Notations -> http://www.shivkumar.org/music/#h

Hariharaputram

Raga: Vasanta

ARO: S G3 M1 D2 N3 S ||  AVA: S N3 D2 M1 G3 R1  S ||

Tala: Khanda Ekam

Composer: Dikshitar

Version: Semmangudi Srinivasa Iyer

Pallavi:

Hariharaputram Shaastaaram Sadaa Bhajeham Maayaakaaryam Tyajeham

Anupallavi:

Muraharaadi Mohita Shauri Girivihaaram Muralibheri

Vaadyaadi Priyakaram Prartthita Putrapradam Vasantanata Brndam

Dirghaayushprada Dinajanasukhapradam

Charanam:

Phaalguna Maasa Paurnimaavataaram Paandya Keralaadi Desha Prabhaakaram

Puspa Sharekshu Kaarmuka Dharam Phulla

Kalhaara Dandadharakaram Kaliyugapratyaksham

Garvita Dakshashiksham Varaguruguhaantarangam Rathagajaturangam

Meaning: (From TK Govinda Rao’s Book)

I always (“sadaa”) sing (“bhajeham”) the glory of Shastaa, who is the son (“putram”) of Hari and Hara. I discard (“tyajeham”) the illusions created (“aakaaryam”) by Maayaa, the ignorance.

Attracted (“mohita”) by Vishnu (“mura-hara”) and others, he resides (“vihaaram”) at Shaurigiri.

He likes(“priyakaram”) the music  (“vaadyaadi”) of Murali and Bheri.

He grants the boon(“pradam”)  of progeny (“Putra”) to those who seek (“prarthitha”).

Worshipped (“nata brundam”) in the spring (“vasanta”) season; he bestows (“pradam”) longetivity (“dirga-ayush”) and happiness (“sukha”) to afflicted people (“dina-jana”).

He manifested (“avataaram”) himself on the full moon day (“paurnami”) of the PHALGUNA month (March/April) and illuminated (“prabhaakaram”) the kingdoms (“desha”) of Pandya and Kerala.

He sports (“dharam”) a bow of sugarcane (“sara”) and arrow (“ikshu”) of flowers (“pushpa”) in his hands (“karmuka”).

He holds (“dhara-karam”) the stalk (“danda”) of the full blown reddish (“kal-haara”) fragrant water lily as staff.

His form is perceptible (“pratyaksham”) in Kaliyuga. He punished (“Daksha-siksham”) the arrogant (“garvita”) ones.

He dwells in the heart (“anta-rangam”) of the distinguished GURUGUHA.

He has chariots (“ratha”), elephants (“gaja”) and horses (“turangam”) for His army.