Comedy, whether stand-up, comedic plays, improvisation, sketch, or burlesque, is an omnipresent genre: universally beloved, indispensable, and… underestimated? The second season of Georgia Malone’s Here Goes Nothing launches with comedy stalwart Libby Klysz in conversation with Big Hoo Haa! founder Sam Longley to discuss why the Trojan Horse of comedy is so important and brave, despite the lack of respect it’s constantly afforded. From court jesters to COVID, from punching up to fart jokes, from ego to gender politics, this is an episode that covers the lot! Yes, And!

Show Links:

TheatreSports Australia: https://www.facebook.com/theatresportsoz/about/?_rdr

The Big Hoo Haa!: https://thebighoohaa.com.au/

Chuck the Hoo Haa a follow: https://www.instagram.com/thebighoohaa/

The Hoo Haa on Facebook: https://www.facebook.com/TheBigHooHaa

Bindjareb Pinjarra: https://www.ilbijerri.com.au/event/bindjareb-pinjarra/

Les Ballets Trockadero de Monte Carlo: https://trockadero.org/

YUCK Circus: https://yuckcircus.com/

For enquiries, suggestions, or bookings, email; tobypmalone at gmail dot com.

After a necessary hiatus, Georgia Malone's Here Goes Nothing is back, with a new format but based on the same drive that speaks to Georgia Malone's vision for a legacy defined by the ripples impactful artists can make. Toby and Jo Malone introduce this new era, with hope and optimism.

Show notes:

Georgia's Instagram: https://www.instagram.com/geordiem/

Georgia's TikTok: https://www.tiktok.com/@georgiathroughlife

For enquiries, suggestions, or bookings, email; tobypmalone at gmail dot com.

Australia has always punched well above its weight in global artistic affairs, and artistic collaboration is at the heart of that.

David Ryding has had a long career in the arts, as a performer, director, and arts administrator, before beginning a fruitful term as Founding Director of the  Melbourne UNESCO City of Literature Office. Georgia and Dave take this opportunity to catch up, many years after they first connected at the University Dramatic Society, to talk about the state of the arts, literature, and how things have changed.

For links to many of the initiatives Georgia and Dave talk about, visit the Substack at heregoesnothingpod.substack.com.

The role of the critic is a thankless one, and one whose influence is sadly waning as mainstream media abandons traditional criticism and resorts to reducing the arts to a mark out of five stars.

In this week's episode of Georgia Malone's Here Goes Nothing, Georgia welcomes Nina Levy: dancer, visionary, and writer: co-founder of the Seesaw arts magazine, and fierce defender of the importance of the critic's voice. This lively discussion includes insight into the way the critical voice has changed in recent years, reducing a critique to a poster quote, the logistics of writing about something you hated, and the truism that quality journalism must be paid for.

Nina Levy is a West Australian freelance arts writer and editor, and communications co-ordinator at Community Arts Network. ​At a national level Nina made her name as writer and critic for Dance Australia magazine, 2007-2020, co-editing the print publication 2016-2019.  
Nina is best known in her home state for her work as dance critic for The West Australian newspaper, 2009-2018, and as co-founder of Seesaw Magazine, an online publication covering the arts.  Seesaw Magazine was launched by Nina and co-editor Varnya Bromilow in 2017, in response to the decline in coverage of the arts by mainstream media. Nina was the magazine’s managing editor until September 2023 when publication was paused due to lack of funding.

For links to many of the areas that Georgia and Nina discuss, visit https://heregoesnothingpod.substack.com/

The playwright's role is one of the most vital yet mysterious in all of the arts: far from the classic idea of a single writer in a room producing a completed script, the playwright is a collaborator and innovator, who generates ideas that must then be brought to life through dramaturgs, actors, directors, and designers.

 TJ Young is an award-winning playwright, fierce advocate for equity, beloved educator, and acclaimed podcaster. TJ joins Georgia this week to discuss the playwright's process, tips for getting started and keeping going, as well as details about the new play that Georgia has written! Inevitably, the conversation strays into American politics and the way the current environment has impacted the arts sector, but when you have two people in the room accustomed to solving all the problems in the world, the outcome is nothing but positive.

For links to what TJ and Georgia discuss, check out https://heregoesnothingpod.substack.com/

Arts advocacy always requires its champions, and Jeremy Smith has ben a constant presence in the Australian arts scene over the last 25 years. Jeremy is a Perth-based arts administrator and self-described fierce advocate and ally for difference. Jeremy joins Georgia for a wide-ranging conversation about the state of the arts, on his origins in lighting design, and on advocacy that is all about turning empathy into tangible action.

Jeremy is currently finishing his four-year term as senior producers at Performing Lines WA, building on his past experience in arts administration with organisations like PICA, Creative Australia, DADAA, the AWESOME Festival and ArtsWA / Department of Culture and the Arts. Jeremy has worked closely with artists, organisations and communities in all corners of the country promoting artistic bravery, self-determination and brokering opportunities. In addition to his extensive portfolio, Jeremy championed Regional and Remote Australia under the Australia Council’s Cultural Engagement Framework and helped to develop and deliver key arts and disability initiatives.

For links to many of the initiatives Jeremy and Georgia discuss, check out https://heregoesnothingpod.substack.com

Talking about money can get uncomfortable but it's important to talk about it! 

In the arts, the world of philanthropy can be a tricky on to navigate - we all know we need to raise private funds to support the organisation and the work they create. 

This, expert philanthropy manager, and friend of the pod, Jo Malone returns to talk about money, how to raise it, how to give it and how to ensure you have a will. 

Books are such an important part of life. It’s how we understand the world better and stretch our imagination. Whether it’s only reading books about WWII conflicts or sticking to romance novels, all genres have their place and audience.

This week I talk to Jayne Cleave, librarian and good friend, about her love of feminist sci fi and big alien epics. Sci fi isn’t for me - but through this chat, i may have found a way in and realised that a lot of books do fall into this genre.

We also discuss the importance of of libraries in communities, beyond being a place where you loan books, and how Jayne’s career took a journey from arts marketing to publishing to working in libraries.

There are many books mentioned in this conversation and you can find them all at heregoesnothingpod.substack.com we’ve also included a list from Jayne of the books she forgot to mention…

Join Mace Francis and I as we discuss his journey into jazz and what is jazz really?

Raised in a creative family in regional Victoria, Dr Mace Francis is the Artistic Director of the Perth International Jazz Festival and previously the Artistic Director of the WA Youth Jazz Orchestra. Mace is a composer and musician and his band, the Mace Francis Orchestra released his 10th Album in 2024. 

Mace completed his PhD in 2015 and has undertaken a Churchill Fellowship and was composer in residence at the National Trust's Gallup House. 

Music in this episode is from 'No Postcode' by the Mace Francis Orchestra

All across Australia, in small regional towns, communities come together turning their quiet streets into places of celebration for a Festival. Whether it is celebrating food and multiculturalism, agricultural fairs that celebrate industry and history, or contemporary arts festivals in small remote towns.

These community driven cultural and arts festivals create connection, offtering hope and pride in their community… and an important part of the Australian cultural landscape.

In the smallest corner of the smallest state in Australia is the headquarters of one of the country’s leading international arts festivals, Ten Days on the Island. This bi-annual festival connects Tasmania with all corners of the world and celebrates the beauty and challenges of the Island through the voices of artists.

This week’s guest is the CEO of Ten Days, Vernon Guest, calling in from his office overlooking the Bass Strait in Burnie on the North West coast.

Vern and I started our professional arts careers at the same time at the age of 23 at Perth Festival. Since then, Vern has worked all over the country and presented some of the most significant events in Australia. Vern now calls the North West home and understands the responsibility of his role to support and elevate artists in Australia.

Join Vern and I for the next hour as we take a wide ranging conversation on the role of Festivals, artists and creative thinking. We also touch on AI, technology and the role of government.

It’s worth noting that this conversation was recorded late last year, before the controversies surrounding creative australia and the upcoming federal election.