
Sign up to save your podcasts
Or


Ask a serious music lover to name major figures in 20th century music and it’s likely the names Schoenberg, Stravinsky and Bartók will crop up. But in addition to those Austrian, Russian and Hungarian composers, a lively group of Italian modernists were also active throughout the 20th century — only their names and music are not so well known.
One of them was Goffredo Petrassi, born in 1904. Petrassi became one of the leading figures in a group of Italian composers that included Luigi Dallapiccola, Alfredo Casella and Gian Francesco Malipiero. This group tried to compensate for Italy’s almost total preoccupation with opera by concentrating more on instrumental pieces.
Petrassi’s own musical influences range from the Italian Renaissance music he sang as a young choirboy in Rome to the works of abstract painters like Jackson Pollock that he viewed when visiting America.
Petrassi’s largest body of work was his eight Concertos for Orchestra composed between 1933 and 1972, but in his final years he turned to chamber works, such as this Autumn Sestina completed in 1982, scored for six instruments. When asked where the “Autumn” in the title came from, the 78-year-old Petrassi responded, “Perhaps it’s got something to do with my age.”
Goffredo Petrassi (1904-2003): Sestina d’autunno; Compania; Andrea Molino, conductor; Stradivarius 33347
By American Public Media4.7
176176 ratings
Ask a serious music lover to name major figures in 20th century music and it’s likely the names Schoenberg, Stravinsky and Bartók will crop up. But in addition to those Austrian, Russian and Hungarian composers, a lively group of Italian modernists were also active throughout the 20th century — only their names and music are not so well known.
One of them was Goffredo Petrassi, born in 1904. Petrassi became one of the leading figures in a group of Italian composers that included Luigi Dallapiccola, Alfredo Casella and Gian Francesco Malipiero. This group tried to compensate for Italy’s almost total preoccupation with opera by concentrating more on instrumental pieces.
Petrassi’s own musical influences range from the Italian Renaissance music he sang as a young choirboy in Rome to the works of abstract painters like Jackson Pollock that he viewed when visiting America.
Petrassi’s largest body of work was his eight Concertos for Orchestra composed between 1933 and 1972, but in his final years he turned to chamber works, such as this Autumn Sestina completed in 1982, scored for six instruments. When asked where the “Autumn” in the title came from, the 78-year-old Petrassi responded, “Perhaps it’s got something to do with my age.”
Goffredo Petrassi (1904-2003): Sestina d’autunno; Compania; Andrea Molino, conductor; Stradivarius 33347

6,751 Listeners

38,856 Listeners

8,767 Listeners

9,196 Listeners

5,778 Listeners

926 Listeners

1,388 Listeners

1,286 Listeners

3,158 Listeners

1,974 Listeners

523 Listeners

183 Listeners

13,769 Listeners

3,083 Listeners

248 Listeners

28,133 Listeners

430 Listeners

5,469 Listeners

2,195 Listeners

14,142 Listeners

6,416 Listeners

2,514 Listeners

4,837 Listeners

575 Listeners

244 Listeners