GIA Podcast

In this episode, we’ll see how radical, collective giving can do what traditional philanthropy has not—restore, empower, and finally give back to the communities long asked and forced to sacrifice. This is Appalachian Futurism, a tribute to the past and a blueprint for a new way forward.

Featuring the song “Marching to the Freedom Land” by Will Boyd feat. Kelle Jolly

Episode transcription, speaker information, and resources can be found at https://www.loveradicalgiving.org/ep05

Grantmakers in the Arts is participating in the Racial Equity Coding Project, which was kicked off with a culmination of research led by Doris Duke Charitable Foundation (DDCF) with Callahan Consulting for the Arts (CCA). The project has given funders an opportunity to examine and refine their own coding practices and to consider new data collection measures for the future. In this third episode, we are glad to be joined by Eddie Torres, president and CEO, Grantmakers in the Arts. He closes our series with his reflections as the leader of a philanthropy-serving organization, and his hopes for the next steps of the project. He also offers a unique opportunity for you to get involved! Email Eddie at [email protected] for more information.

Grantmakers in the Arts is participating in the Racial Equity Coding Project, which was kicked off with a culmination of research led by Doris Duke Charitable Foundation (DDCF) with Callahan Consulting for the Arts (CCA). The project has given funders an opportunity to examine and refine their own coding practices and to consider new data collection measures for the future.

In the second episode of this three-part series, we are glad to be joined by Eleanor Savage, program director, Jerome Foundation and Tiffany Wilhelm, program officer/operations, Opportunity Fund. They discuss their experience with the Racial Equity Coding Project’s “By, For, and About” Framework, and the importance of including nuance in the process. Stay tuned for an opportunity to get involved!

In this podcast, the GIA Support for Individual Artist Committee co-chairs Ce Scott-Fitts, artist development director, South Carolina Arts Commission and Celeste Smith, senior program officer, Arts and Culture, The Pittsburgh Foundation will give you a snapshot of what the committee has been working on, and what you can look forward to for this year. You will also receive a sneak peak into the committee’s theme for 2022, mental health and health care for artists. We will also hear from special guest, Dr. David Fakunle, CEO, DiscoverMe/RecoverME; adjunct assistant professor, University of Florida. He will share his insights on the topic of health care for artists, and he will reinforce a much-needed perspective around how we value and support artists.

Grantmakers continue to reckon with the difficulty of gathering accurate data around racial equity funding. To address this, Grantmakers in the Arts is participating in the Racial Equity Coding Project. In the first episode of this three-part podcast series, learn about the project from Susan Feder, program officer, Arts and Culture, Andrew W. Mellon Foundation; Adam Fong, program officer, Performing Arts, William and Flora Hewlett Foundation; and Maurine Knighton, program director, Arts, Doris Duke Charitable Foundation. They discuss why the project started, their experience with the earliest iterations of the coding measures, and how their reflections will inform steps forward. Stay tuned for an opportunity to get involved!

We’re circling back on the American Rescue Plan, and we are talking about progressive creative worker policies. Learn how these inspirational leaders are supporting arts organizations and individual artists. We are joined by Gonzalo Casals, commissioner, New York City Department of Cultural Affairs; Deborah Cullinan, CEO, Yerba Buena Center for the Arts (YBCA); Randy Engstrom, collaborative arts leader and board member of Grantmakers in the Arts; and Emil Kang, program director for Arts and Culture, The Andrew W. Mellon Foundation.

As GIA reflects over the past year, we cannot help but look back at the work and recommendations that so many funders offered when we launched our coronavirus response programming in 2020. The conversation and insight that was shared with the GIA community ignited and energized funders to begin and continue their support for individual artists and arts organizations. But what has happened since then? We are glad to welcome back Laura Aden Packer, executive director, Howard Gillman Foundation, and James Hafferman, deputy director, CERF+, to the GIA podcast. They will share how things have been going since began our coronavirus response programming in Spring 2020.

In our recently released report, Solidary not Charity: Arts & Culture Grantmaking in the Solidarity Economy(https://www.giarts.org/solidarity-not-charity), we point out the importance of commitment to long-term work with multiyear grants, loans, and equity investments for solidarity economy institutions and networks. But how is this done with a racial equity and justice lens? Learn more from Anna Raginskaya, investment advisor, Morgan Stanley, and Quita Sullivan, senior program director for Theater, New England Foundation for the Arts and GIA board member.

The Biden administration signed the American Rescue Plan Act or ARP, which is a $1.9 trillion package in response to the COVID-19 crisis. How can funders and grantees use this opportunity to reimagine arts education? In this podcast we are joined by Jamie Kasper, director, Arts Education Partnership; Alex Nock, principal, Penn Hill Group; Aileen Ma, director, Penn Hill Group; and Nadia Elokdah, Grantmakers in the Arts vice president and director of Programs, to discuss the opportunity provided by the American Rescue Plan (ARP) Act of 2021. Click here to listen!

Referenced resource: tinyurl.com/ESSERtables

In this podcast, Developing a Liberatory Consciousness in Funding, we’re glad to have Dr. Barbara J. Love, consultant, author, lecturer, and the founder of the framework, Liberatory Conscious, joining us. She will discuss how to develop a Liberatory Consciousness mindset that can lead us to more drastic change both within our institutions and outside of them. Intro music: "Barge" by Ketsa.