By Stephanie Malone
4.2
55 ratings
The podcast currently has 22 episodes available.
Welcome to No Notes, where three cerebral cinephiles take a break from guilty pleasures to revel in cinematic treasures. In this episode, Kelly takes us on a nostalgic journey with Frank Capra's timeless classic, "Arsenic and Old Lace." Join us as we explore the film's genius, from Cary Grant's unparalleled comedic performance to the cozy, timeless world Capra creates.
We delve into the film's meta humor, the charmingly macabre antics of the Brewster family, and the endearing madness that envelops everyone who steps into their home. With its pitch-perfect comedic timing, clever writing, and stellar cast, "Arsenic and Old Lace" proves to be a masterpiece that continues to enchant audiences.
So grab a cup of hot cocoa, snuggle under a blanket, and embrace the delightful madness of this cinematic gem. No notes!
💬 Show Notes
Welcome to Guilty Pleasures, the podcast where we dive into the wild and wacky world of cinema, celebrating the films that make us cringe, laugh, and cheer.
This week, we’re dissecting the utterly bonkers and blood-soaked spectacle that is "Here for Blood". From wrestling babysitters to sex perverts and everything in between, this movie is a chaotic rollercoaster that leaves no stone unturned and no jaw undropped.
Join us as we navigate through the madness, debating whether this film is a hidden horror heavyweight or just a moronic movie mistake. Buckle up because this ride is going to be bloody and bizarre!
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Welcome to Guilty Pleasures, the show where we give in
It was Steph’s pick this month, and she was once again
We asked our adoring fans to choose between 2021’S
In an absolute bloodbath of an online vote, RENFIELD eviscerated
So welcome us into your ears as we find out if RENFIELD
Join us for Steph's pick as she introduces Kelly and Jack to one of her favorite films in recent years, starring the cinematic love of her life, Nicolas Cage, who must venture out from his life as a reclusive truffle hunter to recover his stolen beloved truffle pig — forcing him to confront a life he left behind and grapple with the nature of art, passion, grief, and life after loss.
As Stephanie argues for the film's place in the hallowed halls of cinematic perfection, she says:
“At times gut-wrenching and at other times soul-stirring, PIG touched my heart in a truly profound way.”
Join us for Kelly's pick as she serves up an all-time holiday
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
"I've been, I've seen a million Hallmark Christmas movies that don't understand what this movie comprehends at a bone-deep genetic level. Every action is more compelling and more moving when it's anchored in fully realized and developed characters. John Hughes wrote a beautiful movie. One that has moments that make me laugh incredibly hard while also reducing me to tears every time I watch it. Each component is astonishing on its own, but combined, they create something transcendent."
Welcome to NO NOTES, the show where three cerebral cinephiles take a break from chatting guilty pleasures to discuss cinematic treasures. Each month, we’ll take turns selecting a film we believe to be virtually flawless, one that had a significant impact on our lives and/or helped shape the film lover we became.
For our third episode, it was Jack’s pick. He picked a film thundering with two-person tension, one that fills in the blockbuster gaps with small-stakes storytelling, and one that proves that sticks and stones may NOT be the only
Whether you’ve been keeping time with this podcast from the very beginning or are just now finding the tempo, we are happy to have you with us as we strike the gong and focus our
Welcome to Guilty Pleasures, the show where we give in to pleasure, taking flight with a modern horror film to find out just how guilty we need to feel about loving or hating it.
In another razor-thin online vote, SHADOW IN THE CLOUD just
So come along for the ride as we earn our stripes and
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THIS MONTH'S THEMED SPIRIT: SIDECAR SALLY
Coat the rim of a coupe glass with sugar, if desired, and set aside. Add 1 1/2 ounces cognac, 3/4 ounces of orange liqueur (such as Cointreau), and 3/4 ounces of lemon juice (freshly squeezed if possible) to a shaker with ice and shake until well-chilled. Strain into the prepared glass. Garnish with an orange twist if desired. Enjoy this slightly sweet, sophisticated treat!
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VOTE FOR NEXT MONTH'S GUILTY PLEASURE!
It's Nic Cage horror, and we're picking between RENFIELD (2023) and PRISONERS OF THE GHOSTLAND (2021). Help us pick by following us on one or more of our social channels so you can participate in voting.
Our Instagram handles are:
Morbidly Beautiful @morbidlybeautifulhorror | Stephanie @srgreenhaw | Jack @jack_wells_author | Kelly @kellyemintzer
Follow Morbidly Beautiful on Twitter @xmorbidbeautyx or on Facebook.
Join the Guilty Pleasures crew as we continue the conversation, hanging out after the show, shooting the shit, and talking about all our thoughts and feelings on this month's featured film that we couldn't fit into our regular, hour-long episode.
We had an amazing time recording our BAIT episode (if you missed it, don't forget to tune in for a killer conversation). On this after-show, we talk a little about the shark film you didn’t pick, MEG (though, it’s mostly just a Jason Statham love fest). For the MEG talk, you’ll want to dive in about the 30-minute mark.
Prior to that, we discuss movies and filmmakers we love that are problematic. Plus, we talk about the good, bad, and ugly when it comes to romantic comedies and teen dramedies, new and old. We also bemoan the disrespect for goths in films like BREAKFAST CLUB and THE FACULTY.
Towards the end of the show, you’ll get some big hints about what’s coming to future NO NOTES and GUILTY PLEASURES episodes. We wrap with an ode to perfect films and briefly chat about why we love horror so much.
Welcome to Guilty Pleasures, the show where we DIVE into pleasure, CHUMMING THE WATERS OF A modern horror film to find out just how guilty we need to feel about loving or hating it.
It was Steph's pick this month, and she wanted to say farewell to summer by swimming with the sharks. We asked our adoring fans to choose between the underseen 2012 shark horror BAIT and the 2018 mega-hit MEG.
In our closest online vote yet, BAIT took a bite out of MEG to seal a narrow victory.
So buckle up, boys and girls, as we start the show and find out if BAIT is a killer pleasure or a guilty sin better left on the hook.
Place ice in a rocks glass. Pour 1 1/2 oz spiced rum over the ice. Add 3/4 oz Blue Curacao. Top off the glass with 3 ounces of sour mix. Finish with a splash of grenadine to create blood in the water. Enjoy!
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VOTE FOR NEXT MONTH'S GUILTY PLEASURE!
It's WWII horror, and we're picking between 2020's SHADOW IN THE CLOUD and 2019's BLOOD VESSEL. Help us pick by following us on one or more of our social channels so you can participate in voting.
Our Instagram handles are:
Morbidly Beautiful @morbidlybeautifulhorror | Stephanie @srgreenhaw | Jack @jack_wells_author | Kelly @kellyemintzer
Follow Morbidly Beautiful on Twitter @xmorbidbeautyx or on Facebook.
Welcome to NO NOTES, the show where three cerebral cinephiles take a break from chatting guilty pleasures to discuss cinematic treasures. Each month, we’ll take turns selecting a film we believe to be virtually flawless, one that had a significant impact on our lives and/or helped shape the film lover we became.
For our second episode, it was Kelly’s pick. She put the spotlight on the criminally underrated 1974 rock-musical-comedy-horror film PHANTOM OF THE PARADISE, directed by Brian De Palma and scored by and starring Paul Williams.
As Kelly argues for the film's place in the hallowed halls of cinematic perfection, she says:
“This movie means EVERYTHING to me. It’s so fearless and bold. Paul Williams is so funny. The visuals are so striking. The soundtrack is so catchy. There’s no lesson, and I love every goddamn second of it.”
Tune in to hear us wax poetic about this spellbinding work of renegade art and find out why we unanimously grant it NO NOTES status.
The podcast currently has 22 episodes available.