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Larry Cohen returns to the 'It's Alive' franchise one final time with this over-the-top celebration of everything wonderful about his maverick, high-concept style. Do you want to hear about a courtroom scene with stop-motion mutant babies? Do you want to hear about this film's influences on 'The Lost World'? Well strap in, because we've got a wild ride for you!
If there's one thing that feels like it should guarantee comedy gold, it's taking the satirical series "The Office" and combining it with a gruesome and gory horror premise. So why did 'Severance', a movie that asks the question, "What if the cast of 'The Office' wandered into 'Wrong Turn'?", fall so flat? Well, listen to the episode and find out!
More and more mutant babies are being born every day, and the government has decided to kill them in the delivery room rather than see them survive. Is it a metaphor for the generational clash that defined the 60s? Is it a commentary on the complicated fears surrounding parenting? Is it another Larry Cohen exploitation flick that we're about to do a deep dive into? The answer to all of it is "yes"!
Every once in a while, a new voice in cinema comes along to remind us that there's no such thing as a stale trope. Sure, we've all seen vampire movies... but have you seen a black-and-white Iranian feminist vampire romance with notes of Sergio Leone? Come along with HPH and explore this fascinating twist on a traditional tale!
"There's only one thing wrong with the Davis baby... It's Alive." One of the best slogans of the 70s heralds the introduction to maverick guerrilla director Larry Cohen and his iconic creations, the mutant babies with a telepathic ability to sense hatred and a vicious anger at anyone who would try to harm them. Let's dig into the whole weird, wonderful, shlocky, social-commentary heavy thing!
Some people call it the beginning of Romero's second zombie trilogy. Me, I think it's the perfect capper to the cycle of films he began all the way back in 1968 with 'Night of the Living Dead'. And maybe after you listen to this episode on the biggest-budget, most star-studded of all of the 'Dead' films, you'll agree!
We've stepped outside of the continuity of the 'Elm Street' films, but that doesn't mean there's no Freddy. And it certainly doesn't mean there's no danger. That's right, it's time for a deep dive into the trippy world of metafiction as the cast of the original 'A Nightmare on Elm Street' is menaced by the dream demon they created... perhaps... in 1994's 'Wes Craven's New Nightmare'!
So what happens when your visionary star director dips, your Oscar-winning screenwriter goes to jail, and a bunch of angry nerds have notes on how to make your sequel more like a video game? You get 'Silent Hill: Revelation', that's what! Come on over and hear about the beleaguered production, its many expositional speeches and dodgy accents, and the five minutes in the middle that make it all worthwhile.
We come here today to remember a man who was always generous with his laughter, who gave unstintingly of his time and attention to the vulnerable youths not just of Springwood but to the neighboring towns and cities. A father, a craftsman, and a survivor. It's time at last to put Freddy into the ground... and if he won't stay down, this episode will talk about the reasons why.
A patch of ground where the dead won't stay buried. A loving husband who gets sucked into a supernatural nightmare. Revenants who rise from their grave filled with a murderous hatred for the living. And yet, it's somehow not 'Pet Sematary'! It's not even an Italian knock-off - this is 'Zeder', an overlooked gem from 1983 that combines conspiracy thriller and zombie flick to create something strange and new and inventive. Join me for a deep dive into its mysteries!
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