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Title: Goings

Subtitle: In Thirteen Sittings

Author: Gordon Lish

Narrator: Joe Barrett

Format: Unabridged

Length: 2 hrs and 2 mins

Language: English

Release date: 09-10-14

Publisher: Audible Studios

Genres: Fiction, Contemporary

Publisher's Summary:

Goings: In Thirteen Sittings is Gordon Lishs first completely original work in 16 years, 13 stories that mark the ongoing vitality of one of the eras enduring scribes. Widely acknowledged as one of the most influential editors of our era, Gordon Lish has quite simply changed the face of American literature. The stunning list of writers with whom he has worked closely includes Harold Brodkey, Sam Lipsyte, Ben Marcus, Anne Carson, Cynthia Ozick, Raymond Carver, Will Eno, Barry Hannah, Amy Hempel, and many more. But it is in his own writing that his genius is made manifest. There, his quick wit and black humor are on full display, as well as a merciless intellect that skewers no one so thoroughly as, and more often than, a narrator most often known as "Gordon". In the stories in Goings, Lish wrestles with memory; self-knowledge (the lack and the impossibility thereof); friendship; and mothers, sons, and lovers. More than that, the language here is a collective paradigm of Lishian prose: a great writers attempt to leap off the page.

Members Reviews:

new collection from the master

This is the first collection of original stories by Gordon Lish in 16 years. Master of the avant-garde prose, a brilliant editor, Lish remains true to himself in a new book. The collection (quite thin, a little over 130 pages) is titled Goings: In Thirteen Sittings with a meaning. It will be hard to read it in one sitting, despite the small volume. Lishâs prose requires attention, diligence, perseverance. With each cracking of book you make an attempt, one sitting is limited to one (and sometimes even part of) story.

Stories in the book are deliberately autobiographical. For every "I" here we have an explanation in brackets (Gordon) or (Gordo). So itâs reducing the distance between the protagonist and the author.

Even autobiographical element of the stories is nominal. Detail of the past or the present becomes the catalyst to the almost missing plot, and the plot is reduced to verbal gymnastics. Reductio ad absurdum style makes the reader giddy, often causing transient amnesia: itâs hard to remember where a story began.

Avant-garde of the prose always questiones its readability, and Lish here is saved by his sense of humor. In his stylistic flourishes Lish the writer regularly makes fun of himself, Lish the old man.

Â"Put it on," she said.

I put it on.

"Come closer," she said.

I did as she said, and before I could defend myself, she knocked my elbow out of the way and hooked her finger - from outside the shirt, from outside - through into the armpit.

And wiggled neck

The finger.

"What's this?" she said.

"What's what?" I said.

"This", she said.

"What?" I said, wondering but not all that assiduously, how she had managed to get her finger into my armpit from the outside.

From ouside the sirt, I mean.

"This slit," she said. She said, "What's this doing here? Not that I want for us to overlook this one on the other side over here. Are these gills? "She said.