IN THIS EPISODE:
Today we speak with Rob Hardy, BSC, the brilliant cinematographer of the film Ex Machina. We discuss his lighting techniques, his decision to use the Sony F65 and all the subtle cinematic nuances that make Ex Machina one of the most human-centric science fiction films of our time.
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Spotlight: Rob Hardy, BCS
Rob Hardy, BCS is an award winning cinematographer of countless commercials, music videos and feature films and he’s here today to discuss his latest Sci-Fi masterpiece Ex Machina. We discuss his tungsten-based lighting design and the decision to shoot with the Sony F65, the delicate balance between visual effects and cinematography, using reflections to help tell a story, and all the subtle nuances that make Ex Machina a masterpiece.
Why films shouldn't work
Why not cutting is Punk Rock
Tungston may be hotter, but it's also better
How music producer Steve Albini inspired Rob's visual style
Shooting on the Sony F65 and F55
The psychology of Ex Machina
How to light and shoot a 360 degree set
and more...
SOME LINKS MENTIONED IN THE EPISODE:
Official Website for Rob Hardy
Ex Machina trailer
Official Website for BC Media Productions
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