A distraught mother suspects her teenage son is plotting a school shooting, but when he slips through the cracks of the system, she is forced to take matters into her own hands. After installing an elaborate spy camera system in their home, Abbey captures a series of disturbing videos that confirm her worst fears. Torn between a mother's unconditional love and a mothe... Read all

• Director
• Tucia Lyman
• Writer
• Tucia Lyman
• Stars
• Sevan AliksanianEdward AsnerCynthia Bell

A distraught mother suspects her teenage son is plotting a school shooting, but when he slips through the cracks of the system, she is forced to take matters into her own hands. After installing an elaborate spy camera system in their home, Abbey captures a series of disturbing videos that confirm her worst fears. Torn between a mother's unconditional love and a mothe... Read all

Shannon C. Lanier is an award winning actor and filmmaker. Known for his award winning performance in the 2016 feature film Lotus Eyes, he has experience equal success as an award winning director/filmmaker for his original film work. His short film work (Love Between The Sheets, Heidi and Rewind) have yielded a series of Best Director, Film and ... See full bio »

A hungry shark begins feeding on unsuspecting lake goers in a small Texas town.

A small-town librarian is gifted the lost diary of a dead teenager, exposing long-buried secrets as a murderous scarecrow stalks the streets.

A small-town librarian is gifted the lost diary of a dead teenager, exposing long-buried secrets as a murderous scarecrow stalks the streets.

• Director
• John Oak Dalton
• Writer
• John Oak Dalton
• Stars
• Tonjia AtomicAndrew J. BrittJames Carolus

Tyler J. Case

Abby GlassJulian Tejeda

A monster lurks around a high school in the hypnotized town of Willow Hills and picks off tardy students one by one. Now it is up to an unlikely group of teens to put an end to the terror that has plagued many.

• Director
• Tyler J. Case
• Writers
• Abby GlassJulian Tejeda
• Stars
• Corey CannonPaul T. TaylorRyan T. Johnson

The doll’s house is the arena where (typically) little white girls play out, or occasionally resist, the model of life that they have inherited from their family and culture, in an idealised, plastic parody of patriarchy. The Toy Terminator opens with an image of a doll’s house – a cottage (that is clearly a model) on a wooded mountain (also a model) in the moonlit night. Inside this hilltop microcosm there is, breaching the divide between human and doll, a ‘real’ person playing with an assortment of toys. Yet far from being a Caucasian child, the ‘Toy Terminator’ (played by co-writer Fred Polone) is an unhinged, eye-patched African-American adult engaged in a horrifically gory race war with his grotesque puppets, whom he trusses and tortures, mutilates and murders in a fantasy scenario of black power.

The doll’s house is the arena where (typically) little white girls play out, or occasionally resist, the model of life that they have inherited from their family and culture, in an idealised, plastic parody of patriarchy. The Toy Terminator opens with an image of a doll’s house – a cottage (that is clearly a model) on a wooded mountain (also a model) in the moonlit night. Inside this hilltop microcosm there is, breaching the divide between human and doll, a ‘real’ person playing with an assortment of toys. Yet far from being a Caucasian child, the ‘Toy Terminator’ (played by co-writer Fred Polone) is an unhinged, eye-patched African-American adult engaged in a horrifically gory race war with his grotesque puppets, whom he trusses and tortures, mutilates and murders in a fantasy scenario of black power.