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Ghanaian disc jockey DJ Sonatty returns with a fresh and exciting mixtape ahead of Ghana’s 6th March Independence Day celebration. He titles the project “Weekend Jam Vol. 10 (Ghana Throwback)”, the latest release in his popular Weekend Jam series. This special edition focuses on classic Ghanaian songs that continue to shape the country’s music culture.

In this mixtape, DJ Sonatty delivers a carefully selected collection of throwback hits from Ghana’s vibrant music scene. The mix features memorable highlife classics, old-school hiplife anthems, and early Afrobeats songs that fans still enjoy today. Each track brings back nostalgic memories while keeping listeners entertained from start to finish.

DJ Sonatty blends the songs smoothly and maintains an energetic rhythm throughout the mix. His experience as a disc jockey helps him create a seamless listening experience. Music lovers can enjoy the mix at parties, during road trips, or while relaxing with friends over the holiday weekend.

“Weekend Jam Vol. 10 (Ghana Throwback)” celebrates Ghana’s rich musical heritage and reminds listeners of the timeless sounds that defined past eras. As the country celebrates independence, this mixtape adds the perfect musical vibe to the occasion.

Listen to the mixtape below and share it with friends and fellow music lovers.

DJ Sonatty – Weekend Jam Vol. 10 (Ghana Throwback)

Ghanaian emerging musician Ras Moko steps forward with a vibrant Afro-dancehall release titled “Di Table.” The new single showcases the artist’s growing presence in the music scene as he blends Afrobeat influences with dancehall energy to create a lively and engaging sound. With its rhythmic bounce and catchy vibe, the song positions Ras Moko as a promising talent steadily building his name within Ghana’s expanding Afro-dancehall movement.

“Di Table” is powered by a groovy and upbeat instrumental that combines bouncing drum patterns, warm percussion, and a steady bassline that drives the track forward. The production captures the essence of Afro-dancehall, creating a sound that feels both modern and street-ready. The beat instantly creates a party-like atmosphere, making the song suitable for dance floors, social gatherings, and everyday playlists.

Ras Moko’s vocal delivery adds an extra layer of energy to the record. His confident flow rides comfortably on the rhythm while maintaining a melodic and engaging tone. The chorus is catchy and memorable, making it easy for listeners to sing along and vibe with the song. His performance reflects a blend of charisma and natural rhythm that gives the track strong replay value.

“Di Table” stands out as a vibrant Afro-dancehall offering that highlights Ras Moko’s rising artistry and ability to craft music that connects with fans of upbeat African sounds.

Listen and share your thoughts below:

Ras Moko – Di Table

Ghanaian heavyweight and super talented star TinoGh delivers pure vibes on his latest release, “Ma Shoddy Y3 Guy.” The song blends modern Afrobeat rhythms with playful romance, creating a track that feels vibrant, catchy, and instantly appealing. TinoGh’s charismatic presence shines throughout, proving his growing influence in the music scene.

The instrumental carries energetic percussion, groovy basslines, and melodic elements that keep the rhythm uplifting. TinoGh’s delivery is smooth yet confident, striking the perfect balance between melody and street flavor.

The lyrics revolve around love, admiration, and confident expression, making the record relatable and fun. Its memorable chorus guarantees strong replay value.

“Ma Shoddy Y3 Guy” further cements TinoGh’s ability to craft infectious Afrobeat anthems.

Listen and share your thoughts below:

TinoGh – Ma Shoddy Y3 Guy (Main Song)

TinoGh – Ma Shoddy Be Guy (Freestyle) (Studio Version)

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Yiadom Boachie – Wonya Sika A Dibi

“Where Did I Go Wrong” is built on emotional melodies, soft percussion, and mellow rhythms that create a reflective and soulful atmosphere. The production allows the message to stand out while maintaining a smooth and easy listening experience.

Lyrically, the song explores heartbreak, mistakes, and the search for closure, with a relatable hook that captures the pain of losing someone important. It’s perfect for late-night listening, emotional moments, and chill playlists.

“Where Did I Go Wrong” stands out as an emotional and sincere record, highlighting TinoGh’s versatility as both a producer and creative storyteller.

Listen and share your thoughts below:

TinoGh – Where Did I Go Wrong

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TinoGh has dropped his second official take on the viral phenomenon, “Kuriya Kuriya.” Released on February 4, 2026, this version serves as a polished rhythmic extension of the Dagbani chant that set the internet ablaze during American streamer IShowSpeed’s visit to the Shea Butter Museum in late January.

The track is a vibrant Afro-Dancehall record co-produced by TinoGh and the Shatta Movement production unit. While his initial response to the viral clip was a raw street freestyle, this official release is a more structured tribute. The lyrics delve into the cultural significance of the “Kuriya Kuriya” call-and-response, traditionally used by Northern Ghanaian women to find rhythm and communal joy in their work. TinoGh masterfully weaves Speed’s newly minted Ghanaian identity, “Barima Kofi Akuffo,” into the narrative, celebrating the bridge between global digital culture and ancestral heritage. It is a high-energy piece that reflects his role as a cultural custodian, speaking directly to a global audience that was captivated by Ghana’s hospitality during the “Speed Does Africa” tour.

Musically, the track features a heavy, percussive bassline that mimics the traditional rhythmic pounding of shea butter, giving the song a grounded, organic feel. His delivery is punchy and charismatic, utilizing the hypnotic nature of the chant to create a floor-filler that is as educational as it is infectious. By revisiting this theme with a full-scale production, TinoGh has effectively turned a fleeting social media moment into a permanent anthem for 2026—one that honors the resilience and beauty of Northern Ghanaian traditions.

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TinoGh – Kuriya Kuriya

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Ghanaian producer TinoGh unveils “Boss It Riddim,” a powerful and energetic instrumental crafted for both heavyweight and fast-rising artistes to showcase their talent. The riddim is designed with versatility in mind, offering a solid foundation for dancehall, Afrobeat, and street-inspired records.

“Boss It Riddim” is driven by heavy drums, deep basslines, and infectious rhythmic patterns that give artists enough space to express confidence, dominance, and creativity. The production carries a bold, commanding feel, making it suitable for both lyrical and melodic performances.

With this release, TinoGh invites established names and upcoming musicians alike to jump on the riddim and deliver their best performances, positioning Boss It Riddim as a potential compilation favorite.

“Boss It Riddim” stands out as a strong and open-ended production, highlighting TinoGh’s vision of creating platforms for talent across the music scene.

Listen and share your thoughts below:

TinoGh – Boss It Riddim

Ghanaian musician Nana Asamoah presents “Ghana,” a warm and heartfelt record that celebrates identity, pride and the everyday spirit of the nation. The song moves with a calm, melodic flow, shaped by gentle rhythms and a steady groove that supports his clear, expressive vocals.

His writing focuses on culture, unity and the simple moments that define home. There is a touch of nostalgia in his tone, giving the song a grounded feel while still carrying a hopeful outlook for the country’s future.

“Ghana” stands as a sincere and uplifting piece from Nana Asamoah, offering a thoughtful tribute that listeners can connect with on a personal level.

Listen and share your thoughts below:

Nana Asamoah – Ghana

Ghanaian singer Nana Asamoah delivers “Ghana (Gome Version),” a rich and rhythmic take on his patriotic piece, shaped by traditional Gome influences. The song leans into deep percussion, hand-driven grooves and the earthy tones that define Ga cultural music, giving the record a lively and authentic pulse.

His vocals glide smoothly over the rhythm, carrying themes of identity, pride and unity. The Gome elements add warmth and character, turning the song into a celebration of culture rather than just a tribute. The arrangement feels organic, allowing the message to settle naturally in the listener’s ear.

“Ghana (Gome Version)” strengthens Nana Asamoah’s connection to heritage, offering a spirited rendition that highlights both tradition and contemporary expression.

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Nana Asamoah – Ghana (Gome Version)

Ghanaian rapper Fama Kwame jumps on the WYFL Riddim to deliver “Beef,” a fiery record shaped by sharp wordplay, bold confidence and a direct tone that matches the intensity of the instrumental. His delivery is tight and assertive, pushing through the beat with a mix of grit and clarity as he addresses rivalry, ambition and competitive spirit.

The production carries a rugged bounce with steady drums and a dark melodic edge, giving him the perfect backdrop to showcase his skill. Every line feels intentional, adding to the charged atmosphere that defines the track.

“Beef” stands as a strong and energetic entry from Fama Kwame, showing his readiness to stand firm and speak without hesitation on the WYFL Riddim.

Listen and share your thoughts below:

Fama Kwame – Beef (WYFL Riddim)