This was supposed to be a bonus episode, but it's really a textbook ITP episode where we talk about a garage classic and two other versions, with lots of crucial digressions - like the early days. The song is "Go Ahead" by garage legends The Squires from Connecticut. A folk-punk jangler with churning organ - if you don't like it, what are you doing here?! The second version is by the Pop Art Toasters, with the recently departed Martin Phillips on vocals. New Zealand sure is the land of avuncular vocalists! The third and final version is by The Jack Cades, who bring the song into the 2020s with a lot of ghostly atmosphere and implied noise. Keep the fire burning!

This was supposed to be a bonus episode, but it's really a textbook ITP episode where we talk about a garage classic and two other versions, with lots of crucial digressions - like the early days. The song is "Go Ahead" by garage legends The Squires from Connecticut. A folk-punk jangler with churning organ - if you don't like it, what are you doing here?! The second version is by the Pop Art Toasters, with the recently departed Martin Phillips on vocals. New Zealand sure is the land of avuncular vocalists! The third and final version is by The Jack Cades, who bring the song into the 2020s with a lot of ghostly atmosphere and implied noise. Keep the fire burning!

This was supposed to be a bonus episode, but it's really a textbook&nbsp;ITP episode where we talk about a garage classic and two other versions, with lots of crucial digressions - like the early days. The song is "Go Ahead" by garage legends The Squires from Connecticut. A folk-punk jangler with churning organ - if you don't like it, what are you doing here?! The second version is by the Pop Art Toasters, with the recently departed Martin Phillips on vocals. New Zealand sure is the land of avuncular vocalists! The third and final version is by The Jack Cades, who bring the song into the 2020s with a lot of ghostly atmosphere and implied noise. Keep the fire burning!

Go Ahead

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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Go Ahead

Go Ahead

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