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On Friday's show: We dig deeper on the Texas Education Agency's grades for Texas schools for the 2022-2023 school year, which were just released after a 19-month legal battle between the TEA and districts that sought to prevent their release. The agency gave HISD a C grade for that period.
Also this hour: A local union wants to see an increase in the minimum wage for Houston hotel and airport workers, arguing they’re not seeing the benefits of the area’s growing number of visitors. We learn more about what they want and how it could impact that industry.
Then, from bobblehead hoarding at a recent Astros game, to a driverless car that stopped driving, and (at least according to its passengers) wouldn’t let them out, we ask our non-expert panel to weigh in on The Good, The Bad, and The Ugly of the week.
And we talk with composer Missy Mazzoli about her opera adaptation of the Lars von Trier film Breaking the Waves, which explores heavy topics through a contemporary lens. The production is on stage at Houston Grand Opera thought May 4.
By Houston Public Media4.4
9393 ratings
On Friday's show: We dig deeper on the Texas Education Agency's grades for Texas schools for the 2022-2023 school year, which were just released after a 19-month legal battle between the TEA and districts that sought to prevent their release. The agency gave HISD a C grade for that period.
Also this hour: A local union wants to see an increase in the minimum wage for Houston hotel and airport workers, arguing they’re not seeing the benefits of the area’s growing number of visitors. We learn more about what they want and how it could impact that industry.
Then, from bobblehead hoarding at a recent Astros game, to a driverless car that stopped driving, and (at least according to its passengers) wouldn’t let them out, we ask our non-expert panel to weigh in on The Good, The Bad, and The Ugly of the week.
And we talk with composer Missy Mazzoli about her opera adaptation of the Lars von Trier film Breaking the Waves, which explores heavy topics through a contemporary lens. The production is on stage at Houston Grand Opera thought May 4.

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