Episode 112: Stanley Clarke is one of the greatest and most influential bassists of all time, both on acoustic and electric bass. His long time collaboration with Chick Corea and Return To Forever changed music. His solo albums and the success from it had him as the first bass player to ever take front and center stage. He's a multi GRAMMY winning artist, and one of the greatest living master teachers, as well as being an incredibly sweet and loving human. Stanley is one of a kind. This is the longest and deepest Stanley Clarke interview on the internet, and we're so happy that Stanley chose us for this.

Coming up in Philadelphia, how he found the bass, moved to NY and starting gigging with Horace Silver, Art Blakey, Joe Henderson, Stan Getz, and Chick Corea. We go DEEP on drummers. His work with Tony Williams, Lenny White, Steve Gadd, Billy Cobham, John JR Robinson, etc

How Chick talked him out of a classical career, the switch to electric, Romantic Warrior, why it ended, and losing Chick. We talk School Days and being the first bass player to headline his own shows. The Alembic that changed his sound, his solo records, the great George Duke, and how a jazz bass player ended up scoring, meeting a young John Singleton, and writing the music for Boyz N The Hood, Poetic Justice, and over 70 film and TV scores.

His new album Last Train To Sanity is INCREDIBLE. 

Huge thanks to our friends at DistroKid! DistroKid is the easiest and fastest way to get your music on over 150 platforms worldwide! Go to https://distrokid.com/vip/elmo to get 20% off your first year!

Elmo Lovano drinks Intelligentsia coffee because he’s an Iced Angeleno. https://www.intelligentsia.com

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Stanley Clarke, George Duke - Sweet Baby: https://www.youtube.com/watch?v=d6AHjroSkfM

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Episode 111: Hit-Boy is one of the biggest producers in modern day music. He's produced some of the biggest songs for Kanye West, Jay-Z, Nas, Kendrick Lamar, Beyoncé, Drake, Travis Scott, Big Sean and Nipsey Hussle. He's a 3x Grammy winner. He gave Jay-Z the first diamond record of his career, off a beat that six artists turned down before it ever got to him.

This Hit-Boy interview is different than the others he's done. We go deep into the craft, how the beats actually get made, cut, released, and paid! Why he's numbered every single beat he's made since 2006, and what happened to the 1,600 nobody picked. We got into all of it. Making "Backseat Freestyle" for Ciara before Kendrick ever heard it. Producing a #1 country record for Beyoncé. Being flat broke in 2017 with a future #1 already sitting on his hard drive. Getting free after 18 years and putting his new album out himself, on his own site, with no label and no DSPs. He also still makes everything in FL Studio, the same program he started on at 15 years old in Fontana, California.

He's one of the most important producers of the last 15 years and he's still working like he has something to prove. His biggest days are still ahead of him. This one's for anybody who makes music in the modern world, especially hip hop and pop. I hope you enjoy my interview with the legendary, Hit-Boy!

Huge thanks to our friends at DistroKid! DistroKid is the easiest and fastest way to get your music on over 150 platforms worldwide! Go to https://distrokid.com/vip/elmo to get 20% off your first year!

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Episode 110: Evan "Kidd" Bogart has worn nearly every hat in the music industry. From mailroom A&R at Interscope Records to hit songwriter (Beyoncé's "Halo," Rihanna's "SOS"), artist manager, booking agent, and now buying music catalogs with Seeker and advocating for creators as Vice Chair of the Recording Academy. He's one of the rare people who has sat in nearly every seat at the table. In this episode, Elmo Lovano goes deep with Evan Bogart on both the craft and the business of music.

Evan is the son of Casablanca Records founder Neil Bogart, the legendary executive behind KISS, Donna Summer, Parliament, and the Village People, and manager, Joyce Bogart Trabulus. He grew up inside the music business, tried to make it as a rapper, and worked his way up from the Interscope mailroom to the A&R department. As a teenager, he discovered Eminem and was the first person to put Em in front of Jimmy Iovine. He'd go on to sign Kara's Flowers, who later changed their name to Maroon 5.

After getting sober in his early 20s, Evan reinvented himself as a songwriter, and his very first composition, "SOS" for Rihanna, went to No. 1. He followed it with the Grammy-winning "Halo" for Beyoncé, co-written with Ryan Tedder in just three hours, plus hits for Britney Spears, Madonna, Lizzo, Jason Derulo, Leona Lewis, and more.

Today, Evan is the CEO of Seeker Music, the creator-led music rights, publishing, and record company he's built into a catalog of more than 19,000 copyrights and master recordings valued at roughly $400 million. The catalog includes works by Beyoncé, Miley Cyrus, One Direction, Drake, Christopher Cross, Joan Jett, Run the Jewels, and Lewis Capaldi. Named the #2 Most Innovative Music Company of 2025 by Fast Company, Seeker recently closed its inaugural $267 million asset-backed securitization with M&G Investments and announced a global distribution partnership with Virgin Music Group. If you don't know what that means, that's OK, because we break it all down.

We get into how you actually value and buy a music catalog, the business of publishing and masters, how songwriter splits and royalties work, why music rights have become an institutional asset class, and how music-backed securitization deals get financed. We also dig into Evan's role as Vice Chair of the Recording Academy and Co-Chair of the GRAMMYs Songwriters & Composers Wing, where he fights for fair mechanical royalty rates, helped create the Songwriter of the Year Grammy, and is helping shape the conversation around AI and the future of music rights, creativity, and ownership.

This is the deep, insider version of Evan Bogart's story. The craft, the deals, the money, and the mission. For anyone who wants to understand how the music business actually works.

I hope you enjoy the conversation with my dear friend, Evan Bogart!

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Episode 109: Michael League is the founder of Snarky Puppy, the GroundUP Music label, and the GroundUP Music Festival, and he's one of the most independent minds working in music today. He sat down with us for a deep conversation about how he built the whole thing. This isn't an interview about bass tone or gear. It's about how the entire machine actually works: how a bandleader turns a college project into a five-time Grammy-winning institution, an artist-first record label, and an international festival, all on his own terms, and all without a major label calling the shots.

We trace the whole arc. League started Snarky Puppy in 2004 at the University of North Texas because he wasn't getting to play, so he built his own band. It transformed when he immersed himself in the Dallas gospel and R&B scene, absorbing the mentorship of the late Bernard Wright, the "North Star" who reshaped its feel. Out of that came the Snarky Puppy sound and the rotating cast fans call "the Fam," nearly 40 players who launched solo careers like Cory Henry's ("Lingus" is one of the most-watched instrumental performances online), Bill Laurance, Mark Lettieri, Larnell Lewis, Robert "Sput" Searight, and more.

Michael pulls back the curtain: how he leads and pays this rotating collective, schedules a year out so everyone gets bandstand time, and sees himself, borrowing from Béla Fleck, as "a leader among equals." We get into why he founded GroundUP Music after growing disenchanted with the label system, how it works as an artist-friendly alternative to majors, and how the GroundUP Festival became a no-headliner gathering that's crossed the Atlantic.

We also cover his life as collaborator: his partnership with David Crosby, whose late-career renaissance he helped spark; Lalah Hathaway entering the Snarky orbit; Family Dinner coming together; discovering Jacob Collier early; his band Elipsis with Antonio Sanchez and Pedrito Martinez; his love of the oud; and running it all from a 500-person Roman-era village in Spain. We talk making a living in music, sustainable careers for musicians, mentors and friends he's lost, and AI's effect on the industry.

This is for musicians, bandleaders, producers, and label-builders and anyone who's wondered how to build something lasting without compromising the art. If you love Snarky Puppy, jazz fusion, and the real workings of the industry, this one's for you. Subscribe and hit the bell. Lets go!

This episode is brought to you by our friends at The Pod Company! Their portable sauna makes it easy to prioritize your health wherever you are, whether you're on tour, traveling, or at home. Use promo code ELMO to get yours for $499 instead of $999! Learn more at https://podcompany.com/

Huge thanks to our friends at DistroKid! DistroKid is the easiest and fastest way to get your music on over 150 platforms worldwide! Go to https://distrokid.com/vip/elmo to get 20% off your first year!

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Episode 108: Labrinth joins us for one of the deepest interviews he's ever had about music, creativity, production, songwriting, and the journey that shaped his career.

From his early days in London to being discovered by Simon Cowell, producing Tinie Tempah's "Pass Out," forming LSD with Sia and Diplo, scoring HBO's Euphoria, collaborating with Billie Eilish, Finneas, Zendaya, Beyoncé, The Weeknd, Fred again.., and more, this is a career-spanning deep dive into one of the most original artists of our generation.

We talk about how Labrinth approaches songwriting and music production, how he thinks like a producer, why every sound matters, his philosophy on creativity, imagination, originality, building a unique sonic identity, and the lessons he's learned throughout his career. We also dive into his new project, Cosmic Opera, his home studio, live performance, and what it really takes to create music that moves people.

Whether you're a musician, producer, songwriter, or simply fascinated by the creative process, this episode is packed with insights on finding your sound, making meaningful art, and building a lasting creative career, while staying true to yourself. I hope you enjoy my conversation with the amazing, Labrinth!

This episode is brought to you by our friends at The Pod Company! Their portable sauna makes it easy to prioritize your health wherever you are, whether you're on tour, traveling, or at home. Use promo code ELMO to get yours for $499 instead of $999! Learn more at https://podcompany.com/

Huge thanks to our friends at DistroKid! DistroKid is the easiest and fastest way to get your music on over 150 platforms worldwide! Go to https://distrokid.com/vip/elmo to get 20% off your first year!

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Episode 107: Sublime's new frontman is Bradley Nowell's son, Jakob Nowell. Not only does he sound like his dad and honor his father's music perfectly alongside original band members Bud Gaugh and Eric Wilson, but he's also contributing, now writing new Sublime music and having two consecutive #1's and a new album, Until The Sun Explodes! Here is my deep dive with the amazing Jakob Nowell.

In this episode, we go deep into Jakob's story: growing up in Long Beach as Bradley Nowell's only son, losing his father as an infant, and being raised by his mom, Troy. We talk about how he found his own voice through his band LAW and his solo project Jakobs Castle, his journey to sobriety, and the surreal, emotional moment he stepped up to front the reunited Sublime alongside Eric Wilson and Bud Gaugh on the mainstage of Coachella, and the whirlwind that has followed after that performance.

Jakob opens up about what it means to sing his dad's songs night after night, hearing echoes of Bradley in his own voice, playing his father's guitar, dreams of talking with his dad, and carrying a legacy that millions of fans hold close, all while building something of his own. We get into the new Sublime music, the back-to-back #1 singles, and where the band goes from here.

This is a conversation about family, loss, identity, and the unique beauty of finding yourself inside the music your father left behind. Jakob is an amazing human, with a wonderful perspective, strong sense of self, and a funny guy. I hope you enjoy our conversation! Long live Sublime.

Huge thanks to our friends at DistroKid! DistroKid is the easiest and fastest way to get your music on over 150 platforms worldwide! Go to https://distrokid.com/vip/elmo to get 20% off your first year!

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Episode 106: Desmond Child is one of the greatest songwriters and producers of all time. With more than 80 Top 40 hits to his name, he was inducted into the Songwriters Hall of Fame.

We recorded this episode of Go With Elmo Lovano in Athens, Greece, sitting in front of the Acropolis at our dear friends home.

Desmond takes us inside the stories behind some of the biggest songs in rock and pop history. From Bon Jovi's "Livin' on a Prayer" and "You Give Love a Bad Name," to Aerosmith's "Dude (Looks Like a Lady)" and "Angel," KISS's "I Was Made for Lovin' You," Ricky Martin's "Livin' la Vida Loca," "La Copa de la Vida" (the 1998 FIFA World Cup anthem), and "She Bangs," Cher's "Just Like Jesse James," and so many more.

Desmond opens up about growing up in the Miami projects as the son of Cuban bolero songwriter Elena Casals, shares a wild and unforgettable story with Michael Jackson, breaks down his songwriting philosophy and the craft behind decades of hits, and talks about his deep love for Greece.

We also discuss his brand-new documentary, Desmond Child Rocks the Parthenon, which recently had its world premiere at the Thessaloniki Documentary Festival.

This is the story of the man behind the soundtrack of a generation.

Let's go!

Big thank you's to Lars Rasmussen, Elomida Visviki, Curtis Shaw, George Stampolis and the great producer/songwriter Phoebus for bringing us all together.

Huge thanks to our friends at DistroKid! DistroKid is the easiest and fastest way to get your music on over 150 platforms worldwide! Go to https://distrokid.com/vip/elmo to get 20% off your first year!

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Episode 105: Richard Bona is one of the most respected bass players, composers, vocalists, and bandleaders in modern music. Born in Cameroon and now celebrated around the world, Richard has worked with legends including Pat Metheny, Quincy Jones, Joe Zawinul, Harry Belafonte, Chick Corea, Herbie Hancock, Bobby McFerrin, Mike Stern, George Benson, and many more. From the Pat Metheny Group to the Zawinul Syndicate, Richard has helped shape the sound of jazz fusion, African music, world music, and modern bass playing for decades.

Richard has also shared the stage and studio with some of the greatest drummers in the world including Antonio Sanchez, Vinnie Colaiuta, Dave Weckl, Steve Smith, Omar Hakim, Paco Séry, Dennis Chambers, Manu Katché, Simon Phillips, Terri Lyne Carrington, Mark Guiliana, Steve Gadd, and more.

In this episode, Richard and Elmo talk about growing up in Cameroon, building his own instruments as a child, discovering Jaco Pastorius, moving to Germany, Paris, and New York, becoming Harry Belafonte’s musical director, joining Joe Zawinul’s Syndicate, winning a Grammy with Pat Metheny, rhythm, groove, African music, storytelling, singing while playing bass, improvisation, how to feel odd time signatures and polyrhythms, being managed by Quincy Jones, bass technique, composition, musical identity, and much more.

Richard also shares stories from the road, lessons from the greatest musicians in the world, and his philosophy on music, culture, creativity, and humanity. We hope you enjoy our conversation with the great Richard Bona!

Big thanks to our friends Ace Studio for supporting the show. Check them out! https://acestudio.ai/

Another huge thanks to our friends at DistroKid! DistroKid is the easiest and fastest way to get your music on over 150 platforms worldwide! Go to https://distrokid.com/vip/elmo to get 20% off your first year!

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Episode 104: Kamasi Washington

Kamasi Washington is one of the most important voices in modern jazz. A saxophonist, composer, and bandleader from Los Angeles, he has helped shape the sound of contemporary music through his solo work and collaborations with artists like Kendrick Lamar, Thundercat, Dinner Party, Flying Lotus, Andre 3000, Terrace Martin, and Robert Glasper.

In this episode of Go With Elmo, Kamasi sits down for a deep conversation about his journey, from growing up in Los Angeles with the greatest young talents all around him to becoming a central figure in a global movement of jazz, hip-hop, and beyond. The LA music scene, the importance of community, and the foundation of the West Coast Get Down collective all come into focus.

Kamasi breaks down the West Coast Get Down and the musicians involved, including Thundercat, Ronald Bruner Jr., Cameron Graves, Brandon Coleman, Ryan Porter, Patrice Quinn, Miles Mosley, and Tony Austin, and how that group helped define a new sound coming out of Los Angeles. Kamasi explains why he often performs with multiple drummers and multiple bassists, how he builds such powerful live ensembles, and what it takes to lead large groups of musicians on stage and in the studio.

The conversation dives into Kamasi’s work on Kendrick Lamar’s To Pimp a Butterfly, the creative energy of those sessions, how he got the call for the Kendrick gig from Terrace, and their continued connection over time. More recent collaborations like “Luther” and “TV Off” are discussed, along with Kendrick referencing him by name in the lyric “keep a horn on me, that Kamasi,” a moment that reflects his influence across genres.

Making his landmark albums The Epic, Heaven and Earth, and Harmony of Difference are explored, along with his approach to jazz saxophone, composition, improvisation, and bandleading.

His broader work as a composer, including Becoming and Lazarus, adds to the scope of his career and creative output.

The conversation goes deep into music philosophy, creativity, and meaning, including Kamasi’s belief that music is bigger than genre and can communicate ideas beyond words. Fatherhood, inspiration, and the evolution of his perspective all play a role in shaping his current work.

This is a wide-ranging talk about music, culture, leadership, and the journey of becoming one of the defining artists of this generation. I hope you enjoy watching my hang with the great, Kamasi Washington!

Big thanks to our friends Ace Studio for supporting the show. Check them out! https://acestudio.ai/

Another huge thanks to our friends at DistroKid! DistroKid is the easiest and fastest way to get your music on over 150 platforms worldwide! Go to https://distrokid.com/vip/elmo to get 20% off your first year!

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Episode 103: Linda Perry

One of the greatest songwriters, producers, and hitmakers of the last 40 years, and a Songwriters Hall of Fame inductee to prove it. In this episode of Go With Elmo Lovano, we go deep with Linda Perry on her journey through the music industry, from her early days to global success, and everything in between.

We talk about her upbringing, her rise to fame with 4 Non Blondes, and how writing the iconic song “What’s Up?” changed her life. Linda opens up about the reality of success, the emotional toll it took, and how she navigated depression, identity, and reinvention to become one of the most respected songwriters and producers in music.

We dive into her work writing and producing massive hits for Christina Aguilera (“Beautiful,” “Hurt”), P!nk (“Get the Party Started”), and Gwen Stefani (“What You Waiting For?”), along with her approach to songwriting, music production, creativity, and artist development. Linda shares how she helps artists find their voice, how she writes hit songs, and the truth about the modern music business.

We also talk about the continued cultural impact of “What’s Up?”, from the 90s MTV era to its resurgence on TikTok, as well as Linda’s current chapter, including her upcoming documentary “Let It Die Here,” her new solo album, and the return of 4 Non Blondes.

Linda is honest, direct, vulnerable, and deeply connected to the craft of songwriting. This is a powerful conversation about music, creativity, success, failure, and finding your voice.

I hope you enjoy my conversation with the incredible Linda Perry.

Go with Elmo Lovano’ is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights.

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