We've weathered several recessions and a pandemic, but there's an ever-present threat of ... Green Fuz. It all started back in 1968, when The Green Fuz had everything go wrong at the Crossroads Cafe in Bridgeport, Texas, and there's been several sightings of the escaped mold spores ever since. The original is primo primitive, a legendary tune amongst the garage gang - just ask your local weirdo with a Prince Valiant haircut. But why is there a Max Roach solo in there? We of course discuss the version by The Cramps, and we throw in a spaghetti western adaptation by The Lemonheads, plus there's a Farsi-language version by Habibi! You better run!!

We've weathered several recessions and a pandemic, but there's an ever-present threat of ... Green Fuz. It all started back in 1968, when The Green Fuz had everything go wrong at the Crossroads Cafe in Bridgeport, Texas, and there's been several sightings of the escaped mold spores ever since. The original is primo primitive, a legendary tune amongst the garage gang - just ask your local weirdo with a Prince Valiant haircut. But why is there a Max Roach solo in there? We of course discuss the version by The Cramps, and we throw in a spaghetti western adaptation by The Lemonheads, plus there's a Farsi-language version by Habibi! You better run!!

Green Fuz

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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Green Fuz

Green Fuz

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