It’s summertime, the livin’ is easy, and all across the country music festivals large and small are getting underway. In addition to the big symphonic festivals at Ravinia and Tanglewood, there are smaller ones devoted exclusively to the intimate art of chamber music. These festival often offer young, emerging composers the chance have their brand-new scores heard in workshop settings. Sometimes composers themselves are in charge of these summer festivals, partnering with established or specially-organized performing ensembles.

In 1995, for example, two American composers, Daniel S. Godfrey and Andrew Waggoner, started up the Seal Bay Festival, a two-week series of performances and workshops of recently composed chamber music in the Penobscot Bay area of Maine.

On June 14th, 2001, this newly-revised string quartet by Daniel Godfrey received its premiere by the Cassatt Quartet at the Center for Maine Contemporary Art in Rockport.

The quartet is inscribed to the memory of Godfrey’s mother, who died in 1997. “Her passing,” says Godfrey, “came to represent for me the losses, and the necessity of letting go, that have accompanied my arrival at late middle age. To oversimplify, perhaps, the first movement grieves, the second looks back wistfully, and the third looks ahead with determination and, ultimately, with hope.”