In this long-form Musically Speaking conversation, I sit down with theologian Alastair Roberts at Theopolis Institute to explore what happens when we learn to hear the Bible musically. Alastair argues that Scripture isn’t something we simply analyze from above like a map. It’s more like music we enter—where themes develop, time interpenetrates, and the rhythms of typology and liturgy work together like a great symphony.

We talk about why modern theology has become so flat and spatial, how recovering the primacy of the ear helps us read Scripture more faithfully, and why worship is meant to function musically, rather than as a collection of disconnected parts. We also dig into the Psalms, the creativity of Christian hymnody, and how a psalm-soaked imagination gives rise to richer and more faithful new songs.

If you care about music, Scripture, worship, or the shape of Christian time, I think you’ll find this conversation both challenging and deeply encouraging.

You can read more from Alastair Roberts at The Anchored Argosy here on Substack.

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