Haydn Behind the Music Stand

On this episode of Cecil's Corner, Cecil and Patty discuss some strategies for practicing, the specifics of listening to playing, and learning to gain consistency and confidence on stage.

Submit your questions to Cecil on Instagram @⁠⁠⁠cecilm10⁠⁠⁠ or by email at [email protected].

Support this podcast at ⁠⁠⁠www.patreon.com/haydnmusicstand⁠⁠⁠ and follow us on social media @haydnmusicstand

Since my resignation with the Artaria String Quartet this past summer, I’ve been deep in thought about the next steps for my career, ranging from the anxieties of the scramble to find new freelance work to reevaluating my presence within my current music groups among other realities of transitioning in my career. Around the same time as I was making this huge shift in my musical identity and career, Joe Biden dropped out of the 2024 Presidential race and endorsed Kamala Harris as the nominee, and my immediate reaction was to dive into politics with the impulse that I needed to witness this pivotal moment in American History that I coexisting in. This new engagement surprisingly inspired a re-evaluation of my artistic purpose and how to stretch my musicianship farther than I imagined in the past. I began to realize that I could utilize my musical voice as a means for advocacy - to perform as a messenger of generational emotive inheritance to resurface the lived experiences of our ancestors - and to reach a greater impact in the community that I belong to. 

This week, I am joined by Jason Wells, bassist with the Saint Paul Chamber Orchestra, co-executive director of 10th Wave Music and friend of the podcast, Haydn Behind the Music Stand, to explore some thoughts about arts impact, specifically in the classical music genre, identifying current barriers that limit our industry’s reach and possible solutions of how to enact a paradigm shift within our community. 

Many of the topics we will discuss will have open ended solutions and may have other viewpoints, which I invite listeners to respond to with their feedback either on social media or at [email protected]. You can also support these episodes by becoming a patron at patreon.com/haydmusicstand and by leaving a review on Apple Podcasts. 

On Spilling P’Tea with Patty Ryan, I invite back past guests of Haydn Behind the Music Stand to return for a more in-depth, thoughtful conversation about bigger and more controversial topics that affect the classical music industry and what musicians are thinking, feeling, and how they are reacting. 

The goal for these conversations is to spark thought and conversation as well as shed light onto topics that I personally think about often in my pursuit to be a more well-rounded musician and artist. Many of the topics we will discuss will have open ended solutions and may have other viewpoints, which I invite listeners to respond to with their feedback either on social media (@haydnmusicstand) or at [email protected]. You can also support these episodes by becoming a patron on Patreon at patreon.com/haydmusicstand and by leaving a review on Apple Podcasts, allowing the algorithm to reach further. 

Stay tuned for the first episode of Spilling P’Tea with Patty Ryan!

Composer and violinist Matthias McIntire shares his passion for field recording in nature and how he integrates nature's sounds into his compositions. His piece featured in this episode is Cathedral Grove (and the Gray Jay).

Follow Matthias at www.matthiasmcintire.ca and @matthiascomposerperformer

Support this podcast at www.patreon.com/haydnmusicstand and follow us on social media @haydnmusicstand

Email your thoughts [email protected]

On this episode of Cecil's Corner, Cecil and Patty discuss the process of learning new repertoire, the balance of how much to listen to recordings for reference, interacting with living composers and learning music that's completely unfamiliar.

Submit your questions to Cecil on Instagram @⁠⁠cecilm10⁠⁠ or by email at [email protected].

Support this podcast at ⁠⁠www.patreon.com/haydnmusicstand⁠⁠ and follow us on social media @haydnmusicstand

Assistant Professor of Instruction in Collaborative Piano at the University of Texas San Antonio and Collaborative Pianist and Coach at Aspen Music Festival Jeong-Eun Lee chats about how food and trying new cuisines has inspired her and influenced her musical life.

Follow Jeong-Eun www.pianistjeongeunlee.com

Trio Zenia www.triozenia.com @triozenia

Support this podcast at www.patreon.com/haydnmusicstand and follow us on social media @haydnmusicstand

Email your thoughts [email protected]

On this episode of Cecil's Corner, Cecil and Patty discuss the transition of leaving high school and beginning collegiate music studies and the various expectations from teachers, peers, and ones for yourself that may cause some early anxiety in this phase of a musician's career.

Submit your questions to Cecil on Instagram @⁠cecilm10⁠ or by email at [email protected].

Support this podcast at ⁠www.patreon.com/haydnmusicstand⁠ and follow us on social media @haydnmusicstand

Welcome to Cecil's Corner! Violinist and aspiring conductor Cecil Mummey is embarking on his career in classical music and has many questions about what to expect as he begins his undergraduate at Boston University. Once a month he sits down with Patty to chat about what he's curious about and what's on the other side of conservatory and collegiate experience.

Submit your questions to Cecil on Instagram @cecilm10 or by email at [email protected].

Support this podcast at www.patreon.com/haydnmusicstand and follow us on social media @haydnmusicstand

Patty's Back! There's a lot of updates since the last episode, and we're wanting YOUR thoughts for Season 4 of Haydn Behind the Music Stand! Email [email protected] and DM @haydnmusicstand for your ideas!

Did you miss the Stringwood Special Edition Episode with past guest and Assistant Faculty violinists Matt Lammers and Hannah Kennedy, violist Alexandra Sophocleus, and cellist Daniel Kopp? Not to worry - here's some sage advice from the founder and director of Stringwood Chamber Music Festival, violinist of Artaria String Quartet Nancy Oliveros and what she wishes to impart on the students that attend Stringwood.

Apply to Stringwood Today!

www.stringwood.com

@stringwoodcmf

A premier summer music festival, Stringwood specializes in connecting young musicians (ages 12-22) from across the United States to chamber music as an art form, and developing expression in a supportive and nurturing environment through collaborative experiences.

The program is enhanced by its location at the Eagle Bluff Environmental Learning Center, home to year round naturalists, organic gardens, eighty acres of pristine woodlands, canoeing, high ropes courses, indoor rock wall, nature hikes, bike trails, and breathtaking views.

The Stringwood schedule provides ample time and space for personal practice, in-depth daily rehearsals and coachings, private lessons with master teachers, and generous interaction with world-class guest artists in an energized and collaborative environment.