charleston, South Carolina, and exists in two versions: one version includes elusive, enigmatic spoken texts and a video that includes a photo of the port of Charleston at its conclusion; the other version is purely instrumental.
Sadly, although completed in 2016, despite Walker’s stature and fame, he found no American orchestra able to schedule it during his lifetime. A studio recording of Sinfonia No. 5 was made under the composer’s supervision in 2018, but its public premiere by the Seattle Symphony occurred posthumously on today’s date in 2019.
George Walker (1922-2018): Sinfonia No. 5 (Visions); Sinfonia Varsovia; Ian Hobson, conductor; Albany TROY-1707

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