Handel recycled by Zwilich (and himself)

Synopsis

One of the best-loved works of classical music, Handel’s oratorio Messiah, had its first performance on today’s date in Dublin, Ireland, in 1742. Handel wrote Messiah in a period of only four weeks, then put it aside until he received an invitation to present a new work in the Irish capital. Dublin gave Messiah an enthusiastic reception, but it took a few years before London recognized that Messiah was a masterpiece.

Baroque composers like Handel freely borrowed materials from previous works — or even other composers — to use in new ones. Among Handel’s own instrumental works, the Concerti Due Cori, for example, contain melodies familiar from Messiah.

American composer Ellen Taaffe Zwilich harks back to this baroque custom in her own Concerto Grosso 1985, in which she quotes directly from Handel’s Violin Sonata in D — which in turns quotes from no fewer than four of Handel’s own earlier compositions.

Born in Miami in 1939, Ellen Taaffe Zwilich studied at Juilliard with two noted American composers, Roger Sessions and Elliott Carter, and in 1983 became the first woman to win the Pulitzer Prize for her Symphony No. 1.

Music Played in Today's Program

George Frederic Handel (1685-1759): Sinfoni from Messiah; Boston Baroque Orchestra; Martin Pearlman, conductor; Telarc 80348

Ellen Taaffe Zwilich (b. 1939): Concerto Grosso 1985; New York Philharmonic; Zubin Mehta, conductor; New World 372