Gobbledygeek

Sun, spray, bullets, and blood: Christopher Nolan's Dunkirk recounts the worst beach trip in history, as 400,000 Allied troops were trapped by the Nazis in Dunkirk, France. The word Paul and Arlo keep coming back to as a descriptor is "relentless." 107 minutes of third-act intensity, Dunkirk may be the purest expression of Nolan's watchmaker-precise skill. The boys discuss the film's three interweaving time strands, the lack of overt character development (except for that moment), Hans Zimmer's ticking time bomb of a score, and why the movie never names or shows its Nazi enemies. Plus, Arlo is convinced the rest of the world is experiencing a mass delusion regarding Arrested Development season 4; and the boys take a look at the SDCC trailers for Ready Player One, Justice League, Thor: Ragnarok, Stranger Things, and The Defenders.

Next: it's another Four-Color Flashback, as Ensley F. Guffey, co-author of Wanna Cook? The Complete Unauthorized Guide to Breaking Bad, joins Paul and Arlo to discuss Y: The Last Man - Vol. 7: Paper Dolls.

War for the Planet of the Apes! Huh! Who is it good for? The answer would be cinephiles searching for an intelligent, emotionally and politically resonant blockbuster. Welcome to Paradise's Kenn Edwards joins Paul and Arlo to discuss Matt Reeves' final installment in the so-called "Caesar Cycle," which may be the bleakest monkey movie in history. (Also, they're not monkeys. Just ask Arlo's fiancée.) The gang delves into the genius of the film's visual effects, Andy Serkis' Oscar-worthy performance, the Apocalypse Now riffs, and how or if these films tie into the original Planet of the Apes series. Plus, Kenn finds a new way to watch Jaws, Paul comes down with The Big Sick, the Doctor is a lady, and the gang commemorates George Romero and Martin Landau.

Next: Christopher Nolan goes to war sans apes with Dunkirk.

It's a Wiley whammy as first-time guest Heather Wiley joins Gobbledygeek's very own Arlo Wiley in teaming up to finally take down Paul. Actually, this is a pretty convivial episode, as all three agree that Spider-Man: Homecoming is not only one of the better Spider-Man movies--some on this podcast would venture to call it the best--but one of the better entries in the Marvel Cinematic Universe thus far. The gang discusses why that is: the familiar yet fresh take on our friendly neighborhood webhead, an effortless mix of comedy and drama, a believable villain who doesn't want to shoot giant beams of light into the sky, genuine Queens-like diversity, and killer turns from Tom Holland and Michael Keaton. Plus, Paul conducted a Mozart in the Jungle binge, Arlo got together with Crazy Ex-Girlfriend, and Heather tries to piece together if she and Arlo are indeed blood relatives.

Next: War for the Planet of the Apes is hell.

This week, Paul and Arlo put the pedal to the metal and drop the needle on Baby Driver, the latest nerd fantasia from writer-director Edgar Wright. Filled with rock and soul classics, Wright's first American film is a high-concept car chase musical that nevertheless plays things a little straighter than his British/Canadian ventures. The boys discuss their favorite music cues, whether or not the internet is right to hate Ansel Elgort, what the film says about music as the soundtrack to our lives, and of course the goddamn Hamm. Plus, Paul and Arlo puzzle over the latest season of Orange Is the New Black and take a bite out of Bong Joon-ho's Okja.

Next: first-time guest Heather Wiley swings by to talk Spider-Man: Homecoming.

Landlubber Yorick Brown sets sail for Australia in Y: The Last Man: Vol. 6 - Girl on Girl, and Paul and Arlo are on hand to detail his nautical adventure. Now that their year-long Four-Color Flashback journey through Brian K. Vaughan and Pia Guerra's beloved comic book is more than halfway over...the boys have an existential crisis and ponder why it's been so difficult to discuss their journey. Is a series like Y: The Last Man built for this kind of volume-by-volume analysis? Every comic book is different, so is it fair for the boys to place it under the same scrutiny they did The Sandman? Besides making a classic of the medium sound surprisingly shitty, the boys do mine discussion from Girl on Girl, particularly about how the women in Yorick's life realize they're trapping themselves inside his narrative. They swear they love this book. Really. Plus, Arlo forced Amber to watch Firefly and Serenity.

Next: put pedal to the metal as Edgar Wright drops the needle on Baby Driver.

135 years ago, Robert Ford put a bullet in the back of Jesse James' head. 34 years ago, Ron Hansen put pen to paper for a literary retelling of this slaying, calling it The Assassination of Jesse James by the Coward Robert Ford. 10 years ago, Australian writer-director Andrew Dominik put to film his version of this novel. What gets lost over time and multiple translations? What aspects of the legend become amplified, and what diminished? These are appropriately heady questions, as Dominik's film tackles the very concepts of celebrity, idolatry, memory, and myth. The movie, met with decent reviews and zero fanfare upon release, seems like a classic in 2017. Paul and Arlo rave about the film, including Roger Deakins' once-in-a-lifetime stellar cinematography, the spellbinding score by Nick Cave and Warren Ellis, and the haunting performances from Casey Affleck and Brad Pitt. They also discuss who's the real coward, who really killed whom, and what the film has to say about masculinity and the Old West. Plus, that new Spider-Man game for the PS4 looks baller.

Next: the boys' year-long Four-Color Flashback exploration of Brian K. Vaughan and Pia Guerra's Y: The Last Man continues with Vol. 6: Girl on Girl.

This week, the lasso of truth compels Paul and Arlo to tell you all about their thoughts on Patty Jenkins' Wonder Woman, the fourth film in the DC Extended Universe and the first major female-led superhero movie since freaking Elektra. Joining them on this Themysciran horseback ride is friend of the show Hallie Prime. The gang discusses Gal Gadot's note-perfect performance, Chris Pine's frighteningly large eyebrows, whether or not the film's villains live up to its hero, and if there's still hope for the DCEU yet. Plus, Arlo gets all evangelical about The Leftovers.

Next: after a week off, Paul and Arlo will take a look at The Assassination of Jesse James by the Coward Robert Ford ten years on.

Once again, Paul and Arlo's most British friend Wesley "Wezzo" Mead is abducted from the U.K. to discuss Chris Carter's seminal sci-fi series The X-Files. The gang has reached the show's fifth season; for a while now, Paul and Wezzo have been warning neophyte X-Phile Arlo that things would go downhill, and we may have reached that point. They discuss why season 5 doesn't work quite as well as previous seasons; the big celebrity guest writers (Stephen King! William Gibson!); if the mytharc stuff makes any sense at this point; whether or not Scully has been completely robbed of agency; and the series' first feature film, Fight the Future. Plus, there's despairing political talk as always, and Arlo revisited every single David Lynch movie.

Next: the lasso of truth compels Paul and Arlo to give you their thoughts on Patty Jenkins' big-screen Wonder Woman.

Y: The Last Man gets it very own Ring Cycle with Vol. 5: Ring of Truth, wherein Yorick is separated from his engagement ring while the Culper Ring goes head-to-head with the Setauket Ring. Meanwhile, Paul and Arlo's year-long Four-Color Flashback "study" of Brian K. Vaughan and Pia Guerra's acclaimed series runs rings around the competition (not that there is any). The boys discuss everyone's relative morality; the stand-alone issue "Hero's Journey," which allows us to see things from a feminine perspective; whether or not it all comes down to crane spunk and monkey shit; and Christ on a cross. Plus, Paul and Arlo remember Chris Cornell.

Next: killer trees are afoot as Wesley "Wezzo" Mead joins the boys once again to discuss Chris Carter's seminal sci-fi series The X-Files. This time, the gang sets their sights on season 5 and the series' first big screen outing, Fight the Future.

Family is family, no matter how much they might piss you off. It's fitting that while the ragtag band of losers at the heart of Guardians of the Galaxy Vol. 2 learn this lesson, Paul and Arlo are relearning it. That's right, kids, the boys' miraculous and unprecedented string of agreements is over: Paul is tail over paws in love with Vol. 2, while Arlo rides the good ship Kelly McGillis into a sea of disappointment. Are the film's various character pairings emotionally satisfying? Does Vol. 2 merely rehash everything you loved about the first? Is Michael Rooker a goddamn gift to humanity/Centauriankind? Plus, Paul mind-melds with Sense8 season 2, and Arlo wants to believe with The Leftovers season 3.

Next: after a week off, Ensley F. Guffey will join the boys for the next installment in their (woefully unappreciated) Four-Color Flashback exploring Brian K. Vaughan and Pia Guerra's Y: The Last Man. This time, they'll slip on the Ring of Truth for Y: The Last Man - Vol. 5.