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To learn more, please visit the Worcester Museum's webpage.
SHOW NOTES
2:45 Richard Neumann’s grandson Tom Selldorff approached Worcester Museum to take Neumann collection of 16 recovered works on long term loan
3:45 exhibition is meant to tell the story of the Neumann collection and efforts to reconstitute it
4:25 Richard Neumann was a collector’s collector
5:10 two exceptional works by Alessandro Magnasco
5:50 Madonna and Child by Neri di Bicci
7:45 Maerten van Heemskerck Donor Panels
9:20 Donor panels held in the Künsthistorisches Museum
12:00 Neumann’s inventory
12:50 Neumann’s lecturing on art in Cuba
13:10 collection includes some works Neumann purchased from the Habsburg Dynasty holdings
13:45 Neumann’s primary advisors included Albertina Museum curator Otto Benesch and Italian drawings specialist Lili Fröhlich-Bume
14:25 Vienna was a city of Old Master and new artists when Neumann is collecting all while royal collections are also becoming available
16:05 Sophie Lillie’s role in restitution of works to Neumann family
17:40 di Bicci panel discovered in a Sotheby’s catalog by Lillie
18:00 materials incorporated into exhibition
18:30 verso of two paintings on pedestals
18:40 di Bicci’s verso
19:00 images in exhibition include French Ministry of Culture ceremony in 2013 for return of six works to Neumann family
19:30 Neumann family’s experience of looting speaks to larger narrative
20:00 Neumann family’s efforts to locate looted works
20:30 museum’s responsibility for looted works
20:50 Worcester Museum publishes all works with incomplete Nazi provenance online and is in the process of working with one family to determine if a work in the Worcester collection is the looted work that the family is seeking
21:40 exhibition design: recreation of works in the Neumann’s Vienna home and process of locating works post-war 1950s-2021
25:20 verso of works
26:50 forced sales / sales under duress
27:55 di Bicci’s Madonna and Child and Magnasco’s Monks at Mealtime appeared at auction
30:00 Sotheby’s Art Loss Register search for Magnasco’s Monks at Mealtime
31:20 1938 inventory of Neumann assets
32:20 1938 inventory includes paintings but not sculpture or works on paper
33:20 Linz Museum and works shipped to Paris
34:00 missing from Neumann inventory - van Dyck and Rubens
35:00 late 17th C / early 18th C Barogue / Rococo paintings for Linz Museum
35:30 oil sketches
37:30 visitor reactions
40:15 exhibitions that informed Whitner in preparation of Neumann exhibition
44:45 Sophie Lillie’s book Was Einmal War (What Once Was)
46:10 Stephanie Barron’s catalog of Degenerate art exhibition for LACM
47:15 French government website with images of looted works
48:30 Richard Neumann’s legacy is one of generosity and tenacity
50:00 escape from Vichy France to Cuba
Please share your comments and/or questions at [email protected]
Music by Toulme.
To hear more episodes, please visit Warfare of Art and Law podcast's website.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].
Thanks so much for listening!
© Stephanie Drawdy [2025]
By Stephanie Drawdy5
1010 ratings
Send us a text
To learn more, please visit the Worcester Museum's webpage.
SHOW NOTES
2:45 Richard Neumann’s grandson Tom Selldorff approached Worcester Museum to take Neumann collection of 16 recovered works on long term loan
3:45 exhibition is meant to tell the story of the Neumann collection and efforts to reconstitute it
4:25 Richard Neumann was a collector’s collector
5:10 two exceptional works by Alessandro Magnasco
5:50 Madonna and Child by Neri di Bicci
7:45 Maerten van Heemskerck Donor Panels
9:20 Donor panels held in the Künsthistorisches Museum
12:00 Neumann’s inventory
12:50 Neumann’s lecturing on art in Cuba
13:10 collection includes some works Neumann purchased from the Habsburg Dynasty holdings
13:45 Neumann’s primary advisors included Albertina Museum curator Otto Benesch and Italian drawings specialist Lili Fröhlich-Bume
14:25 Vienna was a city of Old Master and new artists when Neumann is collecting all while royal collections are also becoming available
16:05 Sophie Lillie’s role in restitution of works to Neumann family
17:40 di Bicci panel discovered in a Sotheby’s catalog by Lillie
18:00 materials incorporated into exhibition
18:30 verso of two paintings on pedestals
18:40 di Bicci’s verso
19:00 images in exhibition include French Ministry of Culture ceremony in 2013 for return of six works to Neumann family
19:30 Neumann family’s experience of looting speaks to larger narrative
20:00 Neumann family’s efforts to locate looted works
20:30 museum’s responsibility for looted works
20:50 Worcester Museum publishes all works with incomplete Nazi provenance online and is in the process of working with one family to determine if a work in the Worcester collection is the looted work that the family is seeking
21:40 exhibition design: recreation of works in the Neumann’s Vienna home and process of locating works post-war 1950s-2021
25:20 verso of works
26:50 forced sales / sales under duress
27:55 di Bicci’s Madonna and Child and Magnasco’s Monks at Mealtime appeared at auction
30:00 Sotheby’s Art Loss Register search for Magnasco’s Monks at Mealtime
31:20 1938 inventory of Neumann assets
32:20 1938 inventory includes paintings but not sculpture or works on paper
33:20 Linz Museum and works shipped to Paris
34:00 missing from Neumann inventory - van Dyck and Rubens
35:00 late 17th C / early 18th C Barogue / Rococo paintings for Linz Museum
35:30 oil sketches
37:30 visitor reactions
40:15 exhibitions that informed Whitner in preparation of Neumann exhibition
44:45 Sophie Lillie’s book Was Einmal War (What Once Was)
46:10 Stephanie Barron’s catalog of Degenerate art exhibition for LACM
47:15 French government website with images of looted works
48:30 Richard Neumann’s legacy is one of generosity and tenacity
50:00 escape from Vichy France to Cuba
Please share your comments and/or questions at [email protected]
Music by Toulme.
To hear more episodes, please visit Warfare of Art and Law podcast's website.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].
Thanks so much for listening!
© Stephanie Drawdy [2025]

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