
Sign up to save your podcasts
Or


On today’s date in 1738, George Frederick Handel completed one of his first great Biblical oratorios: Israel in Egypt, based on the book of Exodus.
At this point in time, British taste for Handel’s Italian-style operas had waned, and, like the filmmaker Cecil B. DeMille some 200 years later, Handel set out to entice his jaded audience back into the theaters with Biblical epics like Saul and Israel in Egypt, featuring big casts and lots of special effects.
“I hear that Mr. Handel has borrowed a pair of the largest kettle-drums from the Tower of London, so to be sure it will be most excessively noisy!” Gossiped one young British Lord to his father.
Even so, many in the audience at premiere of Israel in Egypt didn’t know quite what make of it. Some thought religious subjects unsuitable outside of a church setting; others found the music, in the words of one contemporary, “too solemn for common ears.” A few, however, were quite enthusiastic. One gentleman wrote a long letter to the London Daily Post, informing readers that the Prince of Wales and his consort attended, and appeared enchanted by the new work.
George Frederic Handel (1685-1759): Israel in Egypt; King’s College Choir; Brandenburg Consort; Stephen Cleobury, conductor; London 452 295
By American Public Media4.7
176176 ratings
On today’s date in 1738, George Frederick Handel completed one of his first great Biblical oratorios: Israel in Egypt, based on the book of Exodus.
At this point in time, British taste for Handel’s Italian-style operas had waned, and, like the filmmaker Cecil B. DeMille some 200 years later, Handel set out to entice his jaded audience back into the theaters with Biblical epics like Saul and Israel in Egypt, featuring big casts and lots of special effects.
“I hear that Mr. Handel has borrowed a pair of the largest kettle-drums from the Tower of London, so to be sure it will be most excessively noisy!” Gossiped one young British Lord to his father.
Even so, many in the audience at premiere of Israel in Egypt didn’t know quite what make of it. Some thought religious subjects unsuitable outside of a church setting; others found the music, in the words of one contemporary, “too solemn for common ears.” A few, however, were quite enthusiastic. One gentleman wrote a long letter to the London Daily Post, informing readers that the Prince of Wales and his consort attended, and appeared enchanted by the new work.
George Frederic Handel (1685-1759): Israel in Egypt; King’s College Choir; Brandenburg Consort; Stephen Cleobury, conductor; London 452 295

6,784 Listeners

38,791 Listeners

8,767 Listeners

9,190 Listeners

5,744 Listeners

924 Listeners

1,388 Listeners

1,276 Listeners

3,146 Listeners

1,975 Listeners

520 Listeners

182 Listeners

13,695 Listeners

3,080 Listeners

247 Listeners

28,234 Listeners

433 Listeners

5,489 Listeners

2,177 Listeners

14,112 Listeners

6,354 Listeners

2,514 Listeners

4,874 Listeners

569 Listeners

205 Listeners