Singer/songwriter Jill Andrews talks about the evolution of her career from the early days with the Everybodyfields through the current release of Thirties. Hosted by music journalist Kelly McCartney.

Singer/songwriter Chely Wright talks about changing her tune from commercial country to rootsy Americana, including with her 2019 Revival EP. Hosted by music journalist Kelly McCartney.

Gospel legends Sweet Honey in the Rock talk about how they continue to stay relevant even, if not especially, during turbulent times. Hosted by music journalist Kelly McCartney.

Multi-instrumentalist Séamus Egan discusses his lengthy career on the vanguard of Irish music and taking a turn into a new solo project with his new album, Early Bright. Hosted by music journalist Kelly McCartney.

British singer/songwriter/guitarist Jack Broadbent talks about being more than just a slide guitar player which he proves quite well on his latest release, Moonshine Blue. Hosted by music journalist Kelly McCartney.

Singer/songwriter Courtney Hartman discusses going solo from Della Mae and on the Camino de Santiago trail, both of which figure prominently on her latest release, Ready Reckoner. Hosted by music journalist Kelly McCartney.

Accordion master Sam Reider talks about what it takes to break down the boundaries of genre between folk, jazz, and world music as he does on his new Human Hands EP. Hosted by music journalist Kelly McCartney.

Singer/songwriter Tré Burt uses his latest release, Caught It from the Rye, to make a case for how he fits into the folk lineage downstream from Richie Havens and Bob Dylan. Hosted by music journalist Kelly McCartney.

Blues men Jontavious Willis and Jerron "Blind Boy" Paxton discuss how the broad roots of the blues tree reach into so many different styles, times, and lives. Produced and hosted by music journalist Kelly McCartney.

The Oshima Brothers talk about building their careers one song and one show at a time as they tour around in support of their 2019 EP, Under the Same Stars. Produced and hosted by music journalist Kelly McCartney.