This week we take on Marty Supreme at ping pong. Or is it table tennis?  The latest from director Josh Safdie, working solo for the first time without his brother Benny, explores the world of Marty Mauser in the 1950s.  But, does Josh measure up without his brother? Or is he the real brains behind the operation? Find out!

Digging into the archives this week to bring you 2024's The Apprentice the story of Donald Trump's relationship with Roy Cohn.  These two did pretty well at last years fixies, find out how we liked the movie overall!

Our follow up to Munich, September 5 takes an ultra realistic look at the events of the 1972 Munich Olympics through the journalists who told the story on television. 

Steven Spielberg's tale of Israel's revenge after the massacre at the 1972 Olympics may be more relevant now on its release date in 2005. But how does it hold up?  Does Spielberg's filmmaking prowess overshadow the subject matter? Why didn't this move do better at the box office? We discuss this and more!

Best Picture winner from 2005, Crash is one of the most divisive Oscar winners in modern history. But how has the film aged?  Like a fine Bordeaux or a glass of buttermilk....

Best Actress

It's the most important time of the year, part 1 of our annual Fixe Awards.

Best Cinematography

Best Supporting Actress

Best Supporting Actor

Best Screenplay

Well, it won Best Picture Sunday at the Oscars, but can Sean Baker's Anora take home the most coveted prize of them all?

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This week the boys break down Brady Corbett's epically long The Brutalist. Is it worthy of its 10 Oscar nominations? Will it be a Fixie frontrunner? 

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Clint Eastwood is back with possibly his last film in Juror #2. The prolific actor/director, last reviewed here in Cry Macho, stays behind the lens this time.  

If this is Clint's last film, how does it fall in his enormous filmography? Is it true to form?  Find out!!