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This week's episode traces the evolution of one of the most beloved songs of the 60s: "Good Lovin'"! (A tune that should have an exclamation mark in the title). Lemme B. Good was the first to pitch woo in spring of 1965 (0:48). Exuberant vocals, crashing piano chords, horny horns & galloping drums will make your heart pitter patter. Rudy Clark wrote the original version's lyrics, but he decided he needed a Cyrano to help him express his true feelings, so he turned to Artie Resnick to overhaul the words. This leads us to the version by The Olympics, which followed hot on the heels of LBG's original (28:11). This one has a more pronounced Latin feel to it, harking back to the garage rock cha-cha's we used to moon over! But what other song does that horn section at 30:00 remind us of? The third's the charm, because The Young Rascals took the song all the way to #1 in 1966 (1:05:14) . Blue-eyed soul! Duet vocals!! Organ solo!!! False ending!!!! All this and a personality profile of the band, courtesy of Flip's Groovy Guide. After all this excitement, we cool it down a bit with our last date: Mary Wells ( 1:48:11 ). Another snappy arrangement by Sonny Sanders, just like her "Satisfaction," which we discussed in Episode 64. Eat your hearts out, Pastronauts!!
By Weldon Hunter & Erik Komarnicki5
1010 ratings
This week's episode traces the evolution of one of the most beloved songs of the 60s: "Good Lovin'"! (A tune that should have an exclamation mark in the title). Lemme B. Good was the first to pitch woo in spring of 1965 (0:48). Exuberant vocals, crashing piano chords, horny horns & galloping drums will make your heart pitter patter. Rudy Clark wrote the original version's lyrics, but he decided he needed a Cyrano to help him express his true feelings, so he turned to Artie Resnick to overhaul the words. This leads us to the version by The Olympics, which followed hot on the heels of LBG's original (28:11). This one has a more pronounced Latin feel to it, harking back to the garage rock cha-cha's we used to moon over! But what other song does that horn section at 30:00 remind us of? The third's the charm, because The Young Rascals took the song all the way to #1 in 1966 (1:05:14) . Blue-eyed soul! Duet vocals!! Organ solo!!! False ending!!!! All this and a personality profile of the band, courtesy of Flip's Groovy Guide. After all this excitement, we cool it down a bit with our last date: Mary Wells ( 1:48:11 ). Another snappy arrangement by Sonny Sanders, just like her "Satisfaction," which we discussed in Episode 64. Eat your hearts out, Pastronauts!!

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