
Sign up to save your podcasts
Or


In the 1930s, American composer Ferde Grofé was on a roll. During the previous decade, as staff arranger for the Paul Whiteman orchestra, Grofé had orchestrated all the music that popular ensemble had premiered, including George Gershwin’s 1924 jazz classic Rhapsody in Blue. But by the late 1920s, Grofé was composing his own original scores, and in 1931 finished his Grand Canyon Suite.
Around that time, Grofé left the Whiteman band, and signed on as staff conductor of the NBC Radio Network, and soon became a familiar figure on the American music scene from coast to coast.
On today’s date in 1935, a new ballet score by Grofé premiered at the Hollywood Bowl. It took as its story line a familiar Hollywood theme: the exploited “double” who stands in for a starlet during the making of a film. The ballet music was later recast as Hollywood Suite, a concert work.
In the 1960s, looking back on his long career in music, Grofé said, “Many of my compositions, I believe, were born of sight, sound, and sensations common to all of us. I think I have spoken of America in this music simply because America spoke to me.”
Ferde Grofé (1892-1972): Hollywood Suite; Bournemouth Symphony; William Stromberg, conductor; Naxos 8.559017
By American Public Media4.7
176176 ratings
In the 1930s, American composer Ferde Grofé was on a roll. During the previous decade, as staff arranger for the Paul Whiteman orchestra, Grofé had orchestrated all the music that popular ensemble had premiered, including George Gershwin’s 1924 jazz classic Rhapsody in Blue. But by the late 1920s, Grofé was composing his own original scores, and in 1931 finished his Grand Canyon Suite.
Around that time, Grofé left the Whiteman band, and signed on as staff conductor of the NBC Radio Network, and soon became a familiar figure on the American music scene from coast to coast.
On today’s date in 1935, a new ballet score by Grofé premiered at the Hollywood Bowl. It took as its story line a familiar Hollywood theme: the exploited “double” who stands in for a starlet during the making of a film. The ballet music was later recast as Hollywood Suite, a concert work.
In the 1960s, looking back on his long career in music, Grofé said, “Many of my compositions, I believe, were born of sight, sound, and sensations common to all of us. I think I have spoken of America in this music simply because America spoke to me.”
Ferde Grofé (1892-1972): Hollywood Suite; Bournemouth Symphony; William Stromberg, conductor; Naxos 8.559017

6,784 Listeners

38,791 Listeners

8,767 Listeners

9,190 Listeners

5,744 Listeners

924 Listeners

1,388 Listeners

1,276 Listeners

3,146 Listeners

1,975 Listeners

520 Listeners

182 Listeners

13,695 Listeners

3,080 Listeners

247 Listeners

28,234 Listeners

433 Listeners

5,489 Listeners

2,177 Listeners

14,112 Listeners

6,354 Listeners

2,514 Listeners

4,874 Listeners

569 Listeners

205 Listeners