South Indian Classical (Carnatic) Music Archive: Classes / Lessons

South Indian Classical (Carnatic) Music Archive: Classes / Lessons

By Shivkumar KalyanaramanMusic
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South Indian Classical (Carnatic) Music Archive: Classes / Lessons episodes

  • KarunA CheivAn Entu (Class / Lesson) - Sri Ragam - Adi (2 kalai) - Irayimman Thampi

    Full Notation -> www.shivkumar.org/music

    KaruNa ceyvAn endu tAamasam

    Ragam:  Shree (22th mela janyam)

    https://en.wikipedia.org/wiki/Shree_(Carnatic_raga)

                    ARO: S R2 M1 P N2 S                                                        ||

                    AVA: S N2 P D2 N2 P M1 R2 G2 R2  S                            ||

    Note: Alt version is sung in

    Yadukula Kamboji

     

    Talam: Adi

    Composer: Irayimman Thampi (on the deity at GuruvAyUr)

    Version: P Jayachandran (Youtube Original); and Dr. GS Balamurali

    Lyrics / Meaning Courtesy: (Looking

    through my periscope)

    Youtube Class: https://www.youtube.com/watch?v=hj13HEQBdeg

    Audio MP3 Class: http://www.shivkumar.org/music/karunachaivanenthu-class.mp3

    KaruNa ceyvAn entu tAamasam KrishNA,

    KazhalinE kai tozhunnEn

     

    Anupallavi

    sharaNAgathanmArkkishTa varadAnam ceytu cemmE,

    GuruvAyurpuram tannil maruvumakhila durita haraNa bhagawan

     

    CaraNams 

    2. gurutara bhavasindhau 

    duritasancayamAkum,

    tiratannil muzhukunna 

    naragathikkavalambam,

    marakata maNivaNNan** hari tannE ennum tava,   (** maNivarNan)

    carita varNNanaN^N^aLil 

    sakala munikaL paravatarivanadhUna.

     

    Meaning: (ChatGPT Plus (with author edits))

     

    The composer and musician,

    irayimman Thampi (also known as iravivarman) (1783--1856) was the uncle of
    Maharaja SwAthi tirumAL (1813-1846) of the ThiruvAnkUr kingdom. The song under
    consideration, “KaruNa ceyVAn endu” is in praise of the deity at the temple in
    GuruvAyUr. This song is rich in devotional and symbolic language, referencing
    Guruvayoorappan Krishna and his attributes.

     

    P: Sahityam: KaruNa ceyvAn entu tAamasam KrishNA, KazhalinE kai

    tozhunnEn

    Meaning:  "Why the

    delay in showing compassion, Krishna? I bow at your feet with my hands."

     

    "KaruNa ceyvAn entu tAamasam

    KrishNA" - "Krishna, why do you delay in showing compassion?"

    KaruNa: Compassion

    ceyvAn: (to) do, perform

    entu: why

    tAamasam: delay,

    laziness

    KrishNA: Krishna

     

    "KazhalinE kai

    tozhunnEn" - "I bow at your feet with my hands."

    KazhalinE: (at your)

    feet

    kai: hands

    tozhunnEn: I bow

     

    A Summary: "O Lord residing in Guruvayoor, you grant the

    desired boons to those who seek refuge in you, removing all their sins."

     

    Sahityam: sharaNAgathanmArkkishTa varadAnam ceytu cemmE,

    Meaning "You indeed grant the desired boons to those who

    seek refuge."

    sharaNAgathanmArkk: to

    those who seek refuge

    ishTa: desired

    varadAnam: boon-giving

    ceytu: doing

    cemmE: in the place of

    Guruvayoor

     

    Sahityam: GuruvAyurpuram tannil maruvumakhila durita haraNa

    bhagawan

    Meaning: "O Lord residing in Guruvayoor, you remove all

    sins."

    GuruvAyurpuram:

    Guruvayoor (a place)

    tannil: in that

    maruvum: residing

    akhila: all

    durita: sins, evils

    haraNa: remover

    bhagawan: Lord


    C2 Summary:

    "In the heavy ocean of existence, where
    sins accumulate, you are the refuge for those immersed in life's hardships.
    Your emerald-hued form, O Hari, is always revered in the tales recounted by
    sages, who consider you the supreme deity."

     

    Sahityam: gurutara bhavasindhau duritasancayamAkum,

    Meaning:"In the serious ocean of existence, accumulating

    sins."

     

    gurutara: heavy, serious

    bhavasindhau: in the

    ocean of existence

    duritasancayamAkum:

    accumulating sins

     

    Sahityam: tiratannil muzhukunna naragathikkavalambam,

    Meaning: "A refuge for those immersed in it, akin to

    hell."

     

    tiratannil: in the shore

    muzhukunna: immersed

    naragathikkavalambam:

    refuge for hell-bound

     

    Sahityam: marakata maNivaNNan** hari tannE ennum tava,

    Meaning: "Your emerald-colored form, Hari, is

    always."

     

    marakata: emerald

    maNivaNNan: colored

    hari: Hari (Krishna)

    tannE: indeed

    ennum: always

    tava: your

     

    Sahityam: carita varNNanaN^N^aLil sakala munikaL

    paravatarivanadhUna.

    Meaning: "Considered supreme by all sages in their

    descriptions of your deeds."

     

    carita: deeds

    varNNanaN^N^aLil: in

    describing

    sakala: all

    munikaL: sages

    paravatarivanadhUna:

    consider you supreme


    29 min
  • mA jAnakI (Class) - Kamboji (Kambodhi) - DeshAdi - Tyagaraja

    Full Notation -> www.shivkumar.org/music

    Maa Jaanaki

    Ragam: Kambodhi  (Kamboji)

    {28th Melakartha (Harikambodhi) janyam)

    https://en.wikipedia.org/wiki/Kambhoji

    ARO:     S R2 G3 M1 P D2 S                          ||

                   AVA:     S N2 D2 P M1 G3 R2 S N3 P D2 S   ||

    Talam: Deshadi

    Composer: Tyagaraja

    Version: Semmangudi & Ram Kaushik (Original YouTube)

    Lyrics: Tyagaraja

    Vaibhavam

    Meanings: TK Govinda Rao book, Tyagaraja

    Vaibhavam, ChatGPT


    Pallavi:

    mA jAnaki cETTa paTTaga maharAjav(ai)tivi

     

    Anupallavi:

    rAja rAja vara rAjIv(A)ksha vinu

    rAvaN(A)ri(y)ani rAjillu kIrtiyu (mA)

     

    Charanam:

    kAnak(E)gi Ajna mIraka 

    mAy(A)kAram(u)nici Sikhi centanE(y)uNDi

    dAnavuni veNTanE cani aSOka taru mUlan(u)NDi

    vAni mATalaku kOpaginci kaNTa  vadhiyincakanE(y)uNDi

    SrI nAyaka yaSamu nIkE kalga jEya lEdA tyAgarAja paripAla

    (mA)

     

    Meaning:  It is due to having clasped (“battaga”) the

    hand (“chetta”) of our JANAKI in wedlock (literally take hand in marriage, You
    became (“vaitivi”) great and famous (“maharaja”).

    Word-by-Word: mA – Our       ;

         

     jAnaki - Janaki (Sita)    ; 

    cETTa - Clasped, referring to the act of holding hands in wedlock

    paTTaga - In the act of, or as a result of   

    maharAjav(ai)tivi - Became a great king

    A – That   ;   rAja – King ;  rAja - Of kings (emphasizing

    superiority)

     

    Meaning:  O King of Kings (“Rajaraaja”)! Let me tell you

    (“vinu”), the one with beautiful eyes (“Rajeevaksha”) this. You owe your fame
    (“keerthiyu”) as the Vanquisher of mighty Ravana (“ravanaariyani”) to the great
    good (“raajillu”)  fortune of having
    clasped the hand of Janaki!
    Word-by-Word: vara - Best, excellent   ;

    rAjIv(A)ksha - Lotus-eyed (Lord Rama)  ; 

    vinu - Listen, or let me tell you

    rAvaN(A)ri(y)ani- Enemy of Ravana   ; 

    rAjillu - Great good fortune   ;

    kIrtiyu – Fame   ; (mA) – Our

     

    Meaning:  C: She accompanied you to the forests

    (“kanakeki”), then obeying your command, she entrusted her real Self to the
    care of the fire-God (“Yagna meraka” and “Sikhi Chentane Yundi”)) allowing a a
    shadow form of hers(“maayakaaramunichi”) to be carried away by Ravana to Lanka

    Word-by-Word: kAnak(E)gi – Proceeding with (Egi) you to the forest (kanaku);  

    Ajna – Command   ; 

    mIraka – You  (i.e. without disobeying your

    command) ; 

      mAy(A)kAram(u)nici – Donning (unici) a form (AkAramu) of illusion (mAyA) which went with RAvanA.

    Sikhi – Fire-God  ;

    centanE(y)uNDi - remained close (with the

    fire-god)

     

    Meaning:  Having gone (cani) (in shadow form) along with

    (veNTanE) rAvaNa – the demon (dAnavuni), remaining (uNDi) at lanka under
    (mUlanu) (literally at the root) (mUlanuNDi) the aSOka tree (taru),

    Word-by-Word:  dAnavuni - Demon (referring to Ravana)  

    ;

    veNTanE – Immediately   ;   cani – Killed  ;

    aSOka -Ashoka (a garden) ;

    taru – Tree  ;

    mUlan(u)NDi - In the

    presence of

     

    Meaning: … by not

    reducing him (rAvaNa) to ashes (vadhiyincakanE uNDi) (literally not slaying)
    (vadhiyincakanEyuNDi) by her eyes (kaNTa) by getting enraged (kOpaginci) by his
    (vAni) words (mATalaku)… didn’t she bring you great fame?

    Word-by-Word:   vAni - Her (referring to Sita);  mATalaku - To the words  ;  kOpaginci – Angered  ; kaNTa -Eyes

    vadhiyincakanE(y)uNDi - Not killing, i.e.

    not reducing him to ashes.

     

    Meaning: O

    Consort (nAyaka) of lakshmI (SrI)! did She not (lEdA) indeed bring (kalga jEya)
    (literally produce) great fame (yaSamu) to You (nIkE)

    {. … by not reducing him (rAvaNa) to ashes (vadhiyincakanE uNDi)

    (literally not slaying) (vadhiyincakanEyuNDi) by her eyes (kaNTa) by getting
    enraged (kOpaginci) by his (vAni) words (mATalaku)? …}

     

    O Nourisher (paripAla) of this tyAgarAja! You attained greatness because

    you married our Mother jAnaki!!

     

    Word-by-Word:  SrI - Goddess (referring to Lakshmi or Sita)  ; 

     nAyaka – Leader (or husband) ;

              yaSamu – Fame  ; nIkE - Only for you

             kalga –

    Becomes  ;

             jEya – Win  ;  lEdA –

    Or  ;

            tyAgarAja

    - Tyagaraja (the poet)  ;

            paripAla – Protect  ; (mA) - Our


    40 min
  • Sri ParthasarathinA (Class) - Suddha Dhanyasi - Rupakam - Dikshitar

    Full Notation: www.shivkumar.org/music

    SrI pArtha sArathinA

    Ragam: Suddha Dhanyasi  (22nd Melakartha (Kharaharapriya) Janyam)

    https://en.wikipedia.org/wiki/Udayaravichandrika

    ARO:     S G2 M1 P N2 S         ||

    AVA:     S N2 P M G2   S                 ||

    Talam: Rupakam

    Composer: Muthuswami Dikshitar

    Version: Ram Kaushik (Youtube Original)

    Lyrics / Meaning Courtesy: (Guru

    Guha Vaibham)

    Youtube Class: https://www.youtube.com/watch?v=jwdAIbnilvg

    Audio MP3 Class: http://www.shivkumar.org/music/sriparthasarathina-class.mp3

    SrI pArtha sArathinA pAlitO-asmi-ahaM sadA 

    samashTi caraNam

    gOpa strI mOhita vENu gAnEna

    SrI rukmiNI mana-ullAsa karaNEna

     

    Madhyama Kala Sahityam:

    prapanca-Arti hara dAna nipuNa -

    vaikuNTha sthitEna

    tumburu nArada nutEna

    guru guha sammOditEna

     

    Meaning Courtesy: (Guru

    Guha Vaibham, and ChatGPT (with edits))

    The Pallavi, "SrI

    pArtha sArathinA pAlitO-asmi-ahaM sadA," expresses a deep reverence and
    gratitude towards Lord Krishna, who is addressed as the noble charioteer
    (Sarathi) of Arjuna (Partha). The speaker affirms a constant sense of being
    protected by Krishna, indicating a personal and enduring connection with the
    divine.

     

    "gOpa strI mOhita vENu

    gAnEna" highlights Krishna's alluring flute-playing that mesmerizes the
    Gopis (cowherd women), showcasing his power to captivate hearts through music.

     

    "SrI rukmiNI

    mana-ullAsa karaNEna" speaks of Krishna's queen, Rukmini, whose heart
    overflows with joy due to Krishna's actions, reflecting his role as a source of
    happiness for his devotees.

     

    "prapanca-Arti hara

    dAna nipuNa - vaikuNTha sthitEna" describes Krishna as a skilled
    benefactor who removes worldly sorrows, situated in Vaikuntha, his divine
    abode, emphasizing his cosmic role as a caretaker of the universe.

     

    "tumburu nArada

    nutEna" refers to the celestial sages Tumburu and Narada, who praise
    Krishna, suggesting his exalted status in the heavens.

     

    "guru guha

    sammOditEna" indicates that Krishna pleases even the divine teacher Guha
    (Kartikeya), further underlining the universal reverence for Krishna's divine
    play and wisdom.

     

     

    Sahityam: SrI pArtha sArathinA pAlitO-asmi-ahaM sadA

    Meaning:  pAlitO-asmi-ahaM

    – I am protected

    SrI pArtha sArathinA –

    by Lord Parthasarathi, the charioteer of Arjuna(Partha),

    sadA – always.

    SrI - Revered or holy

    pArtha - Referring to

    Arjuna, a major character in the Indian epic Mahabharata

    sArathinA - By the

    charioteer

    pAlitO-asmi-ahaM - I am

    protected or taken care of

    sadA – Always

     

     

    samashTi caraNam

    Sahityam: gOpa strI mOhita vENu gAnEna

     

    gOpa strI mOhita vENu gAnEna  - (By) the one who enchants the Gopika women

    with the music of the flute,

    gOpa - Cowherd

    (referring to Krishna)

    strI - Women

    mOhita - Enchanted or

    captivated

    vENu - Flute

    gAnEna - By the music or

    song

     

     

    Sahityam: SrI rukmiNI mana-ullAsa karaNEna

     

    SrI rukmiNI mana-ullAsa

    karaNEna – the one who delights the heart of Goddess Rukmini,

    SrI rukmiNI - Revered

    Rukmini, a principal queen of Krishna

    mana - Heart or mind

    ullAsa - Joy or delight

    karaNEna - By causing or

    doing

     

     

    Madhyama Kala Sahityam:

    Sahityam: prapanca-Arti hara dAna nipuNa -

    Sahityam: vaikuNTha sthitEna

    prapanca-Arti hara – the

    remover of the sorrows of the world,

    dAna nipuNa – the expert

    in giving(desired objects),

    vaikuNTha sthitEna

    -  the one who dwells in Vaikuntha,

    prapanca - World or

    universe

    Arti hara - Remover of

    suffering

    dAna - Gift or

    benevolence

    nipuNa - Expert or

    skilled

    vaikuNTha - The heavenly

    abode of Lord Vishnu (Krishna)

    sthitEna - Residing in

    or situated 

    Sahityam: tumburu nArada nutEna

    Sahityam: guru guha sammOditEna

    tumburu nArada nutEna –

    the one extolled by the sages Tumburu and Narada,

    guru guha sammOditEna –

    the one well-pleased with Guruguha.

    tumburu - A celestial

    musician

    nArada - A divine sage

    and musician

    nutEna - Praised or

    worshipped by

    guru - Teacher or master

    guha - Another name for

    Lord Kartikeya, a Hindu deity

    sammOditEna - Pleasing

    or delighting


    24 min
  • PavanAtmaja Agaccha (Class) - Nattai - Khanda Chapu (Jhampa) - Dikshitar

    Full Notation -> www.shivkumar.org/music

    PavanAtmajAgaccha

    Ragam: Nattai (36th Mela janya ragam)

    https://en.wikipedia.org/wiki/Nata_(raga)

                   
    ARO:    S R3 G3 M1 P D3 N3 S           ||               
    AVA:    S N3  P M1 G3 M R3 S          ||

    Talam: Khanda Chapu (Jhampa)

    Composer: Dikshitar

    Version: Ram Kaushik

    Lyrics / Meaning Courtesy: (Guru

    Guha Vaibham)

    Youtube Class: https://www.youtube.com/watch?v=OvS7VzLajaA

    Audio MP3 Class: http://www.shivkumar.org/music/pavanatmaja-nata-dikshitar-class.mp3

    Pallavi:

    pavanAtmajAgaccha pari-pUrNa svaccha

    paramAtma puccha pAhi mAM jaya jaya

     

    Anupallavi

    nava vyAkaraNa nipuNa nava vidhAntaHkaraNa

    Siva rAma hari kRshNa SrI guru guha smaraNa

     

    caraNam

    kapaTa vAnara vEsha kAvya nATaka tOsha

    kapi yUtha paripOsha kamanIya bhAsha

    apagatAkhila dOsha hata rAkshasASEsha

    upanishatpada ghOsha udita mitra dvEsha

     

    Madhyama kAla sAhityam:

    abhi-rUpa maNi bhUsha ripu jaya bala viSEsha

    japa samAdhyabhilAsha aparimita santOsha


    Meaning Courtesy: (Guru

    Guha Vaibham, and ChatGPT (with edits))

    Pallavi: It invokes

    Pavanatmaja (Hanuman), the son of the wind, asking him to come and protect the
    singer. "Pavana-Atmaja-Agaccha" means "Son of the Wind,
    come"; "Pari-Purna Svaccha Paramatma" refers to the pure,
    complete supreme soul; and "Puccha Pahi Mam Jaya Jaya" is a call for
    protection and victory.

     

    Anupallavi: This section

    refers to Hanuman's profound knowledge of grammar and philosophy, invoking the
    names of Shiva, Rama, Krishna, and Guru Guha (a name for Kartikeya, another son
    of Shiva) in a devotional context.

     

    Charanam: This part depicts

    Hanuman's deceptive monkey form, his role in the epic Ramayana, his eloquence,
    and his freedom from all flaws. It also describes his triumph over demons, his
    mastery of the Upanishads, and his eternal contentment and desire for
    meditation and chanting.

     

    Sahityam: P: pavanAtmajAgaccha pari-pUrNa svaccha

    Meaning:  pavana-Atmaja

    - O son of Vayu (the God of wind)!

    Agaccha

    - Come!

    pari-pUrNa

    - O Complete one!

    svaccha

    - O Pure one!

     

    Sahityam: paramAtma puccha pAhi mAM jaya jaya

    Meaning: parama-Atma

    puccha - O Ultimate embodiment of the supreme being!

    pAhi

    mAM - Protect me!

    jaya

    jaya - Victory to you! Victory to you!

     

    Sahityam: A: nava vyAkaraNa nipuNa nava vidhAntaHkaraNa

    Meaning: nava vyAkaraNa

    nipuNa - O expert in the nine grammar books!

    nava

    vidha-antaHkaraNa - O one with the nine-fold (devotion in your) heart,

     

    Sahityam: Siva rAma hari kRshNa SrI guru guha smaraNa

    Meaning: O one evoked by

    (remembered by – Smarana) Shiva, Rama, Vishnu (Hari Sri Krishna) and Sri Guruguha!

     

     

    Sahityam: C: kapaTa vAnara vEsha kAvya nATaka tOsha

    Meaning: kapaTa vAnara

    vEsha - O one in the deceptive form of a monkey!

    kAvya

    nATaka tOsha - O one pleased with poetry and drama!

     

    Sahityam: kapi yUtha paripOsha kamanIya bhAsha

    Meaning: kapi yUtha

    paripOsha - O nourisher of the Vanara army!

    kamanIya

    bhAsha - O one of eloquent, beautiful speech!

     

    Sahityam: apagatAkhila dOsha hata rAkshasASEsha

    Meaning: apagata-akhila

    dOsha - O one who has removed all defects!

    hata

    rAkshasa-aSEsha - O one who killed all the Rakshasas!

     

    Sahityam: upanishatpada ghOsha udita mitra dvEsha

    Meaning: upanishad-pada

    ghOsha - O one proclaimed in the words of the Upanishads!

    udita

    mitra dvEsha - O adversary of the rising sun!

     

    Sahityam: abhi-rUpa maNi bhUsha ripu jaya bala viSEsha

    Meaning: abhi-rUpa maNi

    bhUsha - O one adorned with lovely jewels!

    ripu

    jaya bala viSEsha - O one who has ( and gives) strength for victory over
    enemies!

     

    Sahityam: japa samAdhyabhilAsha aparimita santOsha

    Meaning:  japa samAdhi-abhilAsha - O one who desires

    Japa(chanting of names) and Samadhi (meditative trance),

    aparimita

    santOsha - O one with unlimited bliss!


    28 min
  • Sri Rajagopala (Class) - Saveri - Adi (2 kalai) - Dikshitar

    Full Notation -> www.shivkumar.org/music


    SrI rAja gOpAla

     

    Ragam: Saveri

    (15th Melakartha Mayamalavagowla
    Janyam)

            https://en.wikipedia.org/wiki/Saveri

    ARO: S R1 M1 P D1

    S                       ||

    AVA: S N3 D1 P M1 G3 R1

    S         ||

    Talam: Adi

    (2 kalai)

    Composer: Muthuswamy

    Dikshitar

    Version: Hyderabad

    Brothers (Youtube
    Original)
    Lyrics / Meanings Courtesy: Guru Guha Vaibhavam and Guruguhamrta YouTube Video
    on Mannargudi

    YouTube

    Class: https://www.youtube.com/watch?v=KLrm8kLF9CE

     

    Pallavi:

    SrI rAja

    gOpAla bAla

    SRngAra

    lIla Srita jana pAla

     

    Anupallavi

    dhIrAgragaNya

    dIna SaraNya

    cAru

    campakAraNya dakshiNa –

    madhyama

    kAla sAhityam:

    dvArakA

    puri nilaya

    viSishTAdvaitAdvaitAlaya

    mAM pAlaya

     

    CaraNam

    smErAnana

    sEvaka caturAnana nArAyaNa

    tAraka

    divya nAma pArAyaNa kRta -

    nAradAdi

    nuta sArasa pAda

    sadA mOda

    nArI vEsha dhara

    vAma bhAga

    murArE SrI vidyA rAja harE

    SrI rukmiNI

    satya bhAmA Srita

    pArSva

    yugaLa kambu jaya gaLa

    madhyama

    kAla sAhityam:

    nIra

    saMpUrNa haridrA nadI -

    tIra

    mahOtsava vaibhava mAdhava

    mAra janaka

    nata Suka sanaka janaka

    vIra guru guha mahita ramA sahita

     

    Meaning: (Courtesy: Guru

    Guha Vaibhavam)

    Sahityam: SrI rAja gOpAla bAla   SRngAra lIla Srita jana

    pAla


    SrI rAja gOpAla

    bAla           - O child Rajagopala!

    SRngAra lIla                   - O one of attractive

    playful activities!

    Srita jana pAla                - O protector of those who have

    come seeking refuge!

     

    Anupallavi 

    Sahityam: dhIrAgragaNya dIna SaraNya cAru campakAraNya dakshiNa

    –

    dhIra-agragaNya                - O foremost among the wise and

    brave,

    dIna SaraNya                   - O one affording shelter to

    the destitute !

    cAru campaka-araNya

    dakshiNa dvArakA puri nilaya - O resident of the beautiful Champaka forest (Mannargudi)
    known as the Dwarakapuri  of the South!

    Sahityam: dvArakA puri Nilaya 

    viSishTAdvaitAdvaitAlaya mAM pAlaya

    cAru campaka-araNya

    dakshiNa dvArakA puri nilaya - O resident of the beautiful Champaka forest
    known as the Dwarakapuri  of the South!

    viSishTa-advaita-advaita-Alaya

    - O haven to both  Vishishtadvaita and
    Advaita schools of philosophy,

    mAM pAlaya                     - Protect me!

     

    CaraNam 

    Sahityam: smErAnana sEvaka caturAnana nArAyaNa

    smEra-Anana                    - O one with a smiling

    face!

    sEvaka catura-Anana            - O one to whom the four-faced

    Brahma is himself a servant!

    nArAyaNa                       - O Narayana!

    Sahityam: tAraka divya nAma pArAyaNa kRta –

    Sahityam: nAradAdi nuta sArasa pAda

    O one praised by Narada

    and others who chant your divine names which enable crossing (the ocean of
    Worldly Existence)!

    sArasa pAda                    - O one with lotus-like

    feet!

    Sahityam: sadA mOda nArI vEsha dhara

    Sahityam: vAma bhAga murArE SrI vidyA rAja harE

    sadA mOda                      - O ever-blissful one!

    nArI vEsha dhara vAma

    bhAga - O one whose left half is feminine!

    mura-arE                       - O slayer of the demon

    Mura!

    SrI vidyA rAja harE            - O Hari who is Srividya

    Rajagopala!

    Sahityam: SrI rukmiNI satya bhAmA Srita

    Sahityam: pArSva yugaLa kambu jaya gaLa

    SrI rukmiNI satya bhAmA

    Srita pArSva yugaLa - O one at whose two sides Rukmini and Satyabhama are held
    in embrace!

    kambu jaya gaLa                - O one whose neck surpasses a

    conch (in shapeliness and beauty)!

    madhyama kAla sAhityam:

    Sahityam: nIra saMpUrNa haridrA nadI -

    Sahityam: tIra mahOtsava vaibhava mAdhava

    nIra saMpUrNa haridrA

    nadI-tIra mahA-utsava vaibhava - O one whose enjoys the grandeur of the great
    festivities on the banks of the water-filled Haridra-nadi tank,

    mA-dhava                 - O husband of Lakshmi (Ma)!

    Sahityam: mAra janaka nata Suka sanaka janaka

    Sahityam: vIra guru guha mahita ramA sahita 

    mAra janaka                    - O father of Manmatha!

    nata Suka sanaka

    janaka        - O one saluted by the
    sages Shuka, Sanaka and Janaka,

    vIra guru guha

    mahita          - O one esteemed by the
    brave Guruguha!

    ramA sahita                    - O one in the company of

    Goddess Lakshmi (Ramaa)!


    49 min
  • Mitri Bhagyame (Class) - Kharaharapriya - Adi - Tyagaraja

    Full Notations: www.shivkumar.org/music

    mitri bhAgyamE

     

    Ragam: Kharaharapriya (22nd mela kartha)

    Kharaharapriya - Wikipedia

    Arohana:

                  S R2
    G2 M1 P D2 N2 S       ||
    Avarohana:           S
    N2 D2 P M1 G2 R2 S       ||

    Talam: Adi

    Composer:

    Tyagaraja

    Version: Ram

    Kaushik (Youtube Original)

    Lyrics / Meaning

    Courtesy http://thyagaraja-vaibhavam.blogspot.com/2007/07/thyagaraja-kriti-mitri-bhaagyamae-raga.html

    Youtube Class: https://www.youtube.com/watch?v=bTGEl66GSSE

    Audio MP3 Class: http://www.shivkumar.org/music/mitribhagyame-class.mp3

     

    Pallavi:

    mitri bhAgyamE bhAgyamu manasA sau(mitri)

     

    Anupallavi:

    citra ratna-maya SEsha talpam(a)ndu

    sItA patini unici(y)Ucu sau(mitri)

     

    Charanam:

    bAguga vinta rAgamulan(A)lApamu

    sEyaga mEnu pulakarincaga

    tyAgarAja nutuDagu SrI rAmuni

    tatv(A)rthamunu pogaDi jucu sau(mitri)

     

     

    Meaning: Courtesy Tyagaraja

    Vaibhavam: http://thyagaraja-vaibhavam.blogspot.com/2007/07/thyagaraja-kriti-mitri-bhaagyamae-raga.html

     

    Sahityam: mitri bhAgyamE bhAgyamu

    manasA sau(mitri)

    Meaning: O My Mind (manasA)! The fortune (bhAgyamE) of

    lakshmaNa - son of mitrA – sumitrA (mitrA) (saumitri) is indeed the real
    fortune (bhAgyamu).

    mitri:

    friend

    bhAgyamE:

    is indeed the fortune

    bhAgyamu:

    fortune

    manasA:

    by the mind

    sau(mitri):

    Sumitra's son (refers to Lakshmana, brother of Rama)

     

    Sahityam: citra ratna-maya SEsha

    talpam(a)ndu

    Meaning: A O My Mind! The fortune of lakshmaNa, who saw the

    lord sitting on

    the

    pretty (citra) gem-studded (ratna-maya) couch (talpamu) (talpamandu) of SEsha
    and gently rocking (Ucu) (uniciyUcu) it,

    citra:

    wonderful

    ratna-maya:

    gem-filled

    SEsha:

    of the serpent king (Ananta, on whom Vishnu rests)

    talpam(a)ndu:

    on the bed

     

    Sahityam: sItA patini unici(y)Ucu

    sau(mitri)

    Meaning: … Lakshmana, who has the privilege of seating (unici)

    the Lord SrI rAma – Consort (patini) of sItA – on (andu)

     

    sItA:

    Sita (wife of Rama)

    patini:

    as the wife

    unici(y)Ucu:

    having made

    sau(mitri):

    Sumitra's son (Lakshmana)

     

     

    Sahityam: C: bAguga vinta

    rAgamulan(A)lApamu

    Meaning: C The fortune of lakshmaNa,

    who,

    while exposition (AlApamu) of exquisite (vinta) rAgAs (rAgamulanu)
    (rAgamulanAlApamu) is nicely (bAguga)

     

    bAguga:

    beautifully

    vinta:

    heard

    rAgamulan:

    ragas (melodies)

    AlApamu:

    exposition

     

     

    Sahityam: sEyaga mEnu

    pulakarincaga

    Meaning: such that he (lakshmaNa) experiences horripilation

    (mEnu pulakarincaga) (literally bodily horripilation),

     

    sEyaga:

    while doing

    mEnu:

    body

    pulakarincaga:

    thrilled

     

     

    Sahityam: tyAgarAja nutuDagu SrI

    rAmuni

    Sahityam: tatv(A)rthamunu pogaDi

    jucu sau(mitri)

    Meaning: performed (sEyaga) (by tyAgarAja), … appreciates

    (pogaDi jucu) (literally praise) the true purport (tatva arthamunu) (tatvArthamunu)
    of SrI rAma (rAmuni) – praised (nutuDagu) by this tyAgarAja – is indeed the
    real fortune of Lakshmana.

     

    tyAgarAja:

    Tyagaraja (the composer, also a name for Lord Shiva, here referring to the
    saint-composer)

    nutuDagu:

    praised

    SrI

    rAmuni: Lord Rama

    tatv(A)rthamunu:

    the true meaning

    pogaDi:

    praising

    jucu:

    saw

    sau(mitri):

    Sumitra's son (Lakshmana)


    [NOTE: The renditions of

    Nedanuri Krishnamurthi, Hyderabad Brothers and Ram Kaushik start with the
    anupallavi]


    23 min
  • shenNdil ANDavan (Class) - Kharaharapriya - Rupakam - Papanasam Sivan

    Full Notation -> www.shivkumar.org/music

    shenNdil ANDavan

     

    Ragam: Kharaharapriya

    {22th melakartha ragam}

                   Kharaharapriya - Wikipedia

    Arohana:               S R2 G2 M1 P D2 N2 S       ||

    Avarohana:           S
    N2 D2 P M1 G2 R2 S       ||

    Talam: Rupakam

    Composer: Papanasam

    Sivan

    Version: Ram Kaushik (YouTube Original)

    Lyrics & Meanings Courtesy: Lakshman Ragde, ChatGPT Plus with author’s edits

    Youtube Class:

    Audio MP3 Class: http://www.shivkumar.org/music/shendil-andavan-class.mp3

     

    Pallavi:

    shenNdil ANDavan

    shiva kumaran sEvaDi paNivOmE tiru

     

    Anupallavi:

    undik-kamalap-perumAn

    tirumAl marugan Arumukhan

     

    Charanam:

    vElan vaLLi

    devAnai lOlan tAL tozhum anbar bAlaka murugan kOla mayil vAhana karuNAlavAla
    shIlan guha perumAn rAmadAsan agham vaLar SaNmukhap-perumAn

     

    Meaning: (ChatGPT Plus with edits by author):

    Pallavi (P):

    Sahityam: "shenNdil ANDavan shiva kumaran sEvaDi paNivOmE tiru"

    Meaning: "We will worship the holy feet of Lord Muruga, the

    ruler of Thiruchendur and the son of Shiva."

     

    shenNdil: referring to Thiruchendur, a town known for its Murugan temple

    ANDavan: the ruler or lord

    shiva kumaran: son of Shiva

    sEvaDi: feet

    paNivOmE: we will worship

    tiru: holy or sacred

     

    Anupallavi (A):

    Sahityam: "undik-kamalap-perumAn tirumAl marugan Arumukhan"

    Meaning: "Lord Muruga, known as Arumukhan, is the nephew of

    Lord Vishnu, who reclines on the banyan leaf."

     

    undik-kamalap-perumAn: the one who reclines on the banyan leaf (referring

    to Lord Vishnu)

    tirumAl: another name for Lord Vishnu

    marugan: nephew of

    Arumukhan: the six-faced one

     

    Charanam (C):

    Sahityam: "vElan vaLLi devAnai lOlan tAL tozhum anbar bAlaka murugan”.

    Meaning: "Lord Muruga, the bearer of the Vel, beloved of

    Valli and Devanai, worshipped by his devoted followers.

     

     

    vElan: the bearer of the Vel (spear)

    vaLLi devAnai lOlan: the beloved of Valli and Devanai

    tAL tozhum anbar bAlaka: worshipped by devoted followers

    murugan: Lord Muruga

     

    Sahityam: ”kOla mayil vAhana karuNAlavAla shIlan guha perumAn rAmadAsan agham vaLar

    SaNmukhap-perumAn"

    Meaning:  ”He rides a

    beautiful peacock. He is full of compassion and virtue, known as Guha, the
    great one. He is the remover of sins, the six-faced lord."


    kOla mayil vAhana: the one with the beautiful peacock as his vehicle

    karuNAlavAla: full of compassion

    shIlan: virtuous

    guha: another name for Muruga, meaning 'cave'

    perumAn: the great one

    rAmadAsan agham vaLar: remover of Ramadasa's sins

    SaNmukhap-perumAn: the six-faced lord

    31 min
  • ThAyE YashODa (Class) - Thodi - Adi - Oothukadu Venkata Subbaiyer

    Full Notation: www.shivkumar.org/music

    tAyE yashodE

     

    Ragam: Thodi

    {8th melakartha ragam}

                   ARO:     S R1

    G2 M1 P D1 N2 S     ||

    AVA:     S

    N2 D1 P M1 G2 R1 S     ||

    Talam: Adi

    Composer: OotukkaaDu

    VenkaTasubbaiyyar

    Version: Ram Kaushik (YouTube Original)

    Lyrics & Meanings Courtesy: www.karnatik.com
    & Lakshman Ragde

    Pallavi:

    tAyE yashOdE

    undan Ayar kulattuditta mAyan gOpAlakrSNan sheyyum jAlattai kELaDi 

    Anupallavi:

    taiyalE kELaDi undan

    paiyanai pOlavE inda vaiyaghattil oru piLLai ammamma nAn kaNDadillai

     

    caraNam

    C1:  kAlinil shilambu konja kaivaLai kulunga muttu

    mAlaigaL ashaiyat-teru vAshalil vndAn kAlashaivum kaiyashaivum tALamODishaindu
    vara nIla vaNNak-kaNNanivan nartanamADinAn bAlanenru tAvi aNaittEn aNaitta
    ennai mAlaiyiTTavan pOl vAyil muttamiTTANDi bAlanallaDi un maghan jAlam migha
    sheyyum krSNan nAlu pErgaL kETka sholla nANamighavAgudaDi


    Meaning: (Courtesy: karnatik.com: http://www.karnatik.com/c1446.shtml;

     

    P: Oh mother (“tAyE”) yasodha! Please listen to (“kELaDi”) the mischievous plays and

    tricks (“jAlattai”) that
    your son (“undan
    mAyan”), this krishna (“gOpAlakrSNan”) plays (“sheyyum”) on us (“sheyyum”), who is born in your vraj kulam (“Ayar kulat-uditta”).


    Sahityam: tAyE yashOdE undan Ayar kulattuditta

    P: Oh mother (“tAyE”) yasodha! (your son) who is born in your vraj kulam

    (“Ayar kulat-uditta”).

     

    Sahityam: mAyan gOpAlakrSNan sheyyum jAlattai kELaDi

    Please listen to (“kELaDi”) the mischievous plays and tricks (“jAlattai”) that your son (“undan mAyan”), this krishna (“gOpAlakrSNan”) plays (“sheyyum”) on us (“sheyyum”),


    A: Oh young lady (“taiyalE”), please hear (“kELaDi”), I have not seen such a

    mischievous (“ammamma
    nAn kaNDadillai”) boy (“oru piLLai”) equal to (“pOlavE”) your (“undan”) son (“paiyanai”) krishna in this world (“inda vaiyaghattil”). Oh, what an
    extent of nuisance from him.

     

    Sahityam: taiyalE kELaDi undan paiyanai pOlavE

    A: Oh young lady (“taiyalE”), please hear (“kELaDi”), I have not seen such a mischievous (“ammamma nAn kaNDadillai”) boy (“oru piLLai”) equal to (“pOlavE”) your (“undan”) son (“paiyanai”) krishna

     

    Sahityam: inda vaiyaghattil oru piLLai ammamma nAn kaNDadillai

    … I have not seen such a

    mischievous (“ammamma nAn kaNDadillai”) boy (“oru piLLai”) in this world (“inda vaiyaghattil”). Oh, what an extent of nuisance from him.

     

    30 min
  • Bhajana Seya Rada (Class) - Dharmavathi - Rupakam - Mysore Vasudevacharya

    Full notation -> www.shivkumar.org/music

    bhajanasEya rAdA

     

    Ragam: Dharmavathi

    {59th Melakartha raga}

    https://en.wikipedia.org/wiki/Dharmavati

                   ARO:     S R₂

    G₂ M₂ P D₂ N₃ Ṡ         ||

    AVA:     Ṡ N₃ D₂ P M₂ G₂ R₂ S         ||

    Talam: Rupakam

    Composer:

    Mysore Vasudevaacharya

    Version: Ram Kaushik (Youtube Original)

    Lyrics Courtesy: Lakshman Ragde

    Meanings Courtesy: ChatGPT Plus, with edits by author!

    Graphics courtesy: DALL-E 3 (see last page)

    Youtube Class: https://www.youtube.com/watch?v=lDRMTxxZ2SA

     

    Pallavi:

    bhajanasEya rAdA

    O manasA shrI rAmuni

     

    Anupallavi:

    aja bhavEndrAdi

    nutuni sujanAvana lOluni

     

    Charanam:

    paranArI

    sahOdaruni paripUrNa kAmuni dharaNijA manOharuni para vAsudEvuni

    caraNa jana

    dhAruni sarasIruha nEtruni niravadhi sukhadAyakuni paramAtmuni bhakta pAluni

     

    Meaning: (Credit: ChatGPT Plus, with edits by author!)

    Pallavi (P):

     

    The Pallavi invites the

    mind to worship Lord Rama, emphasizing his auspicious nature. It sets the tone
    for the composition, focusing on the devotion and adoration of Lord Rama, a
    central figure in Hinduism, revered for his righteousness and virtue.

     

    BhajanasEya:

    "worthy of worship"

    Radha: wont you

    O manasa: "O

    mind"

    Sri Ramuni: "the

    auspicious Lord Rama"

     

    Anupallavi (A):

    The Anupallavi describes

    Lord Rama as the unborn (eternal), praised by Indra and other gods. He is
    depicted as a protector of the virtuous and someone eagerly desired or sought
    after by devotees. This section enriches the image of Rama as a divine figure,
    worthy of worship not just by humans but also by celestial beings.

     

    Aja: "unborn"

    (referring to Lord Shiva)

    Bhava: "worldly

    existence" or "birth and death cycle"

    Indradi: "by Indra

    and other gods"

    Nutuni:

    "praised"

    Sujanavana:

    "protector of the good-hearted" or "refuge of the virtuous"

    Loluni: "one who is

    desirous or eager"

     

    Charanam (C):

    In the Charanam, the

    composition delves into various aspects of Lord Rama's life and attributes. It
    refers to his relationship with his wife Sita (born of the earth), his role as
    a brother to Lakshmana, and his identity as an incarnation of the supreme deity
    Vasudeva. His enchanting, lotus-like eyes, his role as a bearer of the people's
    burdens, and his limitless ability to bestow happiness are highlighted. The
    verse culminates by recognizing Rama as the supreme soul and the protector of
    his devotees, encapsulating his divine and compassionate nature.

     

    Paranari:

    "wife" (refers to Sita)

    Sahodaruni:

    "siblings" (refers to brothers, like Lakshmana)

    Paripurna:

    "complete"

    Kamuni: "one who

    has desires" (one who completes the desires)

    Dharanija: "born of

    the earth" (referring to Sita)

    Manoharuni:

    "enchanter of the mind"

    Para Vasudevuni:

    "the supreme deity Vasudeva"

    Charana:

    "feet"

    Jana: "people"

    Dharuni:

    "bearer"

    Sarasiruha:

    "lotus"

    Netruni:

    "eyes"

    Niravadhi:

    "limitless"

    Sukhadayakuni:

    "giver of happiness"

    Paramatmuni:

    "supreme soul"

    Bhakta Paluni:

    "protector of devotees"

    32 min
  • mOhana rAma (Class / Lesson) - Mohanam - Adi (2 kalai) - Tyagaraja

    Notation -> http://www.shivkumar.org/music/

    mOhana rAma

    Ragam: Mohanam { 28th Melakartha Janya Ragam}

    https://en.wikipedia.org/wiki/Mohanam 

    ARO: S R₂ G3 P D2 S ||

    AVA: Ṡ D₂ P G3 R2 S ||

    Talam: Adi (2 kalai)

    Composer:  Tyagaraja

    Version: Ram Kaushik (Original YouTube)

    Lyrics & Meanings Courtesy: Tyagaraja Vaibhavam http://thyagaraja-vaibhavam.blogspot.com/2008/02/thyagaraja-kriti-mohana-rama-raga.html 

    Youtube Class / Lesson: https://youtu.be/3SFMkIAnsEU 

    MP3 Class / Lesson: http://www.shivkumar.org/music/mOhanarAma-class.mp3  


    Pallavi:

    mOhana rAma mukha jita sOma

    mudduga palkumA


    anupallavi

    mOhana rAma modaTi daivamA

    mOhamu nIpai monasi(y)unnadirA (mOhana)


    caraNam

    dhara manuj(A)vatAra mahima vini

    sura kinnara kimpurusha vidyAdhara

    sura pati vidhi vibhAkara candr(A)dulu

    karagucu prEmatO

    vara mRga pakshi vAnara tanuvulacE

    girini velayu sItA vara cira kAlamu

    guri tappaka mai maraci sEvinciri

    vara tyAgarAja varad(A)khila jagan(mOhana)


    Meaning Courtesy: Thyagaraja Vaibhavam: http://thyagaraja-vaibhavam.blogspot.com/2008/02/thyagaraja-kriti-mohana-rama-raga.html 


    Sahityam: P: mOhana rAma mukha jita sOma

    mudduga palkumA

    Meaning:  O Captivating (mOhana) Lord rAma whose face (mukha) vanquishes (jita) the moon (sOma)! Please speak (palkumA) to me charmingly (mudduga).


    Sahityam: A: mOhana rAma modaTi daivamA

    Meaning: O Captivating (mOhana) Lord rAma - the foremost (modaTi) (literally first) God (daivamA)! 


    Sahityam: mOhamu nIpai monasi-unnadirA (mOhana)

    Meaning: I have been captivated by You (mOhamu nIpai monasiyunnadirA) (literally attraction (mOhamu) towards You (nIpai) has developed (monasi unnadirA) (monasiyunnadirA)).

    O Captivating Lord rAma whose face vanquishes the moon! Please speak to me charmingly.


    Sahityam: dhara manuja-avatAra mahima vini   sura kinnara kimpurusha vidyAdhara

    Meaning: Hearing (vini) Your greatness (mahima) of having incarnated (avatAra) as a human being (manuja) (manujAvatAra) in the World (dhara), celestials (sura), kinnara, kimpurusha, vidyAdhara, 


    Sahityam: sura pati vidhi vibhAkara candra-Adulu    karagucu prEmatO

    Meaning:  ... indra – Lord (pati) of celestials, brahmA (vidhi), Sun (vibhAkara), moon (candra) and others (Adulu) (candrAdulu),

    melting (karagucu) with love (prEmatO), 



    Sahityam: vara mRga pakshi vAnara tanuvulacE   girini velayu sItA vara cira kAlamu

    Meaning: ... having embodied (tanuvulacE) (literally with bodies) as blessed (vara) animals (mRga), birds (pakshi) and monkeys (vAnara),

    O Consort (vara) of sItA shining (velayu) on the Mount (girini) prasravaNa or suvEla!


    Sahityam: guri tappaka mai maraci sEvinciri     vara tyAgarAja varada-akhila jagan-(mOhana)

    Meaning: .. without missing (tappaka) the aim (guri), worshipped (sEvinciri) You for a long (cira) time (kAlamu) bereft of body (mai) consciousness (maraci);

    O Great (vara) Bestower of boons (varada) on this tyAgarAja!

    O Lord SrI rAma who captivates (mOhana) the whole (akhila) (varadAkhila) Universe (jagat) (jaganmOhana) whose face vanquishes the moon! Please speak to me charmingly.



    34 min

About South Indian Classical (Carnatic) Music Archive: Classes / Lessons

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This podcast is a complement to http://www.shivkumar.org/music/ and Youtube channel (https://www.youtube.com/user/shivkuma100/videos) by an amateur and hobbyist for fellow amateurs, self-learners,…