Electronic music duo Crush Effect, made up of Jesse Molloy – best known for playing sax for Panic! At The Disco – and David Veith – who play keys for Karl Denson’s Tiny Universe – talk about their first foray into score composing with new animated series Transformers: EarthSpark.

Grammy nominated mix and mastering engineer and owner of Chartmakers studio in Finland, Svante Forsbäck, talks about his mastering career, the impact immersive audio has had on his job, and mixing the new Rammstein album in Dolby Atmos using Genelec monitors.

L.A-based recording and mixing engineer Claire Morison explains why she took a big risk during lockdown and opened up her own studio, Wild Horizon Sound, and reveals why it means so much to her to have just worked on the first EP she’s fully produced. In the studio, she explains why Focusrite’s Clarett+ OctoPre has transformed her recording process.

L.A.-based singer songwriter Magic Whatever opens up on his alt rock roots, the state of play in the industry for new talent, and the art of collaboration.

British singer-songwriter L.A Salami explains why he grows detached towards his older songs very quickly after releasing them, and delves into the making of his new album, Ottoline.

Anna Pancaldi, a British singer-songwriter based in London, reflects on overcoming debilitating stage fright, having her songs featured in hit US shows like Pretty Little Liars, and the new songs she has coming out soon, which she hopes will exceed the multi-million streams of her song, Brother.

Music tech entrepreneur and founder and CEO of Finland’s Neural DSP, Doug Castro explains why the Nordic music scene is such a hotbed for innovation, reflects on the company’s growth so far, and shares his views on AI’s role in the future of music technology and studio recording.

Revered LA-based DJ Morgan Page speaks to Headliner about the evolution of the electronic music market, how emerging talent can break into the industry, and his recent masterclass at JBL Fest 2022.

American hard rock and metal producer, mixer and engineer Mark Lewis talks about being a go-to death metal mixer in Nashville, his approach to mixing a “wall of sound”, and why Genelec monitors ensure he doesn’t get heavy metal ear fatigue.

Mixing and mastering engineer Kevin Paul reflects on working with David Bowie, Adele, Nick Cave and Calvin Harris, going from a graffiti artist to DJing and mixing, and why Waves plugins have always been there throughout.