The UNT Collegium Singers and Baroque Orchestra present several different ways of performing the music, just as Giovanni Legrenzi suggests. Check it out!

Listen as Hebrew, Islam, and Christian traditions overlap and diverge as they spread around Europe and Asia, in a performance by ensemble Schola Antiqua.

The ensemble Sonnambula plays music from seventeenth-century France by Lully, Lalande, and more at the Baruch Performing Arts Center in NYC of September 2017. Join us!

Let's hear some of Quire Cleveland's 2017 performance of the St. Matthew Passion by Renaissance composer Richard Davy.

Tempesta di Mare created a very unusual Christmas concert of Czech music, most of which was found in a bishop’s library in the Moravian Court in Kroměříž. Singers, strings, brass, winds, and organ join together for festive music of the season.

Join us for excerpts from the concert “Hecho en Mexico” by Austin Baroque Orchestra.

Travel with us back through time to October 2016. We’re visiting St. Luke in the Fields Church in New York City for “King James and his Bible: a musical portrait,” a concert presented by the viol consort Parthenia with guest bass-baritone Dashon Burton.

In January, 2020, Alchymy Viols underwent some friendly alchemy to become an ensemble of singers and instrumentalists perfect for the performance of Marc Antoine Charpentier’s 11th and final mass, first performed at the Sainte Chapelle in Paris, probably during the feast of the Assumption in 1699. We’ll hear some of that splendid mass and also Charpentier’s only Sonata among an oeuvre of well over 500 works.

We'll hear excerpts from the Rose Ensemble's concert at the St. Thomas Aquinas Church in St. Paul in March of 2017. The concert comprised liturgical music composed in the style current in France in the seventeenth century, though not all the repertory is by French composers...

Harmonia Uncut brings you two performances from back in the time of concerts, one of Mozart from Gili Loftus, and one of Muffat from Matvey Lapin.