South Indian Classical (Carnatic) Music Archive: Classes / Lessons

South Indian Classical (Carnatic) Music Archive: Classes / Lessons

By Shivkumar KalyanaramanMusic
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South Indian Classical (Carnatic) Music Archive: Classes / Lessons episodes

  • dArini telusukoNTi (Class / Lesson) - Shuddha Saveri - Adi (2 kalai) - Tyagaraja

    Full Notation: www.shivkumar.org/music


    dArini telusukoNTi

     

    Ragam: Shuddha

    Saveri {22nd Melakartha Janyam}

                   ARO:     S R2

    M2 P D2 S  ||

    AVA:     S

    D2 P M1 R2 S  ||

    Talam: Adi

    (2 kalai)

    Composer: Tyagaraja

    Swami

    Version: M

    S Subbalakshmi  (Youtube: https://www.youtube.com/watch?v=nK0tg4pLcng
    )

    Lyrics / Meanings

    Courtesy: Thyagaraja Vaibhavam (https://thyagaraja-vaibhavam.blogspot.com/2008/07/thyagaraja-kriti-daarini-thelusukonti.html
    )

    YouTube Class:

    MP3 Audio

    Class: http://www.shivkumar.org/music/darinitelusukonti-class.mp3

     

    Pallavi:

    dArini telusukoNTi

    tripura
    sundari ninnE SaraN(a)NTi


    Anupallavi:
    mAruni janakuDaina mA daSaratha
    kumAruni sOdari dayA-pari mOksha (dArini)


    caraNam 1
    amba tri-jagad-ISvari mukha jita vidhu
    bimba Adi puramuna nelakonna
    kanak(A)mbari nammina-vArik(a)bhIshTa
    varambul(o)sagu dIna lOka rakshaki
    ambuja bhava puruhUta sanandana
    tumburu nAradul(a)nduru nIdu
    padambunu kOri sadA
    nity(A)nand(A)mbudhilOn(O)lalADuc(u)NDE (dArini)


    49 min
  • dAsharathI nI rNamu (Class / Lesson) - Thodi - Adi (2 kalai) - Tyagaraja

    Full Notation: www.shivkumar.org/music

    dAsharathI nI rNamu

    Ragam: Thodi {8th Melakartha Ragam}

     ARO:     S R1 G2 M1 P D1 N2 S     ||

    AVA:     S N2 D1 P M1 G2 R1 S     ||

    Talam: Adi

    Composer: Tyagaraja Swami

    Version: M S Subbalakshmi  (Youtube: https://www.youtube.com/watch?v=wHR0_eMIIJc)

    Lyrics: Lakshman Ragde

    Meanings: Thyagaraja Vaibhavam

    YouTube Class: https://youtu.be/rhM7d0YX04Q

    MP3 Audio

    Class: http://www.shivkumar.org/music/dasarathi-thodi-class.mp3

     

    Pallavi:

    dAsharathI

    nI rNamu dIrpa nA taramA parama pAvana nAma

     

    Anupallavi:

    AshadIra

    dUra dEshamulanu prakAshimpa jEsina rasika shirOmaNi

     

    Charanam:

    bhaktilEni

    kavijAla varEnyulu bhAva meruga lErani kalilOna jani

    bhukti

    mukti galgunani kIrtanamula bOdhincina tyAgarAja karArcita

     

    Meaning: (Courtesy: Thyagaraja Vaibhavam: http://thyagaraja-vaibhavam.blogspot.com/2008/11/thyagaraja-kriti-daasarathi-nee-rinamu.html

    and ChatGPT plus)

    In the kRti ‘dASarathI nI RNamu’ – rAga tODi (tALa Adi), SrI tyAgarAja

    tells SrI rAma that he would ever remain indebted to Him for initiating him in
    bhakti.

     

    Sahityam: dAsharathI nI rNamu dIrpa nA taramA parama pAvana

    nAma

    Meaning: O Lord rAma – son of daSaratha

    (dASarathI)! O Lord with a name (nAma) that sanctifies (pAvana)! Is Your (nI)
    debt (RNamu) redeemable (dIrpa taramA) by me (nA)?

     

    dAsharathI:

    (Son of Dasharatha) Referring to Lord Rama.

    nI: Your.

    rNamu: Debt.

    dIrpa: To

    relieve or dispel.

    nA: My.

    taramA: Will

    you.

    parama:

    Supreme.

    pAvana:

    Purifier.

    nAma: Name.

     

    Sahityam: AshadIra dUra dEshamulanu prakAshimpa jEsina rasika

    shirOmaNi

    Meaning: O Excellent (SirOmaNi) (literally crown

    jewel) of connoisseurs (rasika) of music who, to the fulfillment (tIra) of my
    desire (ASa), made me shine (prakASimpa jEsina) (even) in distant (dUra) lands
    (dESamulanu)!

    O dASarathI!

    O Lord with a name that sanctifies! Is Your debt redeemable by me?

     

    AshadIra:

    Without tiring.

    dUra:

    Distant.

    dEshamulanu:

    In countries.

    prakAshimpa:

    Illuminate or make famous.

    jEsina:

    Having done.

    rasika:

    Connoisseur or enthusiast.

    shirOmaNi:

    Crown jewel.

     

    "bhaktilEni kavijAla varEnyulu bhAva

    meruga lErani kalilOna jani":

    "The best among poets, devoid of

    devotion, cannot understand the true emotions that arise in this Kali Yuga."

    O Lord worshipped (arcita) by the very

    hands (kara) (karArcita) of this tyAgarAja, who -realising that (ani) those who are excellent (varENyulu) in poesy (kavi jAla) bereft (lEni) of devotion (bhakti), would not understand (eruga lEru) (lErani) the emotional state (bhAvamu),having born
    (jani) in this kali yuga (kalilOna),

    bhaktilEni:Without devotion.

    kavijAla:Poets.

    varEnyulu:The best or the choicest.

    bhAva:Emotion or sentiment.

    meruga: Knowor understand.

    lErani: Unable to.

    kalilOna: InKaliyuga

    jani: Born orarise.

    bhukti mukti galgunani kIrtanamula bOdhincina

    tyAgarAja karArcita

    Tyagaraja, who taught praises that

    provide both material enjoyment and liberation, worshipped you with his
    hands."

    Tyagaraja refers to himself here, noting his own role in composing songs that offer both

    worldly pleasures (bhukti) and spiritual liberation (mukti). He expresses his
    devotion through physical worship and the composition of these devotional
    songs. 

    O Lord worshipped (arcita) by the very

    hands (kara) (karArcita) of this tyAgarAja, who -taught (bOdhincina) (to the World) compositions (OR chanting of names) (kIrtanamula)singing of which would (ani) confer (kalgunu) (kalgunani) both Worldly enjoyments (bhukti) and also emancipation (mukti)!

    bhukti: Material enjoyment.

    mukti: Liberation.

    galgunani:Having.

    kIrtanamula:Praises.

    bOdhincina:Taught or enlightened.

    tyAgarAja:Tyagaraja.

    karArcita:Worshipped by hand.


    30 min
  • Sarasija Nabha SOdhari (Class / Lesson) - Naga Gandhari - Rupakam - Dikshitar

    Full Notation: www.shivkumar.org/music

    Sarasija Nabha Sodhari

    Ragam: Naga

    Gandhari {20th Melakartha Janyam}

                   ARO:     S R2 M1 G2 R2 M1 P D1 ,   N2 S  || 

    (or M1 P N2 N2 S )

    AVA:     S N2 D1 P M1 , G2 , R2 G2 (R1) S ||

    Talam: Rupakam

    Composer: Muthuswamy Dikshitar

    Version: Ram Kaushik (Youtube

    Original)
    Lyrics Courtesy: Lakshman Ragde

    Meanings Courtesy: Guru Guha Vaibhavam: https://guru-guha.blogspot.com/2008/10/dikshitar-kriti-sarasija-nabha-sodari.html

    Youtube Class / Lesson: https://www.youtube.com/watch?v=kjzCVpqzsSg

    MP3 Class / Lesson: http://www.shivkumar.org/music/sarasijanabha-sodhari-class.mp3  

    Pallavi:

    sarasija nAbha sOdari Sankari pAhi mAm
    Anupallavi:
    varadAbhaya kara kamalE SaraNAgata vatsalE
    caraNam:
    parandhAma prakIrtitE
    paSu pASa vimOcitE
    pannagAbharaNa yutE
    nAga gAndhArI pUjitAbja padE
    sadAnanditE sampadE

    madhyama kAla sAhityam:
    vara guru guha janani mada Samani
    mahishAsura mardini manda gamani
    mangaLa vara pradAyini

    Meaning: (Courtesy: Guru Guha Vaibhavam):

    https://guru-guha.blogspot.com/2008/10/dikshitar-kriti-sarasija-nabha-sodari.html

    Pallavi

    sarasija

    nAbha sOdari          - O sister of
    Vishnu (who has a lotus springing from his navel)!

    Sankari                                 - O wife of Shiva (Shankara),

    pAhi mAm                            -

    Protect me!

     

    Anupallavi

    varada-abhaya

    kara kamalE      - O one whose lotus-like
    hands gesture granting of boons and freedom from fear!

    SaraNa-Agata

    vatsalE           - O one tenderly
    affectionate to those who have come seeking refuge!

     

    CaraNam

    paraM-dhAma

    prakIrtitE        - O one renowned as the
    supreme abode (housing the universe)!

    paSu pASa

    vimOcitE             - O one who
    liberates creatures from bondage!

    pannaga-AbharaNa

    yutE         - O one in the company of
    Shiva (who wears snakes as ornaments)!

    nAga gAndhArI

    pUjita-abja padE - O one whose lotus-feet are worshipped by Nagagandhari Raga!

    sadA

    nanditE                   - O
    ever-blissful one!

    sampadE                        - O supreme wealth

    (precious to  your devotees)!

    vara guru

    guha janani          - O mother of the
    eminent Guruguha!

    mada

    Samani                   - O one who
    extinguishes arrogance!

    mahisha-asura

    mardini          - O slayer of the
    buffalo-demon Mahishasura!

    manda

    gamani                   - O one with a
    languorous (graceful) gait!

    mangaLa vara

    pradAyini         - O giver of auspicious
    boons!

     

    Comments:

    This Kriti is

    in the eighth (Sambodhana Prathama) 
    Vibhakti

    The name  ‘parandhAma’ is found in the Lalita

    Sahasranama

    The names 

    ‘padmanAbha sahOdarI’, ‘paSu pASa vimOcinI’ and ‘ mada nASinI’ are found
    in the Lalita Sahasranama, similar to the epithets here

    30 min
  • kausalEya shrI bhava (Class / Lesson) - Gowri Manohari - Adi (2 kalai) - V V Srivatsan

    Full Notation: www.shivkumar.org/music

    kausalEya shrI bhava

    RAGAM- Gauri manOhari (23rd melakartha

    ragam)

                                  https://www.wikiwand.com/en/Gourimanohari

                   ARO:S R2 G2 M1 P D2 N3 S

    AVA: S N3 D2 P

    M1 G2 R2 S

    taaLam: Adi (2 kalai)

    Composer: V.V.Srivatsa.

    Lyrics: Courtesy karnatik.com and Lakshman

    Ragde

    Meanings: ChatGPT Plus with author edits

    Version: Ram Kaushik (Youtube: https://www.youtube.com/watch?v=d8WXAO_QA5U  )

    YouTube Class: https://www.youtube.com/watch?v=qIwofkb80sI

    Audio Class (MP3): www.shivkumar.org/music/kausaleya-sri-gowrimanohari-class.mp3

    Pallavi:

    kausalEya shrI bhava jaladhi dharaNA jAnaki

    ramaNa sakala lOkakara sAdhujana smaraNa

    Anupallavi:

    pannaga shayanA pankaja nayanA bhadrAdri

    kSEtra vAsakAtri putrAri dvaja agOkSajAhE

    caraNam:

    rAmA pAhimAm parandAmA raviukula soma

    (Raghu) ratirAja janaka ati shubha paladhara vikula somA

    khara dUSaNA bhanjana munijana mana ranjanA

    shrtajana pAlakA shrIvatsa nAyaka mukti dAyaka

     

    Meaning: (ChatGPT Plus w edits)

    Pallavi:

    kausalEya shrI bhava jaladhi dharaNA jAnaki ramaNa

    sakala lOkakara sAdhujana smaraNa

    "The descendant of Kausalya

    (kausalEya), the embodiment of prosperity (shrI), who upholds the world like an
    ocean (bhava jaladhi dharaNA), the beloved of Janaki (jAnaki ramaNa), adored by
    all (sakala), the creator of the world (lOkakara), remembered by the virtuous
    (sAdhujana smaraNa)."

     

    kausalEya: Descendant of

    Kausalya

    shrI: Wealth, prosperity, or

    beauty

    bhava: Existence, world, or

    birth

    jaladhi: Ocean

    dharaNA: Holding or bearing

    jAnaki: Another name for

    Sita, meaning daughter of Janaka

    ramaNa: Beloved or engaging

    sakala: All, entire, whole

    lOkakara: World-doer, maker

    of the world

    sAdhujana: Holy people or

    virtuous men

    smaraNa: Remembrance

     

    Anupallavi

    pannaga shayanA pankaja nayanA bhadrAdri kSEtra

    vAsakAtri putrAri dvaja agOkSajAhE

    "He who reclines on the serpent

    (pannaga shayanA), with eyes like lotuses (pankaja nayanA), resident of the
    holy place Bhadradri (bhadrAdri kSEtra vAsakAtri), enemy of the demon Putra
    (putrAri), represented by the flag (dvaja), incomprehensible even to the
    learned (agOkSajAhE)."

     

    pannaga: Snake

    shayanA: Lying or reclining

    pankaja: Lotus

    nayanA: Eyes

    bhadrAdri: A name of a holy

    hill, Bhadradri

    kSEtra: Holy place or field

    vAsakAtri: Dweller or

    resident

    putrAri: Enemy of (demon)

    Putra

    dvaja: Flag

    agOkSajAhE: Agokshaja,

    another name for Lord Vishnu, implying one who is beyond comprehension

    caraNam

    rAmA pAhimAm parandAmA raviukula soma raghurAja

    janaka ati shubha paladhara vikula somA

     

    rAmA pAhimAm parandAmA raviukula soma raghurAja

    janaka ati shubha paladhara vikula somA

     

    "rAmA pAhimAm parandAmA" “raviukula soma”

    "Rama (rAmA), protect me (pAhimAm),

    the supreme being (parandAmA)." “Of the solar dynasty (raviukula), the
    moon (soma) of the Raghu dynasty (raghurAja),”

     

    rAmA: Rama, the protagonist

    pAhimAm: Protect me

    parandAmA: Supreme being

     

    " raghurAja janaka ati shubha paladhara"

    "In the Raghu dynasty (raghurAja) and

    in Janaka (janaka, father of Sita), is the bearer of extremely auspicious
    results (ati shubha paladhara)."


    raviukula: Solar dynasty

    soma: Moon

    raghurAja: King of the Raghu

    dynasty

    janaka: Father, referring to

    King Janaka, Sita's father

    ati shubha: Extremely

    auspicious

    paladhara: Bearer of results 


    "khara dUSaNA bhanjana"

    "the destroyer (bhanjana) of the

    demons Khara and Dushana (khara dUSaNA)."

    khara: Demon Khara

    dUSaNA: Demon Dushana

    banjana: Destroyer 

    "munijana mana ranjanA shrtajana pAlakA shrIvatsa

    nAyaka" .. "mukti dAyaka"

    "Delighting the minds of sages

    (munijana mana ranjanA), the leader (nAyaka) who takes care (pAlakA) of
    devotees (shrtajana), bearing the mark of Srivatsa (shrIvatsa)." "The
    giver (dAyaka) of liberation (mukti)." 

    munijana: Sages

    mana: Mind

    ranjanA: Pleasing

    shrtajana: Devotees or

    followers

    pAlakA: takes care of

    shrIvatsa: An auspicious

    mark, representing Lord Vishnu  (and also
    mudra of the poet, V V Srivatsan)

    nAyaka: Leader

    mukti: Liberation

    dAyaka: Giver

    36 min
  • akhilANDEshvari (Class / Lesson) - Dwijavanthi - Adi (2 kalai) - Dikshitar

    Full Notation: www.shivkumar.org/music

    akhilANDEshvari

    Ragam: Dwijavanthi

    / Jujavanti (28th Melakartha (Harikambodhi) janyam)

         Hindustani equivalent: Jaijaivanti -

    Wikipedia

    ARO:     S

    R2 M1 G3 M1 P D2 S                                                 ||

    AVA:     S

    N2 D2 P M1 G3 M1 R2 G2 R2 S N2 D2 N2 S         ||

    Talam: Adi

    (2 kalai)

    Composer:

    Muthuswamy Dikshitar

    Version: MS Subbalakshmi (YT: https://www.youtube.com/watch?v=kDjYZcCOhvA

    )

    Lyrics

    Courtesy: Lakshman Ragde

    Pallavi:

    akhilANDEshvari

    rakSamAm Agama sampradAya nipuNE shrI

    Anupallavi:

    nikhila

    lOka nityAtmikE vimalE nirmalE shyAmaLE sakala kalE

    Charanam:

    lambOdara guruguha pUjitE lambAlakOd-bhAsitE hasitE

    vAg-dEvatArAdhitE

    varadE vara shaila rAjanutE shAradE

    jambhAri

    sambhAvitE janArddananutE jujAvanti rAganutE

    jallI

    maddaLa jhar jhara vAdya nAdamuditE jnAnapradE

     

    Meaning: Guru Guha Vaibhavam and ChatGPT Plus w edits

    Oh AKHILANDESVARI! The one who is adept ("nipune")

    in the traditions ("samprabaya") of AGAMAs, please protect me ("Rakshamam").

    SrI akhila-aNDa-ISvari       - O goddess of the entire universe!

    raksha mAM                   - Protect me!

    Agama sampradAya nipuNE      - O expert in the tradition of the Vedas! 

    Her inherent nature pervades ("nityatmike")

    all the worlds ("nikhila loka"). She is pure ("nirmale"), sublime
    ("vimale"), dark ("shyamale") complexioned one and is the
    repository of all arts ("sakalakale").

    nikhila lOka nitya-AtmikE    - O one who is eternally embodied as all

    the worlds,

    vimalE                       - O pure one!

    nirmalE                      - O unsullied one!

    SyAmaLE                      - O dark-hued one!

    sakala kalE                  - O one who personifies all

    the arts! 

    She is worshipped ("pujite") by LAMBODARA

    and GURUGUHA.

    She possesses shining long tresses ("lambalakod-bhasite")

    and always sports a graceful smile("hasite").

     

    lamba-udara guru guha pUjitE - O one worshipped by

    Ganesha (the one with a long belly) and Guruguha,

    lamba-alaka-udbhAsitE        - O one shining with long, hanging

    curls,

    hasitE                       - O smiling one!

     

    The supreme one worshipped ("aradhite") by

    SARASWATI ("vagdevata"). She is the bestower of boons
    ("varade") and the daughter of HIMAVAN ("varasaila") the
    honourable one("rajanute").

    She is SARADA,

     vAg-dEvatA-ArAdhitE          - O one adored by Sarasvati (the

    goddess of speech),

    varadE                       - O giver of boons!

    vara Saila rAja nutE         - O one extolled by the eminent

    Himavan (king of mountains),

    SAradE                       - O Sarada (another name

    of Durga)!

     

    … venerated ("sambhavite") by INDRA

    ("jambhari") and VISHNU ("janarddananute"). She is extolled
    through RAGA JUJAVANTI

     

    … and takes delight in the music

    ("nadamudite") of instruments ("vadya") like JHALLI,
    MADDALA and JARJHARA. She is the conferer of the supreme knowledge.
    ("jnanaprade").


    31 min
  • mAtE malaya (daru varNa Class / Lesson) - Khamas - Adi (2 kalai) - Mysore Vasudevacharya

    Full Notation: www.shivkumar.org/music

    mAtE malaya (daru varNa)

    RAGAM- khamAs (28th melakartha (HariKambodhi) Janyam) ARO:

         S M1 G3 M1 N2 D2 N2 P D2 N2 S       ||

    AVA : 

       S N2 D2 P M1 G3 R3 S                                       ||

    Talam: Adi (2 kalai)

    Composer: Mysore

    Vasudevacharya

    Version: T M

    Krishna (Youtube: https://www.youtube.com/watch?v=v_7S_ZCs44Q
    )

    Lyrics Courtesy:

    Lakshman Ragde

    Meanings Courtesy:

    ChatGPT Plus (with edits)

    Youtube Class: https://www.youtube.com/watch?v=CEb-AFf8hAc

    Meaning: (Courtesy:

    R Shankar & Ganesh, Rasikas.org https://www.rasikas.org/forums/viewtopic.php?t=13249  )

     

    Meaning: Oh mother of the elephant (mAtanga)-faced

    (vadana) one and kArtikEya (guha), and the daughter (sanjAtE) [1] of the pANDya
    king malayadhvaja.

    mAtE: Oh mother

    malayadhvaja: Malayadhvaja

    (name of a Pandya king)

    pANDya: Of Pandya (a South

    Indian dynasty)

    sanjAtE: Born or daughter

    mAtanga: Elephant

    vadana: Faced

    guha: Referring to Guha

    (Kartikeya), also interpreted as Ganesha

    Meaning: Oh mother (tAyE), who is fair complexioned

    (gauri) and slender-waisted (SATOdari)! You are the creator (kari) of
    auspiciousness (SaM), oh durgA (cAmuNDESvari), who wears (dhari) the crescent
    moon (candarakalA)!

    shAtOdari: Slender-waisted

    shankari: Consort of Shiva;

    creator of auspiciousness

    cAmuNDEshvari: Goddess

    Chamundeshwari; a form of Durga

    candrakalAdhari: Bearer of

    the crescent moon

    tAyE: Mother

    gaurI: Fair-complexioned

     Oh mighty (mahitE) mother

    (tAyE), the compassionate (sadayE) beguiler (manOharE) of the golden/red
    (hari)-tressed (kESa) [2] Siva, please protect (porE) my benefactor (dAtA), the
    maharAja (nAtha) of mysUru (mahiSura), SrI kRshNa rAjEndra oDeyAru the fourth
    (nAlvaDi) at all times (sadA), for he is the benefactor (dAtA) who possesses
    skilled (catura) expertise (nipuNa) in all (sakala) art-forms (kalA); he has an
    open/easily obtainable/simple (sulabha) heart (hRdaya); his speech (vacana) is
    sweet (madhura) ; and he is the supreme/eminent (vara) rasika of the intrinsic
    (nija) meaning (bhAva) and joy (sukhada) of music - the notes (svara), the
    rhythm (laya) and the lyrics (gIta) - that is filled with rasAnubhava (sa-rasa)
    of unsurpassing brilliance/splendor (rucira-tara)!

    … he is the benefactor (dAtA)

    who possesses skilled (catura) expertise (nipuNa) in all (sakala) art-forms
    (kalA); he has an open/easily obtainable/simple (sulabha) heart (hRdaya); his
    speech (vacana) is sweet (madhura) ;

    dAtA: Giver; benefactor

    sakala: All; every

    kalA: Arts; skills

    nipuNa: Skilled; expert

    catura: Clever; dexterous

    sulabha: Easily accessible;

    simple

    hRdaya: Heart

    madhura: Sweet

    vacana: Speech; words

    … he is the supreme/eminent (vara) rasika of

    the intrinsic (nija) meaning (bhAva) and joy (sukhada) of music - the notes
    (svara), the rhythm (laya) and the lyrics (gIta) - that is filled with
    rasAnubhava (sa-rasa) of unsurpassing brilliance/splendor (rucira-tara)!

    … Oh mighty (mahitE) mother (tAyE), the

    compassionate (sadayE) beguiler (manOharE) of the golden/red (hari)-tressed
    (kESa) [2] Siva …

    sarasa: Juicy; essence

    ruciratara: More delightful

    or splendid

    svara: Notes; sound

    laya: Rhythm; tempo

    gIta: Song; singing

    sukhada: Pleasure-giving;

    delightful

    nija: Own; inherent

    bhAva: Feeling; emotion

    rasika: Connoisseur; one who

    appreciates

    vara: Excellent; best

    mahishUra: Mysore (a city in

    India)

    nAtha: Lord; ruler

    nAlvaDi: Fourth

    shrI: Respected; holy

    … please protect (porE) my

    benefactor (dAtA), the maharAja (nAtha) of mysUru (mahiSura), SrI kRshNa
    rAjEndra oDeyAru the fourth (nAlvaDi) at all times (sadA),


    Oh dark-hued one (SyAmE), the

    empress (sArvabhaumE) [3] of the entire (sakala) collection of worlds/universes
    (bhuvana), you occupy the center (madhyagE) [4] of the never-waning center of
    the 16th phase of the ob/circle (maNDala) of the moon (SaSi).

    45 min
  • gaNa rAjEna rakshitOhaM (Class / Lesson) - Arabhi - Misra Chapu - Dikshitar

    Full Notation -> www.shivkumar.org/music/

    gaNa rAjEna rakshitOhaM

    Ragam: Aarabhi (29th Mela

    Janyam):

    https://en.wikipedia.org/wiki/Arabhi

    ARO: S R2 M1 P D2 S                     || 

    AVA: S N3 D2 P M1 G3 R2 S         ||

    Talam: Mishra Chapu

    Composer: Muthuswamy Dikshitar

    Version: Ram Kaushik (Youtube: https://www.youtube.com/watch?v=bhMvpz17NTM

    )

    Youtube Class: https://www.youtube.com/watch?v=PDH5SsHfvRw

    MP3 Class: http://www.shivkumar.org/music/ganarajena-rakshitoham-class.mp3

     

    Pallavi:

    gaNa rAjEna rakshitO(a)haM

    Madhyama kAla sAhityam:

    guNi jana nuta

    pallava padEna

    samashTi caraNam

    aNimAdyashTa

    siddhi pradEna

    mANikya

    makuTAdi dharENa

    mantriNI pUjita

    su-mukhEna

    mAnita guru

    guha vanditEna

    madhyama kAla sAhityam:

    dina-kara kOTi

    prakASEna   vinatASrita mandArENa

    manu pUjita

    pASAnkuSEna  kAnana sthita brahma-caryENa

    MEANING:

    Sahityam: gaNa rAjEna rakshitO(a)haM

    gaNa: Ganas (a group of
    semi-divine beings who are followers of Lord Shiva, and by extension, Ganesha)

    rAjEna: By the king

    rakshitO: Protected

    (a)haM: I am 

    rakshitO-ahaM 

    -              I am protected

    gaNa rAjEna 

    -                by Ganesha, the
    king of the Ganas,

    Sahityam: guNi jana nuta pallava padEna

    guNi: Virtuous

    jana: People

    nuta: Praised

    pallava: Tender sprout

    padEna: By the feet

    guNi jana nuta pallava padEna –the one whose (tender)

    sprout-like feet are praised by virtuous people,

     

    Sahityam: aNimAdyashTa

    siddhi pradEna

    aNimA: Minutest

    Ady: Beginning with

    ashTa: Eight

    siddhi: Powers or accomplishments

    pradEna: By the giver

    aNimA-Adi-ashTa siddhi pradEna –the giver of the eight

    Siddhis (Yogic attainments),

    mANikya makuTAdi dharENa

    mANikya: Ruby or gem

    makuTa: Crown

    Adi: Etcetera, indicating the presence of other

    ornaments

    dharENa: Wearing

    mANikya makuTa-Adi dharENa –    the one wearing a gem-studded crown and

    other ornaments,

    mantriNI

    pUjita su-mukhEna

    mantriNI: Minister, referring to Goddess Mantrini, a

    principal figure in Shaktism, closely associated with Lalita Tripurasundari

    pUjita: Worshipped

    su-mukhEna: With a pleasant face

    mantriNI pUjita su-mukhEna –    the pleasant-faced one, worshipped by

    goddess Mantrini,

     

    mAnita

    guru guha vanditEna

    mAnita: Honored

    guru guha: A name for Kartikeya, Dikshitar's chosen

    deity, also known as Muruga or Skanda

    vanditEna: Saluted

    mAnita guru guha vanditEna –    the one saluted by the revered Guruguha,

     

    madhyama

    kAla sAhityam:

    Sahityam: dina-kara

    kOTi prakASEna  

    dina-kara: The sun

    kOTi: Crore (ten million)

    prakASEna: With the brilliance

    dina-kara kOTi prakASEna  -    

    the one shining like a crore suns,

     

    Sahityam: vinatASrita

    mandArENa

    vinata: Supplicated, humbled

    ASrita: Taken refuge, surrendered

    mandArENa: Celestial wish-fulfilling tree

    vinata-ASrita mandArENa –       the celestial wish-fulfilling tree to

    those who supplicate and surrender,

     

    Sahityam: manu

    pUjita pASAnkuSEna 

    manu: The first man and lawgiver in Hindu mythology

    pUjita: Worshipped

    pASa: Noose

    ankuSEna: Goad

    manu pUjita -                  the one worshipped by Manu,

    pASa-ankuSEna –                 the one with a Pasha(noose)

    and Ankusha(goad),

     

     

    Sahityam: kAnana

    sthita brahma-caryENa

    kAnana: Forest

    sthita: Residing

    brahma-caryENa: Celibacy

    kAnana sthita brahma-caryENa –  the celibate , residing in a forest.

     

    Additional Comments:

    ·       

    This
    Kriti is in the third Vibhakti

    ·       

    Mantrini
    is the minister of Goddess Lalita. In the war against Bhandasura, Ganesha is
    invoked by her, to destroy  the “Vighna
    yantra”  by Bhandasura

    ·       

    Manu
    also means Mantras, so manu-pUjita can also mean one who is worshipped with
    Mantras

    ·       

    The  eight Siddhis or  Yogic attainments are :

    Anima (ability to reduce the size of the body, to even

    the size of an Anu or atom),

    Mahima (ability to become gigantic in size)

    Laghima (ability to become very light)

    Garima, (ability to become very heavy)

    Prapti, (ability to acquire anything anywhere)

    Prakamya, (ability to obtain anything desired)

    Ishitvam (lordship over all creation)

    Vashitvam (control over all creation)


    28 min
  • Aparadhamula Norva (CLASS / LESSON) - Rasali - Adi - Tyagaraja

    Full Notation: www.shivkumar.org/music/


    aparAdhamulan(O)rva

     

    RAGAM- rasAli  (4th

    Melakartha Vanaspati Janyam)

    AROHANA:        S

    R₁ M₁ P D₂ N₂ Ṡ              ||

    AVAROHANA: Ṡ D₂ P M₁

    R₁ S                   ||

    taaLam: Adi (samam edduppu)

    Composer: Tyagaraja

    Lyrics & Meanings: Tyagaraja Vaibhavam

    (https://thyagaraja-vaibhavam.blogspot.com/2008/10/thyagaraja-kriti-aparadhamulanorva-raga.html
    )

    Version: Ram Kaushik (Youtube: https://www.youtube.com/watch?v=VILw2foRtSA

    )

    YouTube Class: https://www.youtube.com/watch?v=NXiuEkHeayk

    Audio Class (MP3): www.shivkumar.org/music/aparadhamula-rasali-class.mp3

     

    Pallavi:

    aparAdhamulan(O)rva samayamu

    kRpa jUDumu ghanamaina nA (aparAdha)

     

    Anupallavi:

    capala cittuDai manas(e)rugakanE

    jAli peTTukoni moralan(i)Du (aparAdha)

     

    caraNam:

    sakala lOkula phalamulan(e)rigi

    samrakshincucun(u)NDaga

    nann(o)kani brOva teliya kIrtana

    Satakam(o)narcu tyAgarAja nuta nA

    (aparAdha)

     

     

    Meaning: (Tyagaraja Vaibhavam )

    https://thyagaraja-vaibhavam.blogspot.com/2008/10/thyagaraja-kriti-aparadhamulanorva-raga.html

    Pallavi:

    Sahityam: "aparAdhamulanu-Orva samayamu

    kRpa jUDumu ghanamaina nA

    (aparAdha)”

     

    Meaning: It is time (samayamu) to pardon (Orva)

    (literally tolerate) my (nA) severe (ghanamaina) offences (aparAdhamulanu)
    (aparAdhamulnOrva); please show (jUDumu) mercy (kRpa) on me.

     

    "aparAdhamulan(O)rva

    samayamu"

    aparAdhamulanu: offenses, sins

    Orva: tolerance, forbearance

    samayamu: time, appropriate

    time

     

    "kRpa jUDumu ghanamaina

    nA (aparAdha)"

    kRpa: mercy, grace

    jUDumu: show, bestow

    ghanamaina: severe, intense

    nA: my

     

    Anupallavi

    Sahityam: " capala cittuDai manasu-erugakanE    jAli peTTukoni moralanu-iDu (aparAdha)”

     

    Meaning: It is time to pardon my severe offences

    who -

    being fickle (capala) minded

    (cittuDai), having come to grief (jAli peTTukoni) unknowingly (manasu
    erugakanE) (literally mind not knowing), is now appealing (moralanu iDu)
    (moralaniDu) to You; please show mercy on me.

     

    "capala cittuDai

    manas(e)rugakanE"

    capala: fickle, unstable

    cittuDai: minded (having a

    mind)

    manase: mind

    erugakanE: without knowing,

    unknowingly

     

    "jAli peTTukoni

    moralan(i)Du (aparAdha)"

     

    jAli peTTukoni: having taken

    pity, feeling sorry

    moralan(i)Du: to appeal, to

    request

     

    Caraṇam

    Sahityam: " sakala lOkula phalamulanu-erigi

    samrakshincucunu-uNDaga

    nannu-okani brOva teliya

    kIrtana

    Satakamu-onarcu tyAgarAja

    nuta nA (aparAdha)"

    Meaning: " O Lord praised (nuta) by this tyAgarAja who

    has composed (or is composing) (onarcu) (literally to make) hundred(s)
    (Satakamu) (Satakamonarcu) of kIrtana in Your praise!

    While You are (uNDaga)

    nourishing nicely (samrakshincucunu) (samrakshincucunuNDaga) all (sakala) the
    people (lOkula) according (erigi) (literally knowing) to the fruits of their
    actions (phalamulanu) (phalamulanerigi),

    don’t You know (teliya) to

    protect (brOva) me (nannu) alone (okani) (nannokani)?

    it is time to pardon my (nA)

    severe offences; please show mercy on me.."

     

    "sakala lOkula

    phalamulan(e)rigi"

    sakala: all, every

    lOkula: of the worlds, of the

    people

    phalamulanu: fruits (of

    actions)

    erigi: knowing, understanding

     

    "samrakshincucun(u)NDaga"

    samrakshincucunu: protecting,

    preserving

    uNDaga: while being, while

    existing

     

    "nann(o)kani brOva

    teliya kIrtana"

    nannu: me

    okani: only, alone

    brOva: protect, save

    teliya: know, be aware

    kIrtana: a musical form, a devotional

    song

     

    "Satakam(o)narcu

    tyAgarAja nuta nA (aparAdha)"

    Satakamu: a century, referring

    to a collection of songs

    onarcu: composing, creating

    tyAgarAja: the composer

    himself, Tyagaraja

    nuta: praised, worshipped

    nA: my

    34 min
  • Pavanaguru (Class / Lesson) - Hamsanandi - Rupakam - Lalitha Daasar

    pAvana guru

     

    RAGAM- hamsAnandi  (53rd Melakartha Ganashrama Janyam)

                   https://en.wikipedia.org/wiki/Hamsanandi

    AROHANA:        S

    R₁ G₃ M₂ D₂ N₃
    Ṡ             ||

    AVAROHANA:  Ṡ

    N₃ D₂ M₂ G₃ R₁
    S            ||

    taaLam: Rupakam

    Composer: Lalita Daasar

    Lyrics: Courtesy karnatik.com and Lakshman Ragde

    Meanings: ChatGPT Plus with author edits

    Version: Ram Kaushik (Youtube: https://www.youtube.com/watch?v=Zn7dVpLB5zA

    )

    YouTube Class:

    Audio Class (MP3): www.shivkumar.org/music/pavanaguru-hamsanandi-class.mp3

     

    Pallavi:

    pAvanaguru pavana purAdhIshamAshrayE

     

    Anupallavi:

    jIvana dhara samkAsham krSNam gO-lOkEsham bhAvita nArada

    girisham tribhuvanAvanO vEsham

     

    caraNam:

    pUjita vidhi purandaram rAjita muraLIdharam vraja lalanA

    nandakaram ajitam udAram

    smara shata shubhakAkAram niravadhi karuNApUram rAdhA vadana cakOram laLitA sOdaram param


    Meaning: (ChatGPT Plus with author edits)

    Pallavi:

    Sahityam: "pAvanaguru pavana purAdhIshamAshrayE"

    Meaning: "I seek refuge in the pure teacher

    ('pAvanaguru'), the pure ('pavana') lord of the sacred city
    ('purAdhIsham')."

    This line is an invocation, expressing

    devotion and surrender to a divine figure, Lord Krishna, who is seen as a pure
    and guiding force.

     

    Anupallavi

    Sahityam: "jIvana dhara samkAsham krSNam gO-lOkEsham bhAvita nArada girisham

    tribhuvanAvanO vEsham"

    Meaning: "Like the sustainer of life ('jIvana dhara'),

    Krishna ('krSNam'), the lord of Gokula ('gO-lOkEsham'), contemplated by Narada
    ('bhAvita nArada'), the lord of the mountains ('girisham'), in the guise of the
    protector of the three worlds ('tribhuvanAvanO vEsham')."

    Caraṇam

    Sahityam: "pUjita vidhi purandaram rAjita muraLIdharam vraja lalanA

    nandakaram ajitam udAram"

    Meaning: "Worshipped in the right way ('pUjita vidhi'),

    the glorified bearer of the flute ('rAjita muraLIdharam'), the joy-giver
    ('nandakaram') to the women of Vraja ('vraja lalanA'), the unconquered
    ('ajitam') and magnanimous ('udAram')."

    Sahityam: "smara shata shubhakAkAram niravadhi karuNApUram rAdhA vadana

    cakOram laLitA sOdaram param"

    Meaning: "Remember ('smara') the one of a hundred

    auspicious forms ('shata shubhakAkAram'), endless ('niravadhi') in compassion
    ('karuNApUram'), like the cakora bird to Radha's face ('rAdhA vadana cakOram'),
    the playful ('laLitA') brother ('sOdaram'), the supreme ('param')."

    32 min
  • Sri Krishnam (Class / Lesson) - Thodi - Adi (2 kalai) - Dikshitar

    Full Notation -> www.shivkumar.org/music


    shrI krSNam

     

    Ragam: Thodi

    {8th Melakartha Ragam}

                   ARO:     S R1

    G2 M1 P D1 N2 S     ||

    AVA:     S

    N2 D1 P M1 G2 R1 S     ||

    Talam: Adi

    (2 kalai)

    Composer: Muthuswamy

    Dikshitar

    Version: Ram Kaushik (Youtube Original)

    Lyrics Courtesy: Lakshman Ragde

    Meanings Courtesy: Guru Guha Vaibhavam: http://guru-guha.blogspot.com/2008/07/dikshitar-kriti-sri-krishnam-bhaja.html

    Youtube Class / Lesson: https://www.youtube.com/watch?v=sYIdiqa8uWg

    MP3 Class / Lesson: http://www.shivkumar.org/music/srikrishnam-thodi-class.mp3  

     

    Pallavi:

    shrI krSNam

    bhaja mAnasa satatam shritajana paripAlam gOpAlam bAlam

     

    Anupallavi:

    pAkashAsanAdi

    vinuta caraNam shOka mOha bhaya haraNam bhava taraNam

     

    Charanam:

    shanka

    cakra gadA padma vanamAlam vENugAna lOlam krpAlavAlam

    kankaNa kEyUra

    makuTa maNDita kamanIya kanakamaya cElam

    pankajAsanAdi

    dEvamahitam shrI guruguha vihitam ramA sahitam

    pankajadaLa

    nayanam vaTa shayanam guru pavanapurAdhIsham lOkEsham

     

     

    Meaning: (Courtesy: Guru Guha Vaibhavam): http://guru-guha.blogspot.com/2008/07/dikshitar-kriti-sri-krishnam-bhaja.html

    Pallavi

    mAnasa                         - O mind!

    satataM                        - always

    bhaja                          - worship

    SrI kRshNaM                    - Sri Krishna,

    Srita jana

    paripAlaM           - the protector of
    those who have sought refuge,

    gOpAlaM bAlam                  - the cowherd child,

     

    anupallavi

    pAka SAsana-Adi vinuta

    caraNaM - the one whose feet are exalted by Indra (slayer of the demon Paka)
    and others,

    SOka mOha bhaya

    haraNaM       - the destroyer of sorrow,
    delusion and fear,

    bhava taraNam                  - the one who enables the

    crossing of (the ocean) of worldly existence,

     

    caraNam

    Sankha cakra gadA padma

    vana mAlaM - the who bears a conch, discus, mace, lotus and a Vanamala (garland
    of wild flowers),

    vENu gAna lOlaM                - the one revelling in the

    music of the flute,

    kRpA-AlavAlaM                  - the respository of mercy,

    kankaNa kEyUra makuTa

    maNDita - the one decked with bracelets, armlets and crown,

    kamanIya kanaka-maya

    cElam    - the one with a pleasing golden
    garment,

    pankaja-Asana-Adi dEva

    mahitaM - the one venerated by the lotus-seated Brahma and other gods,

    SrI guru guha

    vihitaM          - the one understood by
    Guruguha,

    ramA sahitaM                   - the one in the company of

    Lakshmi (Ramaa),

    pankaja daLa

    nayanaM           - the one whose eyes
    are like lotus petals,

    vaTa SayanaM                   - the one reclining on a

    banyan (leaf),

    guru pavana

    pura-adhISaM       - the lord of
    Guruvayur,

    lOka-ISam                      - the lord of the world

    43 min

About South Indian Classical (Carnatic) Music Archive: Classes / Lessons

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