By Stephanie Drawdy
Warfare of Art and Law Podcast sparks conversation about the intriguing – and sometimes infuriating – stories that arise in the worlds of art and law with artist and attorney Stephanie Drawdy.
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The podcast currently has 142 episodes available.
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Cover Image: Artist's MFA Studio - Tribeca Ball.
To learn more, please visit Stefania Salles Bruins' site.
Show Notes:
1:15 art school’s training to visually think
2:00 Bruins’ work as attorney
2:30 overview of grad program at New York Academy of Art
5:00 medium: use of linseed oil and paint without medium
5:30 tools: importance of brushes
6:15 support: Bruins’ preference for aluminum
7:15 Vincent Desiderio’s Cockaigne
8:00 Lesson 1 Perspective
8:45 Point of View
9:30 Lesson 2 Light
10:50 Lesson 2.5 Shadow
11:30 Rembrandt’s The Nightwatch
12:00 Lesson 3 Value
12:55 Lesson 4 Temperature
13:05 Courbet’s The Madman or The Desperate Man
13:50 Steven Assael - king of temperature shifts
14:20 Lesson 5 Depth
15:00 Value is King, Temperature is Queen and Color is a Fool
15:30 Lesson 6 Lines
15:40 shapes within da Vinci’s Mona Lisa
17:00 Adam Miller - narrative large oil paintings
17:20 Carl Dobsky
17:30 NYAA Big Stories exhibit artist talk
18:00 transitions within grad school and post-grad
19:40 learning to be your own voice of reason - parallel with work as general counsel
20:55 Old Masters Rembrandt and Vermeer
21:55 Alan Robertshaw: Vermeer’s use of optics
23:00 SSB: application of illusions in cinema and inspiration from movies more than paintings
24:00 Kubrick's Barry Lyndon
24:50 use of grids and projectors
27:15 use of technical and human assistants
28:45 critiques
30:00 art historical references to read the work
31:20 Nnebundo Obi: time commitments within art grad school
32:50 Escoda brushes
33:00 use of aluminum
34:45 advice for individuals who want to begin painting
35:30 always clean your brushes!
see also:
JP Roy's IG post re light
checkerboard illusion
Please share your comments and/or questions at [email protected]
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].
Thanks so much for listening!
© Stephanie Drawdy [2024]
Send us a text
To learn more, please visit the World Culture Project and read about D. Paul Schafer's most recent book, The Great Cultural Awakening
Show Notes:
0:00 Schafer quotes Gurte: “live in the whole , the good and the beautiful”
2:15 background
7:50 Ontario Arts Council
8:15 Arts Administration and Cultural Policy graduate program at York University
8:45 freelancer-UNESCO, Canadian Dep’t of External Affairs
9:25 publications predicated on argument that it’s time to shift from Economic Age to Cultural Age
9:50 creation of the World Culture Project
16:40 Culture: Beacon of the Future (1998)
18:10 AI impact
18:45 Geoffrey Hinton’s concerns over AI
20:50 Revolution or Renaissance: Making the Transition from an Economic Age to a Cultural Age (2008)
24:25 The World as Culture: Cultivation of the Soul to the Cosmic Whole (2022)
30:05 The Great Cultural Awakening: Key to an Equitable, Sustainable and Harmonious Age (2024)
42:30 future leaders should have backgrounds in the arts and culture sector
46:50 Feedback received about The Great Cultural Awakening
48:00 excerpt from The Great Cultural Awakening’s chapter titled Tale of Two Ages that references Charles Dickens’ Tale of Two Cities
53:00 the power of art to address social injustice
1:00:00 definition of justice
1:02:20 Cultural Historian Johan Huizinga, author of The Waning of the Middle Ages
1:04:20 legacy
1:06:40 future projects
Please share your comments and/or questions at [email protected]
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].
Thanks so much for listening!
© Stephanie Drawdy [2024]
Send us a text
Show notes:
1:20 background and work in IP law and technology
2:20 blog article, “What can internet history teach us?”
3:25 IP issues emerging in the age of AI
5:10 inevitability of AI
6:40 global regulation of AI
8:25 Emily Gould - which body would handle global regulation of AI
11:00 Council of Europe’s adoption of first AI international treaty
11:50 Gould - UK proposal to expand text and data mining exception to cover commercial uses
14:55 transparency issues
18:40 Gould - response - need for legislation
20:20 authorship question
21:40 THJ Systems v. Sheridan (THJ Systems Ltd. v. Sheridan [2023] EWCA Civ 1354, [2024] E.C.D.R. 4, CA, 20 November 2023) is of great interest because it confirms the test for originality in copyright law in the UK after Brexit.
22:55 Li v. Liu, Case Number: (2023) Jing 0491 Min Chu No. 11279, Beijing Internet Court, 27 November 2023
25:00 NFTs
25:30 Thaler v. Perlmutter and USCO, USCA Case #23-5233
29:30 continued utility of copyright
32:40 AI copyright suits in the US
36:30 cultural impact of AI models’ accelerated training capabilities
38:20 view of whether there is a future for careers in art
42:50 tools like spawning.ai for artists’ protections
43:00 opt ins versus opt outs
43:50 technological protections like Glaze and Nightshade
45:15 difficulty of implementing opt ins
47:45 injustices in the AI age and definition of justice
50:33 mark that Andres hopes to make with his work
53:40 Stefania Salles-Bruins - IP protection for AI software and outputs
Please share your comments and/or questions at [email protected]
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].
Thanks so much for listening!
© Stephanie Drawdy [2024]
Send us a text
To learn more about Tetiana Cheprasova, please visit her page at Agency of Artists in Exile.
Special thanks to Valentina Kostornichenko for acting as interpreter in this episode.
Show Notes:
0:00 Tetiana Cheprasova's view of the war in Ukraine & interpreter Valentina Kostornichenko
1:30 Cheprasova's background and work in painting, photography, sculptures and graphic design
4:50 Giovanni Ercolani’s book The Maidan Museum Preserving the Spirit of Maidan. Art, Identity and the Revolution of Dignity that features Cheprasova’s paintings inspired by Caravaggio
8:00 from Cheprasova's Depassement portfolio - paintings of hands, including wounded hands signifying stigmata
10:30 Mariupol woman who inspired Cheprasova
20:40 ‘Stop Emotions’ series of 9 paintings
25:00 Cityscapes of Mariupol
29:30 sculpture that’s part of new work to depict destruction in Ukraine
34:00 Parisian architecture
35:00 consequences of war
38:00 power of art to address social injustices and the impact of war
41:00 Cheprasova's view of justice
45:40 Cheprasova’s work as art therapist
49:20 Cheprasova’s hope for viewers of her work
53:00 Giovanni Ercolani’s questions to Cheprasova
56:00 if only one person is impacted by your work, it’s worth doing
56:50 Artists as witnesses of their time
Please share your comments and/or questions at [email protected]
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].
Thanks so much for listening!
© Stephanie Drawdy [2024]
Send us a text
To learn more, please visit Angie Elita Newell's site for All I See Is Violence.
Show Notes:
1:20 Newel’s background
4:00 impetus to address historic inaccuracies
4:50 women warriors
5:30 research process
7:20 perspectives decided on for All I See Is Violence
8:45 interconnectedness of all
10:15 timelines within All I See Is Violence
11:50 reading from All I See Is Violence
16:50 archival research
18:45 surreal stories from elders
20:40 feedback
21:40 Custer
22:40 power of art to address social issues
23:00 Picasso’s Guernica
25:00 reparations
25:50 the Very Little Truth and No Reconciliation Committee
27:00 reservations / prison camps
28:30 publishing process and manipulation of the truth by the big 5 publishers
32:30 Indigenous Poet Joy Harjo
33:30 American Indian movement in the 1970s
35:50 concept of justice related to awareness
38:40 next book tells story of Apache leader Geronimo and female warrior Lozen
43:50 research on Lozen
45:00 Mexican slave trade of indigenous people
45:45 questions from Anjali Rao
47:00 to build dual timelines, Newell asks questions about what’s the point and building on that overarching point
Please share your comments and/or questions at [email protected]
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].
Thanks so much for listening!
© Stephanie Drawdy [2024]
Send us a text
Cover Photo by Nils Paellmann
0:00 Restitution Study Group (RSG) Executive Director Deadria Farmer-Paellmann
1:30 overview of suit and issues raised
4:30 Prof. Tobias Skowronek’s findings on the metals contained in the manillas
7:00 Dismissal of suit against Smithsonian based on mootness
7:55 court order that Plaintiffs conceded points and waived arguments
8:45 ruling in OK reparations case for the 1921 Tulsa Race Massacre
10:30 Nigerian declaration by outgoing President Buhari
12:00 critical argument that transfer was ultra vires
13:00 Administrative Procedure Act - failure to hold public hearing on ‘ethical transfers’ creates First Amendment issue
15:00 opinion on Nigeria’s position
17:00 DNA research as to descendants from Esan People from Benin Kingdom
19:00 Benin Kingdom’s enslavement of their females
20:15 Manchester Museum’s 2023 repatriation to Australia’s Aboriginal Anindilyakwa community of Groote Eylandt
21:00 change in narratives offered by Frankfurt’s Museum of World Cultures and Berlin’s Humboldt Museum
22:45 ancestral dedications at institutions holding Benin Bronzes
23:30 Benin Kingdom Museum in Harlem, NY
25:15 underreporting on lawsuit
26:00 shock about value of Benin Bronzes - a classic Wakanda story at end of first Black Panther film
28:20 potential for justice in US lower federal courts and in SCOTUS
31:00 narrative attached to the Benin Bronzes
33:30 Illinois State Rep. Carol Ammons - Joint chairwoman of Illinois Legislative Black Caucus meeting with Chicago's Field Museum
34:30 NY Legislator involved in work of RSG
Please share your comments and/or questions at [email protected]
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].
Thanks so much for listening!
© Stephanie Drawdy [2024]
Send us a text
To learn more, please visit Fast Familiar's site.
Show Notes:
0:00 Briscoe discussing justice
1:20 Briscoe’s background in theatre and co-founding Fast Familiar
3:15 2015 project ‘Invisible Treasure’ about systems of power
4:40 2018 began work with computational artist Joe McAlister
5:20 technological solutions for use in projects
6:30 The Justice Syndicate
8:40 The Acquisitions Panel
9:40 collaborations
10:25 The Evidence Chamber - forensic science work with University of Dundee
13:00 use of comic strip with forensic information in The Evidence Chamber
15:40 Curse of the Burial Daggers
18:00 Smoking Gun - collaboration with Data Stories
23:00 outcomes in jury shows and influence of current events
25:25 machine learning with data gathered through projects
26:45 process
28:40 Future for Fast Familiar
30:30 justice defined
32:20 feedback
35:35 arts to address social issues
38:20 2024 projects
Please share your comments and/or questions at [email protected]
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].
Thanks so much for listening!
© Stephanie Drawdy [2024]
Send us a text
To learn more, please visit Laura Morelli's site.
Show Notes:
0:00 Laura Morelli discussing the WWII era art looting
1:15 genesis of writing about the looting of Florentine art collections in The Last Masterpiece
2:45 German Jewish artist Rudolph Levy as guest of German Art History Institute
4:30 Stolperstein for Levy
5:00 perspectives in WWII Italy: museum officials, German expatriates and Allies
8:30 German Eva Brunner and American Josephine Evans - characters in The Last Masterpiece
9:30 decisions on where to begin and end The Last Masterpiece
13:30 decision to use fictional characters versus historical figures in book
14:40 German Art History Institute Director Prof. Friedrich Kriegbaum
16:00 Kriegbaum’s participation in Hitler’s 1938 tour of Florence
18:25 Brunner’s back story
20:10 German photographer Hilde Lotz-Bauer who worked for Prof. Kriegbaum photographing Allied damage to historical monuments in Florence
24:15 Evans based on Women’s Army Corp (WACs)
28:25 women who worked with and supported the Monuments Men
29:00 justice in terms of the individual actions and decisions that enabled the survival of art looted during WWII
31:30 books by Robert Edsel and Ilaria Dagnini Brey
32:15 survival bias
33:30 van Dyck painting
33:40 Uffizi Director Eike Schmidt’s work for Germany to return looted Dutch painting
35:00 impact of propaganda during WWII
38:10 Michelangelo’s Secret Room with 16th C drawings
42:20 2024 release of book related to hiding places in Tuscan countryside in 1943-44
Please share your comments and/or questions at [email protected]
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].
Thanks so much for listening!
© Stephanie Drawdy [2024]
Send us a text
To learn more, please visit Barbara Hinske's website.
Cover photo of Barbara Hinske, 2020 Jean Laninga Creative.
Show Notes:
0:00 Guiding Emily Series to effect change for good in the sighted community
1:15 background in engineering and the law
2:00 whodunit books by Barbara’s father
2:25 double vision by auto accident led to Rosemont series
3:55 her approach to writing while still working as an attorney
7:00 work with a writing coach
8:15 writing coach Linden Gross
8:45 Author Conference on Clubhouse
10:30 Rosemont Series
13:50 Guiding Emily Series
14:45 Guiding Emily movie on Hallmark in April 2024
15:00 genesis of Guiding Emily at Foundation for Blind Children
22:50 discrimination against the visually impaired community
24:45 unemployment rate of the visually impaired community
26:00 panel to address employability of individuals from visually impaired community
30:05 [email protected]
35:20 exclusion of unsighted parents
37:30 guide dog graduation ceremony
40:20 Guiding Emily presentation
41:40 power of art to shift and address social issues
42:00 The Christmas Club
44:00 pregnant unsighted individual’s experience
45:30 Canadian child at Foundation for Blind Children
46:55 definition of justice
49:15 The Write Approach podcast
51:20 Hinske’s strong older female protagonists
53:50 Final Circuit
57:30 self-published in e-book and print; traditionally published in audio
58:00 Hinske’s legacy to uplift, encourage and empower
Please share your comments and/or questions at [email protected]
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].
Thanks so much for listening!
© Stephanie Drawdy [2024]
Send us a text
Featuring excerpts from Episode 108, an interview with Dr. Ashfaq Ishaq, and Episode 105, an interview with Milena Chorna, with musical composition by Toulme, Copyright 2024.
Many thanks to M.C. Sungaila who sparked the idea for "Manifestation of Freedom".
Please share your comments and/or questions at [email protected]
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected].
Thanks so much for listening!
© Stephanie Drawdy [2024]
The podcast currently has 142 episodes available.
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